Siraichalai

<p>In 1965, G. S. Sethu of the goes to , Kaalapaani to find the whereabouts of his aunt Parvathi’s husband Govardhan Menon, who has been sent to jail in 1916 during the period of . In an old room containing record of prisoners held at the jail, Sethu comes across Govardhan’s records and learns his story. Govardhan, a doctor and Indian nationalist, is wrongly accused of bombing a train carrying 55 people, including British officials. On his wedding day with Parvathi, he is deported to a cellular jail at , . There, hundreds of Indian prisoners are incarcerated in the cellular jail, including leading participants of the independence movement. David Berry is a sadistic jailor who is of descent, while Len Hutton is a kindhearted English doctor. is incarcerated and tries his best to keep the spirit of the prisoners going despite unbelievable torture. A meticulous plan to escape from jail is formed by 40 prisoners under the leadership of 3 people. However, Moosa aka Kanaran reports the matter to the British authorities. The court orders the 3 leaders to be hanged until death and the others to be punished in a minor fashion. However, as per the order of Mirza Khan, the other people are also shot to death. Parvathi keeps waiting for Govardhan to come back. Due to Len’s efforts, the government decides to investigate the matter of the torture meted out to the prisoners. 14 people are ordered to be released. One of them is Mukundan, Govardhan’s friend. David and the jail warden Mirza Khan hatch a plan to incite a prison riot and shoot down 13 prisoners while they are escaping. Mukundan refuses to escape and is taken on the pretext of meeting the Chief Commissioner, and is shot and killed. Seeing Mukundan’s dead body, Govardhan throws down David from one of the towers and kills Mirza Khan by strangling him. Govardhan is hanged to death. All this is shown in intermittent flashbacks. Sethu, after knowing Govardhan has already been hanged to death 45 years ago, decides to not tell the truth to his aunt as her wait of 50 years would have been in vain. The film ends with Sethu lying to her that he met Govardhan and talked to him about her, indicating she will never come to know about Govardhan’s death and will keep waiting for him for the rest of her life. Director Priyadarshan co-wrote the screenplay with screenwriter, . The basis for the story were existing accounts of life in cellular jail, particularly excerpts from biographies of political leaders of the Indian Independence Movement. Most of these excerpts covered the ruthless routine of prisoners in jail, under the command of Jailer David Barry, Major James Pattinson Walker and Petty officer Mirza Khan. While the were recreated on the Andaman Islands, several huge sets were built on a 1.5 acres space in Murugalaya Studio, to replicate the . In Madras, the sets of Cellular Jail cost about Rs 12 lakh to build on 1.5 acres at the Murugalaya Studio. Apparently, director Priyadarshan was adamant and determined to be faithful to the details of the era. He said, “The Andamans had not seen a horse in 20 years. We had to carry four horses there at a cost of about Rs 3 lakh. When the filming was over, we presented them to the Andamans administration.” Prior to the making of the film, had injured his knee and during his recovery phase, put on considerable weight. To accommodate his physique into the script, Priyadarshan altered the character by depicting him as a constant eater. The budget of the film, (equivalent to 14 crore or US$1.6 million in 2023), was much larger than the average 1 crore for a Malayalam film at the time. The shooting was completed in 72 days at , several parts of and . Post production took more than four months to complete. Composer Ilaiyaraaja completed his symphonic score in 16 days; audiographer Deepan Chatterji completed the sound design and mix in 90 days. This is the first Malayalam film to recorded in . The film is shot in the language. However, numerous portions contain dialogues in , English, , , , and . The music was composed and conducted by . was the only female singer in all the versions, while male singers kept changing from version to version. All lyrics are written by , except where noted. All lyrics are written by . All lyrics are written by P. K. Mishra, except where noted. On 31 May 1996, P. S. Joseph from wrote, “This ambitious venture by a director known for his comedies in Malayalam, and some competent films in Bollywood like – (1992) (1993) does not carry the impact it ought to. Despite its flashes of brilliance and exceptional photography, and a Rs 3.10 crore budget – the largest ever for a Malayalam film – does not linger in the memory after you leave the cinema hall.” However, he praised Sabu Cyril’s art direction calling it “exceptional” and Amrish Puri’s performance writing, “The redeeming feature is Amrish Puri – the inimitable actor with a menacing voice and remarkable screen presence. He walks tall in the prison, epitomising the brutality and viciousness of the British Raj.” magazine reviewing Tamil dubbed version praised the performance of Mohanlal but felt Prabhu was wasted while also criticising modern wardrobe choices for a periodic subject and concluded a film that should have reached international standards like , in the course of the story, nationalism is beaten, Prabhu-Mohanlal friendship, division and tragedy hence revenge thus becoming ordinary fare. D. S. Ramanujam of reviewing Tamil version wrote “To make a film on pre-Independence days, particularly about the dark deeds of the British and their lackeys manning the notorious Andaman prison is a formidable task. It calls for meticulous planning to capture the mood of that period right from the costume, arms and ammunition, locations and other details. Director Priyadarshan can be really proud of the outcome in Kalaipuli International’s which is a rare movie exceptionally good in all departments of film production”.</p>