Yamagola (2007)

Yamagola

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Directed by Srinivas Reddy • Music:

Soundtrack

Storyline

<p>The film opens in a village where Satyam, the village president, works to improve the area’s prosperity while standing up to the tyranny of Rudrayya, a local landlord. Satyam falls in love with Savitri, Rudrayya’s daughter. Upon discovering their relationship, Rudrayya plots to eliminate Satyam. He hires Ram Sastry, a professional killer, to murder Satyam under the guise of a traditional ritual. After the murder, Ram Sastry tells Rudrayya to wait until his demonic prayers are complete, but as time passes, Rudrayya grows impatient and buries Satyam’s body in his backyard. Satyam’s soul is mistakenly sent to heaven, where he causes chaos and eventually encounters . He is then transferred to hell, where he continues to stir up trouble by organizing a rebellion among the hell soldiers. Satyam challenges and , but after negotiations, Yama agrees to reform their laws. Yama and Chitragupta then descend to Earth in human form to implement these reforms, declaring a lockout of hell. Satyam is also restored to life with the promise that he must return when Yama and Chitragupta do. Meanwhile, the police investigate Satyam’s disappearance and begin to suspect Rudrayya. Satyam, now alive, approaches Rudrayya disguised as Sundaram, his doppelgänger. Rudrayya, unaware of the truth, hires Sundaram to impersonate Satyam, and Sundaram begins to mock Rudrayya. Meanwhile, Yama and Chitragupta, now on Earth, face several challenges and are eventually arrested by the police, only to be freed by Satyam. Exhausted, Yama and Chitragupta prepare to return to the afterlife, which alarms Satyam as his life would also end. Satyam invites them to Rudrayya’s house under the pretense of seeking a boon for his marriage to Savitri. Savitri, unaware of the situation, serves Yama and Chitragupta with reverence and requests a blessing for her marriage to Satyam. Yama grants the blessing, inadvertently extending Satyam’s life. During the wedding, Satyam hides under the veil, and Yama blesses the couple with a long life, allowing Satyam to escape death. However, Rudrayya suddenly attempts to shoot Satyam. At this moment, Satyam wakes up, revealing that the entire sequence was a dream. As Rudrayya tries to attack him again, Satyam stops him and reveals that Ram Sastry is actually his friend, Ramana Murthy, and that the entire scheme was part of a larger plan. In the end, Rudrayya seeks forgiveness, and the film concludes with the happy marriage of Satyam and Savitri. The film was inspired by Rama Rao’s own (1960), and two other films — (1934) and (1958). , in turn was a remake of the 1958 film based on the novel of the same name by . Principal photography began on 28 May 1977, and was completed in 27 working days. Music was composed by . was released on 21 October 1977. The film celebrated a run at 6 centres and ran for 40 weeks in and . A reviewer for praised D. V. Narasaraju’s dialogues, performances of the cast and called it, “a colourful film which would entertain all kinds of audiences.” Another reviewer for wrote, ” is a satirical film on the current societal conditions told in a light-hearted manner.” The reviewer noted the satirical dialogues of Narasaraju as the major highlight of the film and commended the performances of the cast and the music. Kompella Viswam of magazine noted the similarities between and ‘s . Furthermore, he praised the dialogues penned by D. V. Narasaraju especially those on and the , the performances of the cast and the direction of T. Rama Rao. The film was remade into as in 1979, with Jaya Prada reprising her role. It was also remade in as (1980). also inspired the 2007 Telugu film directed by . The film which follows the basic plotline of starred Rama Rao’s grandson</p>

Details

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Genres: Drama
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Writer:
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Producer: S. Venkataratnam
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Music:
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Director: Srinivas Reddy
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Cinematography: S. Venkataratnam
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Release Date: 21-Oct-77
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Edited By: A. Sanjeevi
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Budget:
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Production Company:
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OTT Platform:
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Runtime:
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Language: Telugu
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Box Office:
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Other Languages:
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Screenplay: T. Rama Rao
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Censorship:

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