Uma Maheswara Ugra Roopasya

<p>Uma Maheswara Rao is a small-time photographer who lives with his father, Manohar Rao. They run the Bhavana Studio in the Prakash region of in . Next to the studio is a bone-setting shop owned by Mahesh’s good friend, Babji. His assistant is Korra Suhas, who came to Babji, to learn about the study of traditional bone-setting. Mahesh is in a relationship with Swati, his high-school sweetheart. Babji becomes involved in a trivial argument with a loafer in the centre of the village. The dispute escalates, but passersby calm them down. However, Suhas appears and attacks the man who had argued with Babji. The man, joined by Joginath, jumps on Suhas in retaliation. Noticing the commotion, Mahesh tries to calm everyone down but Jogi, furious at Mahesh’s authoritative stance, beats him up. Manohar breaks up the fight. Embarrassed, Mahesh vows to get back at Jogi and pledges that he will wear slippers only after he has avenged his humiliation. Swati is forced to end her relationship with Mahesh and marry a nurse residing in Canada. He learns about Jogi’s whereabouts from Suhas and visits the garage where he apparently works as a welder. Its owner tells him that Jogi left for a better job in Dubai. Despite Babji’s advice that he should forget the incident, Mahesh resolves to wait for Jogi’s return; several weeks later, he enrolls in a course. Jyothi, a young college student, goes to Bhavana Studio. She tells Mahesh that she wants to participate in a women’s magazine’s cover competition and asks him to make her look as good as possible. Perplexed at the unusual request, Mahesh conducts the photo shoot. Jyothi’s photograph turns out to be dull and unimpressive, and her irritation makes Mahesh question his skill as a photographer. Upset, he turns to his father for advice. Manohar explains photography as an art to his son. Mahesh goes through his father’s photograph collection, finally understanding their angles and lighting, and gets an idea. Instead of his familiar , Mahesh photographs Jyothi in motion and sends the best photo to the magazine. Shortly afterward, Jyothi goes to Mahesh’s house with the magazine containing her photo. Although she rebukes him for photographing her without permission, she also praises the photo. They become interested in each other, and soon fall in love. Jyothi realises this first, and calls Mahesh to talk about their future. She tells him that she is Jogi’s younger sister, but his agitation is overshadowed by love and he decides to continue their relationship. Several weeks later, Jogi is fired from his job for slapping his manager and is deported back to India. The following day, Mahesh and Babji challenge him to a . After a few minutes of fighting, Mahesh pins down Jogi and Babji declares him the winner. The movie ends with Mahesh visits Jogi in a hospital on the next day and introduces himself to his mother in front of Jyothi. He admits his love for Jyothi and asks Jogi, if he agrees to the relationship. Later in credits it shows that Mahesh and Jyothi are together now. Vijaya Praveena Paruchuri MD bought the remake rights and had Venkatesh Maha direct after bringing on board Arka Media Works as co producers. . The team announced to play the lead role, whilst debutantes Hari Chandana and Roopa Koduvayur play the lead actresses in the film. Alongst the film’s technical crew, the film has Malayalam film composer in his Telugu debut, whilst and Raviteja Girijala, handling the cinematography and editing respectively. The film was shot in the remote regions of , during July 2019 and went ahead for 62 days. The principal photography was completed in November 2019. The film’s and were composed by , who scored music for the . All the songs in the film were released as singles, before being released as an album on 23 July 2020, by . The lyrics for the songs were written by , Rehman and Raghukul Mokirala. The first single “Ningi Chutte” with lyrics by and performed by was released on 6 March 2020. The second single “Anandam” was released on 6 July and featured lyrics by Rehman and vocals by Gowtham Bharadwaj and . The third single, “Repavalu”, was released on 13 July. The song was written by Rahman and Raghukul Mokirala and is sung by Bijibal and Sangeetha Srikanth. The fourth song “Nuvvemo” sung by and , was released as a part of the soundtrack album. stated “The album stays true to the flavour of the story and the setting”. Vipin Nair of reviewed “A brilliant Telugu debut for composer Bijibal that, while partly inspired from the music he did for , stands beautifully on its own as well. The same seems to apply to the movie as well.” The film was initially scheduled to release on 17 April 2020 but was postponed due to the . On 5 June 2020, it was announced that the film was cleared by the . Producers then explored the option of releasing on digital platforms instead of a traditional theatre release. The film was released directly through the streaming platform , on 30 July 2020. Hemanth Kumar of stated ” packs in plenty of humour; it’s a pleasant drama with a backdrop that’s rarely explored in Telugu cinema, that normalises the idea that heroism doesn’t have to be testimony of one’s masculinity.” Sowmya Rajendran of gave 3.5 out of 5 stars and stated that ” is a faithful remake which retains the spirit of original.” Neeshita Nyayapati of rated the film 3.5 out of 5 and stated, “The cast also make the film their own without aping the original. It is these beautiful details (that might miss a non-native’s understanding) and the feel-good moments it’s dotted with that make this film worth watching.” Sangeetha Devi Dundoo of reviewed as ” is a welcome addition to new-age Telugu cinema, offering plenty of humour and moments to savour.” gave the film a rating of 3 out of 5, and stated ” is an earthy village drama that has some amazing performances.” Haricharan Pudipeddi of gave the verdict “Uma Maheswara Ugra Roopasya is built on the of masculinity and rage. It questions the need for virility and the extent men can go to flaunt.” Writing for the , stated ” isn’t as perfect as his earlier film, but it’s perhaps a better indicator of his sensibilities. To take someone else’s property and still show some kind of authorial signature means you’re holding on to who you essentially are. This is the rare remake with soul.”</p>