Veyil

<p>Sivanandi Thevar is a butcher who works hard to bring up his four children (two boys and two girls) and have a happy family. Sivanandi’s sons are Murugesan and Kathir, and Murugesan dotes on his younger brother Kathir. Murugesan’s weakness is films (especially those of ) that are screened in a local theatre. One day, life changes for Murugesan when his father catches him watching a film in theatre and smoking a cigarette. Murugesan is severely punished and runs away from home, stealing his family’s money and jewels. Along the way, Murugesan gets sidetracked from his intended destination of by an MGR movie poster. He is shown watching several MGR shows, buying a change of clothes, and eating a hearty meal with his ill-gotten money. After spending the night at local temple, he wakes up to find his money and other possessions stolen. Murugesan is then taken under the wings of a theatre projectionist in a nearby town. Slowly, the theatre becomes his home. As adults, Murugesan and Kathir fall in love with Thangam and Meenakshi respectively. Thangam is a beautiful girl who lives opposite the theatre, and Meenakshi is an innocent girl. Kathir starts an advertising agency but faces opposition from Bose and Annachi, the local gangster. Murugesan’s love ends in Thangam’s suicide because her father and his relatives beat up and hang Murugesan as they are trying to kill him due to their dislike of him. At that moment, Thangam shows up with a knife and threatens to kill herself if they do not release Murugesan; as they do not release him, she cuts her throat and dies. Murugesan is heartbroken and is released at that moment after Thangam’s death. He begins to drink heavily. Sometime later, the theatre is demolished, the owner citing loss of business. Murugesan decides to return home after 20 years. The rest of the film is all about Murugesan’s mental turmoil as he is caught between the deep love showered by his younger brother Kathir, his guilt of not being a responsible son or elder brother, and his remorse to his parents. Then there is Paandi, Murugesan’s childhood sweetheart. Bose, fearing that Kathir will be a challenge to his advertising company, ruins Kathir’s agency with the help of Annachi. Kathir retaliates by trying to kill Bose but gets stopped by Murugesan. One day, jewels go missing in Murugesan’s family’s house. Murugesan’s father suspects Murugesan as the thief and insults the latter in front of everyone, when their daughter arrives and tells her father that she took them. After an emotional conversation with his father, Murugesan decides to return. Kathir learns of this and goes to the bus station to bring Murugesan back. But there, Bose’s and Annachi’s men stab Kathir. In retaliation, Murugesan beats a few thugs. Kathir is rushed to a hospital and is in critical condition. That night, Murugesan decides to avenge his brother’s injury. Murugesan goes to Annachi’s place, engages in a duel with him, and becomes unconscious. Bose arrives there with his men and tells him that his brother is dead. Believing this, Murugesan kills Bose and the latter’s men. However, Murugesan is stabbed by Bose in the fight and dies, while Kathir becomes stable and recovers in the hospital. The next day, all mourn Murugesan’s death, and his father is filled with remorse for not having trusted his son when he was alive. is the first Tamil film to be shot in . Director and writer said that after he wrote the story, was impressed and asked him to expand it into a screenplay. was supposed to play the female lead but was replaced by . Vasanthabalan cast after being impressed with her performance in the 2004 Malayalam film . The soundtrack was composed by debutant , the nephew of . The soundtrack became hugely popular and received a positive review from Shyam Balasubramanian of . Shwetha Bhaskar of wrote, “Director Vasantha Balan has deftly handled the script, making it his own. By maintaining an energetic pace throughout, he ensures the story doesn’t become monotonous or conventional, despite the somewhat predictable plot. His characters are distinctly human with myriad personality flaws, so that the audience can identify with them”. wrote, “Once again Shankar has introduced Vasantha Balan a director who understands the nuances of making a realistic film with well-etched out characters and strong screenplay.” Lajjavathi of praised the performances of star cast, Prakash Kumar’s music, Madhi’s cinematography while also praising for conveying emotions through visuals by lessening dialogues and concluded saying the cinema which used to portray only winners in life has first time portrayed a life of a loser, even that sadness feels good.</p>