Train To Pakistan

<p>The film is set in Mano Majra, which is a quiet fictional village on the border of and , close to where the railway line crosses the . The film develops around the love affair of small-time dacoit Juggut Singh (Nirmal Pandey), with a local Muslim girl, Nooran ( ). , incidentally, was the original title of the book upon its release in 1956. The villagers are a mix of and , who live in harmony. The Sikhs own most of the land, and the Muslims work as labourers. During the summer of 1947, when the was taking place, the entire country was a hotbed of extremism and intolerance. The Muslims in India moved towards the newly formed Pakistan, and the Hindus and Sikhs in Pakistan migrated to refugee camps in India. One day, a arrives from Pakistan, which carries bodies of all the Sikh and Hindu children, Women and Men who have been butchered while they tried to depart from Pakistan. That is when this quiet village is changed forever. The film was one of the most anticipated adaptations of its time, especially being writer Khushwant Singh’s most acclaimed work. According to him, several people in past have attempted to make the film, including Shashi Kapoor and Shabana Azmi, who even developed a screenplay, but owing to the sensitivity of the subject, they abandoned the project. Pamela Rooks first read the novel at 17, preparing for the title role of Nooran, which she was set to play in the prospective film, which never took off. The novel stayed with her, however, because growing up she had stories of the Partition from her parents. Initially the publishers of the book, Ravi Dayal, were hesitant to give the rights of the work to a new filmmaker, as this was only Rooks’ second feature, till Ravi Gupta, Managing Director of stepped in and a go-ahead was given. Previously as her first feature, Rooks had adapted her own novel , into a 1993 film by the same name, which won her the for . For her adaptation, Rooks chose a slightly different narrative from the original novel. Thus the film begins with Hukum Chand, the District Magistrate, reminiscing about the partition period. However, she has visually translated most of the lines from Khushwant Singh’s narrative directly on to the screen. The film was produced by and (NFDC), and the production company was . The shooting began nearly fifty years after the actual partition of India in 1947. Though many villages of resembled the Punjab of fifty years prior, Muslim pockets were missing now, hence a couple of villages on the fringes of Punjab were used to give a combined look of Mano Majra, the village near the , where the novel was set. Pamela used her background in the documentary film, making to shoot certain parts of the film live, in scenes like that of religious ceremony at a temple, the feel couldn’t have been recreated though retakes were shot live. The shooting was finally completed by July 1997, when the film went into post-production work in , ahead of its 15 August, television premiere on STAR Plus. Initially, the film was to have its premiere on channel on 15 August 1997, India’s Independence day, but it ran into trouble with the , thus its theatrical release was also cancelled twice, and with director not agreeing to the cuts demanded by the board, the film went to a tribunal, which caused further delays. Eventually it was passed in December 1997 with a few cuts, mostly audio. Its television released happened on in 1998, after its theatrical release. The film version had only one visual and few audio cuts. Subsequently, the film was released in the United States, Sri Lanka and on in the UK, and also shown in several international film festivals, including, Zanzibar International Film Festival, 1998, World Film Festival National Films from South Festival Denmark, 1998, Beirut International Film Festival, 1998, Fiminale International Film Festival, Koln Germany, 1998, Soria Mora Film Festival, Oslo, 1998, and Indian Film Week in Hong Kong, 2000. Besides critical acclaim, it was also nominated for Best Film at the 1999 .</p>