Uthiripookkal

<p>Sundaravadivelu is a rich but sadistic villager. He is also the manager of the local school, and manages it authoritatively without respecting anyone; he siphons the school’s money for his own wants. Sundaravadivelu lives with his chronically ill wife Lakshmi and their two children: son Raja and daughter Bhavani. Lakshmi’s father Thambusamy, a , lives in the same village with his second daughter Shenbagam. Sundaravadivelu, who has lent money to Thambusamy, keeps demanding it back and also insults him on several occasions. Shenbagam falls in love with Prakash, a new teacher in the school. Sundaravadivelu does not approve of their relationship as he wants to marry Shenbagam, citing Lakshmi’s chronic illness. He puts the proposal before his father-in-law and offers to write off his debt if he agrees. However, Thambusamy does not agree and Sundaravadivelu vents his anger on his wife. Bhavani falls sick, and Lakshmi takes her to the recently appointed village health inspector. When they meet, they realise that they had been neighbours some years back and had met when he had come to meet her father to seek her hand in marriage. By then, Lakshmi was already engaged to Sundaravadivelu, hence the health inspector left in disappointment. Recollecting this, he tries to help her. When Thambusamy, unable to tolerate the harassment of his son-in-law, plans to leave the village, the health inspector offers money to settle the loan. When Sundaravadivelu learns this, he alleges an extramarital affair between his wife and the health inspector. With the help of the village , he throws Lakshmi out of his house, keeping the children with himself. The health inspector leaves the village to avoid causing further strain in Lakshmi’s life, while Lakshmi goes to her father’s place. Unable to withstand separation from her children, she dies. Sundaravadivelu marries another woman and neglects his children, who keep visiting Shenbagam for food and care. Prakash meets Thambusamy and proposes to marry Shenbagam; Thambusamy readily accepts, and the marriage is fixed. Prakash tells Sundaravadivelu that the school’s management has learnt about his mismanagement and has decided to take action against him. Shenbagam visits Sundaravadivelu to seek custody of his children so she can take care of them. Sundaravadivelu, who is jealous of her new status and enraged that she rejected his marriage proposal, degrades her modesty by undressing her forcibly and proudly declares that he is the first person to see her nude; he further taunts Shenbagam by saying that whenever her husband sees her, she would be reminded of this incident. Sundaravadivelu’s wife witnesses this and disowns him. The villagers too learn of this; angered, they corner Sundaravadivelu, take him to the river and ask him to choose his way of death. Sundaravadivelu, remorseful over turning the peaceful villagers into a vengeful mob, shares a tender moment with his children, then drowns himself in the river. After the success of his directorial debut (1978), was flooded with further directorial offers by producers. But he decided to make his next film with newcomers instead of stars. The film would be , an adaptation of the short story “Chitrannai” by , which Mahendran read when he was in school and according to him it had impacted his life. While reading the short story, Mahendran was completely attracted by the plot and made many changes into the screenplay according to his own wish. The character Sundaravadivelu was shown in the film as less sympathetic than the short story version, and the child character Raja, who was killed off in the short story, was changed to live on in the film. The title was suggested by composer . handled the cinematography, while made his debut as editor with the film. Mahendran himself produced the film under the banner Dimple Creations, named after his daughter and he had chosen his friend Radha Balakrishnan to handle production duties. Mahendran requested Balakrishnan to pay royalties to Pudhumaipithan’s family to which Balakrishnan initially hesitated as he found the screenplay of to be very different from “Chittranai” but later relented. Mahendran cast as Sundaravadivelu at the last minute. Debutant Ashwini from Bangalore was chosen to portray Sundaravadivelu’s first wife Lakshmi, and her voice was dubbed by Anuraatha Rajkrishna. Other newcomer actors were ‘s brother , ‘s son Bhoopathy, and Charulatha. The film was launched with the song recording of “Azhagiya Kanne”. It was shot primarily at Palapatti near Mettupalayam and Vellipalayam. The filming was completed within 30 days. deals with , sadism, and . According to Ram Chander of , the character of Sundaravadivelu “represents the filth in the hearts of all men and the climax is a call to destroy that demon so that we can move on as a society. Seen this way, is much more than just the tale of a solitary sadist and how he meets his end.” The soundtrack was composed by Ilaiyaraaja. The song “Naan Paada” is set in the known as . The flute portions in “Azhagiya Kanne” were performed by Sudhakar. was released on 19 October 1979. The Tamil magazine , in a review dated 4 November 1979, rated the film 60 out of 100. It is among the magazine’s highest-rated films. Kausikan of praised Mahendran for adapting “Chitrannai” beautifully for the screen and portraying every frame as a painter while also praising the performances of actors and cinematography. wrote on 20 October, “[ ] is a celluloid poem. It is for the Tamil people to decide whether they want meaningful films or just movies.” wrote on 26 October, “This colour movie is bound to change the fate of [the] Tamil film industry provided the producers take the cue.” Naagai Dharuman of praised Mahendran for adapting a short story and making a film with quality and for handling scenes with realism. He also appreciated natural dialogues, actors for living as characters instead of acting, Ilaiyaraaja’s music, Ashok Kumar’s cinematography and concluded calling it flowers that do not fall in the mind and spread fragrance. The film was a commercial success, running for 175 days in theatres and becoming a . Mahendran won the , and won the . The film was screened at the 1979/1980 as part of its Indian Panorama section. is considered a landmark film in Tamil cinema. After watching the film, many people who also read the source material thronged bookstores to read it again because of the differences between the two. In a 2002 interview with , director remarked “If I get anywhere near what Mahendran did in [ ], I’ll be a happy man.” wrote, “1979 was the year of “. On the centenary of Indian cinema in April 2013, (later known as ) included the film in its list of 100 greatest Indian films of all time. Filmmakers like and have recognised the film as one of their favourites.</p>