Wazir

<p>officer Danish Ali ( ) lives with his wife Ruhana ( ) and little daughter Noorie. One day, while Danish is driving with his wife and daughter, he spots the terrorist Farooq Rameez and chases him. Noorie is killed in the ensuing shootout while Rameez escapes. Ruhana is shattered and blames Danish for Noorie’s death. Danish later kills Rameez during a police operation, angering his seniors, who wanted Rameez alive to find out which politician he was going to meet. Subsequently, Danish is suspended from the ATS. A grief-stricken Danish is about to kill himself at Noorie’s grave when a mysterious van appears, which drives off when Danish yells at it. Danish finds a wallet lying where the van was, goes to return it, and meets its owner, a handicapped chess master named Pandit Omkar Nath Dhar ( ), who turns out to have been Noorie’s chess teacher. Pandit starts teaching Danish chess and tells him about Nina, Pandit’s daughter who also died. Nina ( ) had been teaching chess to Ruhi ( ), the daughter of a government minister, Yazaad Qureshi ( ), and had fallen down the stairs at Qureshi’s house and died. Pandit is convinced that her death was not an accident. Puzzled and intrigued, Danish tries to meet Qureshi, but cops at the minister’s office threaten him with arrest. Danish later meets Ruhi at her school to ask her about Nina, but Ruhi is taken away by Qureshi who threatens her for talking to Danish. That night Pandit is brutally attacked by Wazir ( ), a hitman sent by Qureshi, who warns Pandit and Danish to stop chasing Qureshi. Pandit leaves for , where Qureshi is headed. Wazir calls Danish and threatens to kill Pandit right there. Danish frantically chases Pandit’s van, but Wazir blows it up, killing Pandit. Determined to exact revenge and discover who Wazir is, Danish leaves for Kashmir without informing Ruhana and makes a plan with the Vijay Malik ( ) to pull Wazir out. During Qureshi’s speech, Malik detonates explosives hidden in a chandelier above the podium, causing a panic, and holds back the police to give Danish time to act. Qureshi escapes in the confusion and goes to where he and Ruhi are staying, but Danish breaks in and asks him about Wazir. Qureshi claims he does not know anybody called Wazir, when a crying Ruhi reveals to Danish that Qureshi is not her father – he is actually one of the militants who massacred her entire village and posed as her father when Indian Army troops arrived. Ruhi had told Nina this, so Qureshi killed Nina and staged it as an accident. Danish realises that Rameez and the other terrorists had come to meet Qureshi, and kills him. Subsequently, the ATS and Ruhi reveal to the media that Qureshi was actually a terrorist. A few days later, while watching Ruhana’s play – based on chess and dedicated to Pandit – Danish realises that Pandit was in fact the play’s “weak pawn” who befriended a “strong rook” (Danish) who would kill a “wicked king” (Qureshi) to wreak revenge. Shocked by this epiphany, Danish finds Pandit’s housekeeper, who says that she did not actually see Wazir on the night he attacked Pandit, but remembers an instruction about a USB pen-drive which Pandit had told her to give to Danish if he came looking for Wazir at all. The pen-drive contains a video of Pandit, who explains that Wazir never existed – he was just a persona created by Pandit, who knew that, due to his handicap, he was powerless against Qureshi, who he wanted dead. Pandit intentionally dropped his wallet near Noorie’s grave so Danish could find it and befriend him. His knife wounds from Wazir’s attack were self-inflicted, and he had used voice recordings to pose as Wazir on the phone. Pandit had sacrificed himself to ensure that Danish would kill Qureshi and get revenge for both of them. Shaken by the revelation, Danish and Ruhana reunite. The idea of came to after player was murdered on 28 July 1988 in . However, Chopra has said that the film is completely different from the incident. When Chopra met his eventual co-writer Abhijat Joshi in 1994, he told him about the idea of setting a thriller around two chess players. Chopra described the two characters as ” and playing chess”. The script was later written by them in four years, between 2000 and 2004. It was supposed to be Chopra’s first Hollywood film, with playing the protagonist. In 2005, their producer suddenly died and the script was shelved. Chopra saw ‘s 2013 film, ; he was particularly impressed by the black-and-white portions of it. Chopra subsequently called Nambiar and expressed a desire to work with the director; Chopra had a cache of unfilmed scripts, and Nambiar selected the chess one. Chopra and Joshi then spent two years writing a Hindi version of it. Both Chopra and Joshi consulted chess experts from America for the film. The cinematography of the film was done by , who had previously worked with Nambiar on . The film’s story was tweaked constantly during its seven-month editing period; both writers also served as editors. This was the first time since his 1989 picture that Chopra had edited a film. Joshi, who edited for the first time on , believes that “a film is rewritten on the editing table”. Visual effects were used to hide Bachchan’s legs, to make them look as if they ended below the knees. The makers of the film went through 40 to 50 wheelchairs to find one that would be comfortable for Bachchan over the long shoot. The working titles of the film were and , and it received its final title, , in October 2014, based on the character of that name in the film. At the screening of (2004), Chopra informed Farhan Akhtar about the script of , and wanted his feedback on it. Ten years later, in 2014, they met again, and Akhtar agreed to do the film because, as he later said, the revised script “moved me to my core”. He went through intense training and put on eight kilograms of weight to play the role of an Anti Terrorist Squad officer. He also changed his diet and met some of his friends who were ATS officers for the preparation. He modeled his character in the film on , an from , . Akhtar agreeing for the role puzzled Chopra, who recalls: “At that time, (Farhan’s father) and I were engaged in a public verbal duel. When I asked Farhan what made him agree to take up the role, he said, ‘The script is so good that I will bear with you “. Chopra noted that while re-writing the film in Hindi, he and Joshi “realised the protagonist can’t be American. We had to bring in our own sensibilities. Our cinema is more flamboyant. So the protagonist needed to be flamboyant too. We thought of making the chess master an Indian and approached [Amitabh] Bachchan for it”. Bachchan had read the original script, and remembered it when Chopra came to him. Aditi Rao Hydari was cast after Nambiar saw her pictures when she had walked the ramp for a designer and Chopra saw her dancing. After this, she went through three set of auditions: dance, acting and a . John Abraham and Neil Nitin Mukesh make extended cameo appearances in the film. commenced on 28 September 2014 in Mumbai. Parts of the film were also shot in Delhi. Chopra claims that “some of the best lines in are improvised” on the set, including a joke about the Russian vodka and Russian girls between Bachchan and Akhtar. Akhtar did his own stunts in the film. He completed his schedule in March 2015 at , while Bachchan filmed his remaining scenes the following month. Amitabh Bachchan’s legs were removed below the knee in the film with the use of to show him handicapped. He wore black socks with marks on them during filming to aid in the eventual creation of the effects. Chopra was not happy with the initial effects work on the legs, so he had changes made to improve the results. The film’s was composed by a number of artists: , , , , and Gaurav Godkhindi. The background score was composed by Rohit Kulkarni while the lyrics were penned by Vidhu Vinod Chopra, , , and Abhijeet Deshpande. The album rights of the film were acquired by , and it was released on 18 December 2015. was initially set to be released in the middle of 2015, and the first teaser of the film was attached with (2014). Its planned release date was moved to 2 October and then further to 4 December, but it was ultimately released in India and worldwide on 8 January 2016. The film was given a “UA” certificate with no cuts by the . The first poster of the film was released on 15 November 2015 via Bachchan’s and Akhtar’s accounts, each unveiling the other’s look from the film. The official trailer of the film was released on 18 November. Chopra showed the complete film to as many as 70 Indian film programmers and distributors. In pre-release publicity, Nambiar said, “Casting Mr. Bachchan, who has got such a strong persona, and limiting him in a wheelchair, was a big task for us to get used to”. This remark was condemned as “disparaging and extremely condescending” by , the founder of the Disability Rights Group. Bejoy subsequently apologised for hurting anyone’s feelings. The film was released on DVD on 25 March 2016 and is also available on . gave the film 2.5/5 stars and wrote: “watching Farhan Akhtar and Amitabh Bachchan joust and manoeuver around each other is this film’s high point”. Srijana Mitra Das of gave it 3.5/5 stars and opened with, “So, is a smart movie – which could have been way smarter”. gave it 4/5 stars, highlighted its “deviously clever script” and added, “In its 1 hour and 40 minutes of playing-time gives us no time to stop and ruminate.” Sweta Kaushal of , in a 3/5 review, wrote that “apart from the smart storyline, powerful performances are the backbone of “, and commended both the lead and supporting actors. characterized the film as “a decent relationship drama, a silly thriller”. Shubhra Shetty Saha of praised Bachchan’s “amazing emotional precision” and said his performance was “the best thing about this film”. However, he also decried the film’s “lack of subtlety” and ended with ” is a good, one-time watch.” Many critics felt the film started well but failed to follow through. Ananya Bhattacharya of felt that the film had a “taut, gripping narrative” until the interval but “stumble[d]” in its second half. According to of in a 2.5/5 star review, the film was “a consistently watchable but frankly far-fetched thriller that just isn’t as smart as it ought to have been”. of called the film “lacklustre”: “Despite starting off promisingly with slick production values and good performances to boot unravels badly, especially in the second half as it heads towards the climax.” of Rediff.com gave the film 2/5 stars and characterized it as “obvious”; he said that “none of the character motives in this film actually add up”. Saibal Chatterjee from wrote that ” puts all its crucial cards on the table far too quickly, robbing itself of the shock factor that would have made all the difference between edge-of-the-seat suspense and tame by-the-numbers thrills.” Rachit Gupta of , in a 3/5 star review, was also unhappy with the film’s predictability: “If you pay enough attention to the first half, you’ll instantly guess how the end will pan out. So you’re sitting in a thriller knowing what’s coming up.” Gupta added that the climax was convenient and “inane”. Among overseas reviewers, s Mike McCahill gave the film three stars out of five, and described it as “a finely poised Bollywood policier”. Abhinav Purohit of in Abu Dhabi also gave it three stars, and wrote that “overall, is sure to resonate well with the viewers”. was the first Hindi film of the year. It earned a total of (US$660,000) on 8 January 2016, the opening day of its release at the domestic box office, much of it from the , , and circuits. The film had a moderate opening at the overseas box office on its first day, and collected (US$470,000). Domestic revenues increased for each of the next two days of the film’s opening weekend. On its second day the film earned (US$830,000), and collected (US$970,000) on its third, for an opening weekend total of (US$2.5 million). Daily international revenues declined as the weekend progressed, with total overseas collections rising to Rs (US$870,000) after two days, and (US$1.2 million) after three. earned (US$3.6 million) at the domestic box office in its opening week, and (US$1.7 million) in the overseas market, for a one-week total of (US$5.2 million). The film recovered its production budget of (US$4.1 million) in that first week. collected (US$740,000) in domestic revenues in its second weekend, eventually becoming the first hit of 2016 at the Hindi film box office. By the end of its five-week theatrical run, the film had grossed an estimated (US$6.9 million) domestically and (US$2.4 million) internationally, for an approximate worldwide total of (US$9.3 million).</p>