Vivah

<p>Poonam is a middle-class girl living in the small town of Madhupur in , . Her parents died in her childhood, and since then, her uncle Krishnakant has filled a father’s void in her life. However, his wife Rama is jealous and unable to accept Poonam, driven by the fact that their own daughter Rajni is darker in complexion and not as fair skinned as her cousin. Despite this, Rajni and Poonam are close and consider themselves sisters. Harish Chandra Bajpayee, a renowned businessman in New Delhi, has two sons: the married Sunil and the soft-spoken and well-educated Prem. Poonam’s simple and affectionate demeanor impresses Bhagatji, a jeweller and Krishnakant’s friend, who takes her marriage proposal for Prem. Harish asks for his son’s opinion on the proposition. Hesitant, Prem feels he needs to focus on his career first. Harish convinces him to at least meet Poonam before deciding, which Prem agrees to. They visit the Mishras and let him get acquainted with Poonam. Prem and Poonam are instantly attracted to each other, agree to the marriage, and get engaged. Krishnakant invites Bajpayees to their summer place in Som Sarovar so Prem and Poonam get to know each other better. The two go through the most magical and romantic period of their lives, begin to fall in love, and become attached. Later, Harish and his family return home to attend a business meeting urgently. Poonam and Prem communicate via telephone and letter. Prem joins the business and takes on an essential project in Japan. Upon returning, the family brings Poonam as a surprise, and a celebration is held in honour of Poonam’s first visit and Prem’s successful business venture. During the celebration, an angry and jealous Rama hides in her room, refusing to join. Krishnakant finds her and angrily confronts his wife, calling her out on her refusal to accept Poonam despite her attempts throughout her life to win Rama’s love. He informs Rama that she is the only person who has ever had a problem with Poonam. Two days before the wedding, a fire breaks out at Mishra House. Although Poonam escapes in time, she realizes Rajni is still inside and saves her, but gets severely burnt in the process. The doctor informs her uncle that in such cases, even families disown their own. Upon hearing Poonam’s diagnosis and the fact that she was injured saving Rajni, a remorseful Rama breaks down, realizing how cruel she has been to her niece. A heartbroken Bhagatji calls Prem right as he is leaving for Madhupur for the ceremony. Krishnakant reminisces about Poonam’s childhood and, being emotional, is unable to sign the waiver allowing Poonam’s surgery. Prem arrives, determined to marry Poonam despite her injuries, and he brings the finest doctors from Delhi. He marries her informally before her surgery. With the aid of the doctors from Delhi, the hospital successfully performs surgery on Poonam. In the end, Poonam and Prem traditionally marry each other. The cast is listed below: noted that the story of is based upon a newspaper article his father read in 1988. Like in all of Barjatya’s previous films, the male lead is named . The story combined elements of Hindu tradition to set itself up as a film of cultural significance and was constructed differently than Barjatya’s earlier films. Barjatya hoped that the film would be remembered as the first to tackle the definitions and dynamics of a marriage. In an interview with Barjatya said, he kept in mind all the novels of while making . Barjatya felt that the film should possess a lyrical feel, since it was, according to him, “a lyrics oriented film.” and were cast as the leads Prem and Poonam. The film marks their fourth project together after (2003), (2005) and (2005). Kapoor played the soft-spoken and well-educated Prem. In an interview he stated that he had a tough time during the shoot and added, “I was a big city kid. I wasn’t getting half the things that were happening. I just followed what Sooraj sir said and I did it with all my honesty.” Rao played Poonam, a simple middle-class girl. She added, “I caught the sur of the character from Sooraj ji. I used to hear and see him very attentively, grab his sur and get into the character of Poonam. The challenge was to make her look simple without making her look fake.” was cast to play Kapoor’s brother, Sunil. He added that Barjatya would explain scenes to everyone individually. was cast as Bhavna opposite Soni. , , , and were cast in other prominent roles. Filming took place during the first months of 2006. The main hurdle came up with the location. Barjatya wanted to shoot film in an authentic way. He asked the film’s art director Sanjay Dhobade to create the entire town of Madhupur that can give a realistic look, particularly portions where water leaking takes place and portions where spit marks were visible on the walls of the buildings in the film. Later, the town was created in , . Outdoor session of the film was done in , , , and . Additional production credits include: Jay Borade – dance choreographer, Sound — Jitendra Chaudhary, Dialogue — Aash Karan Atal, Cinematography — Harish Joshi and Editor — V N Mayekar. Amrita Rao’s costumes were created by Indian designer and Shahid Kapoor’s clothes were created by Shabina Khan. To promote the film, Shahid Kapoor and Amrita Rao sold tickets at the in , Mumbai. The soundtrack (songs and the background score) and lyrics for was scored by . was seventh collaboration of Ravindra Jain with Rajshri Productions. It was produced under the label. The composer primarily gave special importance to ” ” and opted to keep two “antras” followed by a “mukhra” in the songs. The orchestra combines with classical Indian instruments, like the sitar, sarod, violin, dholak and tabla to produce a blend between classical western and classical Indian music. The complete film soundtrack album was released on 26 September 2006. Although the songs were appreciated, the music was criticised due to its monotony choice of instruments and music arrangements being very similar to one another. wrote in its music review that, ” s music disappoints”. premiered on 10 November 2006 across India. Like (1994), Rajshri Productions released limited number of prints for the film and eventually increased prints with increasing popularity. Early reviewers of predicted that it would be a huge disappointment. The film opened well and went on to become a commercially successful venture. The film earned (equivalent to 713 crore or US$84 million in 2023) net gross after seven weeks of running. Made on a budget of around (US$950,000), the film went on to collect (US$5.9 million) at the domestic box office. was released by Rajshri Media Limited on the production company’s official site. The film’s DVD was released by Rajshri Production. of said, ” is far less offensive and far more watchable.” from called it a “simple documentation of something as banal as an engagement to a vivah”. Madhuparna Das of criticised for lacking plot, flat characters and mentioning that the story was “rather weak and improbable.” described Vivah as “a didactic, worthy, and highly sanitised take on reality in keeping with the Rajshri tradition.” of gave only 1 out of 5 stars and condemned the screenplay, calling both Kapoor and Rao “insipid and boring.” A review carried by mentioned, “Sooraj Barjatya’s fantasy world is carefully constructed, but his conviction infuses his films with an emotional heft.” remains one of the most popular cast ensemble film of Indian cinema. Kapoor and Rao’s performance has been noted as one of their most notable works. placed Kapoor and Rao in its list of the top 10 best romantic couples of the decade. Indian painter , decided to create a series of paintings inspired by Amrita Rao and . Husain planned to create an entire exhibition around her. He organised a private screening for 150 friends and press attendees to “convey his interest for the film” at Dubai’s Plaza cinema. The Regent, a theater in , Bihar, put up a festive banner to promote the movie. The banner reads . inspired couples at that time to emulate the protagonists.</p>