Shor in the City

<p>Five prominent personalities in the city of are the focus of the film. Tilak ( ) is a small-time publisher of unlicensed books along with his friends Mandook ( ) and Ramesh ( ). They kidnap a famous author and force him to give the manuscript of his latest book to them so that they will be the first ones to publish it. Abhay ( ) is a who returns to to start his own small business and meets Shalmili ( ). Sawan ( ) is a young cricketer hoping to break into the under-22 Mumbai cricket team. The story focuses on their trials and tribulations as they battle life in the city of Mumbai during the chaotic period of the festival . The film attempts to address topics such as chance, the never-ending conflict between hope and despair, and self-actualization. The film begins with the song “Karma is a bitch,” which fits with the major concept of the movie, in which the characters struggle to come to terms with their own actions. Abhay has a horrible past that isn’t disclosed in the movie, but it’s possible that he traveled to India to escape it. Tilak initially holds himself responsible for the injury of the child due to the bomb explosion that happens in the movie, which brings him closer to his wife and views life from a different perspective. The goons who traumatized Abhay eventually end up being shot by their own bullets on the day of Ganesha Visarjan. Tilak gets a new life and finds his treasure at home. Sawan gives up the money he finds at the bank robbery and instead focuses on improving his game for cricket selections and gets support from Sejal (Sawan’s partner) too. Ramesh is seen applying for jobs, and Mandook is protesting at a rally. Towards the end of the movie, all characters move on different paths. was made on a small budget of ₹3 Crore and a further ₹2.75 crore on P&A, with total investment coming to around ₹6 crore. Trade analysts estimated that around 50% of this will be recovered from non-theatrical revenue but as always it is the theatrical revenue that decides a film’s fate at the box office. Balaji Motion Pictures, head of distribution and acquisition Girish Johar says “We gave a tight release of around 500 screens across the country and the film found appreciation. It grossed around ₹3.85 crore in just 4 days and adding the revenue from non-theatrical rights, the whole investment on the film has been more than recovered.” The songs are composed by . Two songs from Harpreet were taken from his Sufi compilation called released by Sony in 2008. Lyrics are penned by Sameer and Priya Panchal. Soundtrack Tops The Charts in few days. The song “Karma Is a Bitch” is influenced from Ida Maria’s Bad Karma. nett. grossed ₹2.89 crore in India. also opened poorly at around 10–15% in 475 cinemas(500 screens) in India. It was estimated that the film has advantage of low costs which should be recovered but theatrical business may not be much. ⁣ The film was well received by critics. Nikhat Kazmi of awarded it four stars out of five and stated “With a zany screenplay (Raj Nidimoru and Krishna DK), excellent cinematography by Tushar Kanti Ray and peppy music by Sachin-Jigar, is another breaking-norm film from Ekta Kapoor”. of gave it three and a half stars and wrote ” belongs to one of those rare categories of movies with sensibilities that would not only entice the festival crowd and the cinema literate, but also lure the ardent moviegoer.” Aniruddha Guha of the gave it three stars and said ” is the kind of reassuring film you yearn to watch amid, well, what ‘Bollywood’ has to offer every week. Also, it articulates something you have only probably thought before – ‘Karma IS a bitch.'” of awarded three and a half stars saying “A delicious mix of quirky humor, gruesome violence, and surprising sensitivity, works on the strength of its smart script and consistent performances from its ensemble cast.” awarded the film four stars and said “Raj-Krishna’s Shor in the City robotically registers itself in Indian cinema’s history.” of gave the movie four stars and wrote ” is a terrific film. It’s surprising and disturbing and has a vein of rich, dark humor coursing through it.” Shubhra Gupta of the gave it a three star rating and commented “What makes an instant clutter-breaker is its darkly comic treatment. It makes you smile because its humour comes from within. It’s not grafted. And it’s got heart : we feel for the characters.” Tushar Joshi of gave it a four star rating and wrote “Loaded with humor, sarcasm and wit. That truly is the beauty of the makers who succeed in arresting you with their tales. The spectacular climax is easily one of the best written in recent times.” of gave it a four star rating, saying “Three stories, eleven days, myriad layers, believable characters, fine performances, spirited direction, taut script, momentary explosions of originality.” was officially selected for the and the in 2010. The film won the Best Director Award for Raj Nidimoru and Krishna DK at MIAAC in New York.</p>