Tum Milo Toh Sahi

<p>After retiring as a law clerk, Subramaniam retreats into himself, his memories about his mother, and his small flat. He rents out a room to Bikramjeet Singh, who has been expelled from the hostel, on the condition that he cannot invite any women to even visit him. A chance encounter with ‘Lucky Cafe’ restaurant owner, Delshad Nanji, first antagonizes him, then he relents and becomes a regular patron along with several students. He will soon be thrust into a legal battle when ‘Blue Bell’ – a multinational company – decides to take over the café, and are all set to sue Delshad for encroaching on this property. Though critics praised the performances of Nana Patekar and Dimple Kapadia, the movie on the whole received poor ratings. Tushar Joshi of gave it Minty Tejpal of Bangalore Mirror said that Patekar and Kapadia are “a treat to watch” in an otherwise weak film. Gaurav Malani of gave it two stars, claiming it is not entertaining enough, but wrote of the leads, “Nana Patekar is in his elements inducing humour through his straight-faced expressions. Dimple Kapadia as the Parsi café owner is absolutely delightful. Together, Nana and Dimple share good chemistry and complement each other pretty well.” Ajit Duara of magazine concluded his review saying, “Dimple is ravishing, yes, but the amateurish acting, typecasting and godawful songs let you down.” of gave it anegative review. was critical of the film, the script and the story, but praised the leads. A more positive review came from , “Watch it for the veterans’ winsome act, the spirit of Mumbai and for a tale told well.”</p>