Yogi

<p>Yogeshwaran aka Yogi and his gang of three men live in a slum on the edge making a living out of robberies and murders and having no human emotions. Yogi, in particular, has a dark secret about his bad past, which he keeps to himself. One day during a robbing spree, he is chased by the police. He gets into a car parked by a woman in front of a fruit shop and manages to flee, when he suddenly hears the cry of a child, finding a three-month-old baby in the car’s backseat. He abandons the car and leaves the baby in there, but as he hears the baby crying, he is moved, and the human being in him wakes up. He gets back to shove the baby into a large shopping bag and takes it home with him. He hides the baby from the rest of his gang and tries to take care of the baby alone. Yogi, then holding at gunpoint, coerces Rajasulochana, a young mother hailing from and deserted by her husband, to breastfeed that baby. Meanwhile, it is revealed that the child’s real mother, Caroline, is desperate to get her child back, whilst her husband Linden, happening to be merely the stepfather of the baby, searches with the help of rowdies for the baby, which he actually wants dead. In the meantime, Yogi slowly gets transformed, turning into a new man thanks to the baby, which apparently prompts feelings in him, even planning to keep and bring up the child himself. A flashback reveals his past, where he had an atrocious childhood as he was terrorised by his sadistic father, a beggar who was responsible for the death of his mother and sister and for making Yogi himself a brute. However, he changes his plans and decides to reunite the baby with its mother, but unfortunately, the child slips into Linden’s hands. Yogi gets to know that Linden wants to kill the baby and tries to prevent that and save the baby. Yogi is the debut for Ameer in a leading role. He chose Subramaniam Siva to direct the film after being impressed by the director’s work in (2003). Ameer, seeking to achieve the physique of a , went on a specific diet by eating only and eggs, avoiding and having to eat only within 45 minutes of completing his workout. , who starred in Ameer’s directorial venture (2007), was the first choice to play the female lead but refused, and the role went to Madhumitha. Lyricist made his acting debut in the film. Journalist Devaraj played a prominent role, while 20 newcomers were to make their debut in the film, including two real-life slum dwellers, who would play Ameer’s friends. Filming began in mid-November 2007 and was completed by mid-July 2009. Since the story revolves around a slum dweller in an urban slum, shooting was mainly held around slum areas in Chennai as in , , and . Several fight scenes in the climax were shot at the terrace of in , at and a house in . Ameer was injured while filming a stunt sequence, where he had to jump from 40 meter high and sustained fracture in his right hand. The musical score of is composed by . Much of the music is centred on the traditional instrument played by . The album has six songs written by Snehan and was released on 13 September 2009 under the label, although work on the background music continued through October 2009. wrote for , “Barring one song, Yogi’s soundtrack is brilliant”. Pavithra Srinivasan from wrote, “You get the feeling that [Yuvan is] really trying to put out something new in his songs, and the effort shows but it doesn’t last, and he falls into familiar patter[n]s. would be considered good from any other composer, but from Yuvan, you’ve come to expect more. In that sense, it only partially delivers”. Pavithra Srinivasan from gave the film 3 stars out 5 and praised the secondary actors, dialogues, twists, music and art direction. Criticism was aimed towards the performance of Ameer, slow pacing and the film’s similarities with . Bhama Devi Ravi from gave the film 2.5 stars out of 5, noting it had plenty of fight scenes unlike the original, and praised the film’s rawness along with the performances. However, the reviewer felt the film reminded too much of , and also criticised the melodramatic episodes and lack of depth in characterisation. A reviewer from praised the performances and cinematography, while criticising the music, loopholes in writing and excessive melodrama in the second half, along with the execution and predictability of the climax. Malathi Rangarajan from praised the performances of Devaraj and Madhumitha, Ganja Karuppu’s situational humor, editing and music. However, she felt Ameer was expressionless and the pace was too slow for an action film. Devan Nair of appreciated Gurudev’s cinematography and Ram Sudarshan’s editing, but added, “It is a great technical effort that has been underplayed because of his blatant plagiarism […] is riveting viewing for those who haven’t seen Tsotsi, and for those who have, it does make for captivating viewing”. wrote that it “lacks substantiality over the script and lengthy screenplay and so on. If you ask us, whether this film deserves a watch? Definitely not!”.</p>