Thenali

<p>Thenali Soman is a refugee who has come to for psychiatric treatment. This is because of numerous he has developed due to the . B. Pancha Bhootam and his assistant, the doctors treating Thenali, are jealous of a relatively junior doctor Kailash getting all the media attention. They send Thenali over to him, believing his failure to cure Thenali of his phobias will derail his success. Soon after their first appointment, Kailash heads to his home in on a vacation with his wife Jalaja and his two children. Kailash tells Thenali to wait until after the vacation before his therapy can begin, but Panchabhootham asks for Thenali to go meet Kailash while on vacation. Thenali reaches Kailash’s house. He falls in love with Janaki, Kailash’s younger sister, which is vehemently opposed by the latter. Kailash becomes increasingly mad with Thenali’s antics and even begins to suspect that his wife has an affair with Thenali, as she has a soft corner for the latter. He even tries to kill Thenali by tying him to a tree with a . Thenali, thinking it is a fake bomb used only to relieve him from his fears, removes it and puts it in Kailash’s house for future use where it explodes. Seeing this, Kailash suffers a paralytic attack. Thenali later marries Janaki, during which time he believes Kailash was duped into buying a real bomb. While Thenali, Kailash, and family are at a picnic, Thenali’s long-lost wife whose name is also Janaki shows up and reunites with him. Enraged, Kailash jumps out of his wheelchair and berates Thenali for ruining his sister Janaki’s life, but soon realises this was all a set-up by Thenali to cure Kailash’s paralysis; the woman was actually actress , who Thenali hired to pose as his wife. Kailash realises his mistake and thanks Thenali. After the success of ‘s directorial (1999), approached him, since production on Haasan’s was delayed and he wanted to act in two films in a year. While Haasan planned to direct one himself ( ), he offered Ravikumar to direct the other, and Ravikumar agreed. Haasan later asked Ravikumar if he would also produce the film. Though Ravikumar was initially in a dilemma, with encouragement from , who starred in Ravikumar’s (1995) and , he agreed. The film thus became the first one produced by Ravikumar’s company R. K. Celluloids, with his wife Karpagam handling production duties. Due to Haasan’s commitments to lasting almost a year, Ravikumar spent the time by “writ[ing] a few stories” for him. The title was suggested by Rajinikanth for the story that was finalised. The core premise, that of the lead character following his reluctant psychiatrist on vacation, was inspired by the American film (1991), but Ravikumar opted against making a adaptation. Cinematography was handled by , art direction by Maniraj, dance choreography by Tarun Kumar and stunt choreography by . To emphasise the film’s comedy, was hired to write the dialogues. The Sri Lankan broadcaster subsequently convinced Mohan to change certain dialogue deliveries to incorporate the and as a result, Mohan had to trim the dialogues which he wrote beforehand, thinking that could well and truly set with the filmmaking. Hameed played a major role in penning dialogues for scenes involving issues related to . Kamal Haasan played the title character, Thenali Soman. He said he chose to do the film “mainly because it was a K. S. Ravikumar film. I knew his talent and was sure that he would spring a few surprises in the comedy”. Ravikumar felt the film needed a unique selling point, and Haasan remembered the original script of (2003) he discussed with Ravikumar, in which Haasan’s character was a ; hence the title character of was changed into one. To get the right accent, Haasan took lessons from B. H. Abdul Hameed, who made a cameo appearance in the film. It was Haasan who invited Hameed to assist him with the appropriate usage of the Jaffna Tamil dialogues and to make inroads with the correct usage of Jaffna Tamil dialects in order to sync with the plot of the film and to connect with the target audience. Hameed spent over a month in dubbing and production of the film project with the intention of assisting Haasan to train him speak in Jaffna Tamil. and were considered for playing the psychiatrist Kailash and his sister Janaki, before and were cast. Simran has stated that, though she liked the script, to her dismay the role required body exposure; she therefore demanded an exorbitant fee so that she would be rejected, and succeeded. Ravikumar chose Jayaram because of his “ear for comedy”, and Jyothika after seeing pictures of her from (1999). Jyothika’s casting caused widespread scepticism as she had acted only in a few films to that point, and was not yet an established star. , who portrayed Kailash’s wife Jalaja, accepted to act in the film at Ravikumar’s request, without asking about details such as the story or the lead actor; she later realised that she would not be paired opposite Haasan, but did not mind being side-lined by Jyothika. was offered the role of Diamond Babu and took an , but later left as he felt he “didn’t have the best laugh lines”; the role later went to . and were cast as the psychiatrist Pancha Bhootam and his assistant at Haasan’s insistence. , who had been approached by Ravikumar to star in some of his earlier films but declined due to unavailability of dates, was asked to do at least a cameo in , and agreed. She portrays a fictional version of herself. has stated that he was offered to act in the film by Haasan, but was unable to accept due to his commitment to the TV series . The film was launched at the Kalaivanar Arangam in on 22 March 2000 with as compere and with Rajinikanth as chief gu- Scenes were shot predominantly in and , while some song sequences were shot in New Zealand. A scene required Jyothika and Haasan to kiss; in contrast to other Tamil film actresses at that time, Jyothika agreed without hesitation. While filming the scene where Pancha Bhootam and his assistant jump into a lake, Ganesh and Ramesh Khanna did so despite the “freezing temperature”. Haasan later gave them self-made to prevent illness. While filming other scenes, Haasan was the only one wearing a coat; the other cast members including Devayani and Jyothika had to “brave the temperature and get wet in the rain for a sequence”. Haasan would describe in detail on how to make his core audience of city-bred people laugh to Ravikumar, who would then add slapstick elements to make it applicable to rural audiences too. For one part of the “Porkalam Ange” song sequence, Jyothika and Jayaram dressed like African tribal people. Jyothika sported , and Jayaram’s attire took 20 minutes to wear. The background artists had white paint applied throughout their body and wore plastic leaves. During the filming of the climax where Kailash slaps Thenali, Jayaram had no issues since he was “quite comfortable” with Haasan, the two having previously appeared together in the film (1989). The shoot of the film was completed in 25 days. was edited by K. Thanikachalam. It is the first film where Haasan was credited as “Ulaga Nayagan” (Universal Hero). The idea to create a graphic title card containing this honorific was Ravikumar’s, and Haasan relented after initial reluctance. Although Haasan had by then undergone a body transformation for acting in (2001), Ravikumar was unfazed since he only needed Haasan’s eyes to be filmed for the Ulaga Nayagan title card. Ravikumar recalled how the card was created: “We shot in high speed, and at the count of five, asked him to wink and smile. I took that footage to the CG department and came up with the visuals – we show his office, pull back to show Chennai, Tamil Nadu, India and then the world, which becomes a small, black circle, which is his eyeballs, and he winks. The terms Universal Hero and Ulaga Nayagan flash on the screen”. Jyothika’s voice was dubbed by . is the 49th film for visual effects supervisor Madhu Sudhanan. The soundtrack of the film was composed by , and released under the labels and . Rahman initially refused Ravikumar’s offer to work on the film due to numerous and international commitments. But after the Indo-Canadian film was delayed, he accepted . Due to a rift between Rahman and his then usual lyricist , Rahman chose six different lyricists: Ilayakamban, Kalaikumar, , , and , all collaborating with Rahman for the first time. The song “Alangatti Mazhai” marks the singing debut of , who sang only one line. The song “Injerungo”, written by Thamarai, features slang. The song “Swasame” is set in raga, and was re-used in the final scene of the 2009 American film . was released on 26 October 2000, day. Despite being released alongside other Diwali releases such as , , and , the film became a , and grossed over (US$3.5 million). In Malaysia, it was the most successful Tamil film of the year, grossing 1.35 million. The film also performed well in Sri Lanka. received positive reviews from critics. Malathi Rangarajan of gave a verdict that the film was a “wholesome mix of rip-roaring action, witty dialogues and exotic locales”. She was particularly appreciative of Jayaram’s performance, Haasan’s Sri Lankan diction and his comedic prowess, “both the physical and dialogue-oriented kind”, adding, “Logic has no place in the story, which is only meant to make you laugh”. Rajitha of stated, “The comedy is on a single track in ” and that “it is more tiresome than humorous”. She appreciated the technical aspects of the film, but was critical of the music. Visual Dasan of lauded Haasan’s delivery of Sri Lankan accented Tamil, but said the real show stealer with regards to acting was Jayaram. He also appreciated the dialogues written by Mohan, but felt Jyothika was underutilised. wrote that Ravikumar, Mohan and Haasan “have offered an enjoyable comic fare”, but criticised the music, though the reviewer said “it is to be commended that each lyricists has put in his best in his lyrics”. Writing for , Malini Mannath said, “Kamal’s perfect timing for comedy, matched equally by Jairam, the antics of Delhi Ganesh and Ramesh Khanna, the humour, some situational, some slapstick, and Crazy Mohan’s lines sustain the film for sometime. But then how long can one fool around with a one-line story? The second half has its dragging moments and some forced humour. Rehman’s tunes are not very inspiring, the song picturisation too leaving much to be desired”. lauded Haasan’s “flawless” Sri Lankan accent, but felt the film had “nothing new to offer”, criticised the music, dance choreography and cinematography. The critic added that Jayaram’s performance “matches Kamal [Haasan] but otherwise the other artistes [Devayani] and Jyothika have nothing much to offer”. was dubbed into as under the production of . In 2006, a remake supposed to star , , Deepu and Manasi was announced, but was later dropped. A remake was reportedly being planned in the 2010s, but that did not materialise.</p>