Rojulu Marayi

<p>The film begins in a village where the Sagarayya is malicious and tyrannizes the farmers by mingling with Karanam Sambayya and a goon Polayya. Kotayya, an honest peasant, leads a happy family life with his wife, son Venu, and daughter Bharati. Kotayya is most loyal to Sagarayya, but Venu always confronts his atrocities. Meanwhile, Kotayya decides to couple up Bharati with Venu’s close friend Gopalam; when his father Venkatadri insists on dowry and is helpless, Kotayya requests a loan from Sagarayya. Exploiting it, Sagarayya wants to mortgage his property, which Venu refuses, and a rift arises between father and son. Moreover, Venu loves Radha, the daughter of a retired army soldier, Ratnam, who is ostracized from the village. Knowing it, Sambayya aggravates Kotayya, so Venu leaves the house and marries Radha. Currently, Venu collaborates with all the peasants and decides to perform collective farming, for which he sends a petition to the collectorate. Keeping the grudge in mind, Sagarayya suffers Venu but stands up with courage and moves forward. After that, the District Collector arrives for the inspection, where Venu breaks out the offenses of Sagarayya and Sambayya and sanctions wastelands for cultivation. Nevertheless, Sagarayya creates many obstacles that Venu gamely encounters. Distressed, Sagarayya strikes and necks out Polayya for his inability when Venu embraces and reforms him. Hence, Sagarayya ploys to spoil Bharati’s match when Radha resolves the conflict with her amicable. So, as a home straight, Sagarayya forces Kotayya to stop nuptials when he, too, revolts against him. During marriage, Sagarayya intrigues and attacks the wedding procession, and Venu rescues them. Just before, Sagarayya also blasts the reservoir when the crop is about to flood. At last, the entire village unites together, safeguards it, ceases Sagarayya, and gets him arrested. The film ends with the marriage of Gopalam and Bharati, and Kotayya inviting back Venu and Radha. Film cast is referenced from article. Sixteen years after making (1939), a film which dealt with the hardships faced by poor peasants under the rule, the production house decided to make another film dealing with similar issues, titled . The producer of the film was C. V. R. Prasad, who also wrote the screenplay with Kondepudi Lakshminarayana and , who was named director. The cinematography was handled by , and editing by Tilak and Akkineni Sanjeevi. Filming took place prominently at the Dandimitta village. When shooting for the film was almost complete, Prasad felt that a celebration song set after the film’s harvest scene would add colour to the black-and-white film. Lyricist remembered a song he had written for producer Thottempudi Ramayya’s shelved film , that was composed by Venu. Chanakya and Prasad liked the lyrics and the tune, and Vedantam Jagannatha Sarma suggested Waheeda Rehman, then a dancer, to the makers. She was signed on a remuneration of (equivalent to 54,000 or US$640 in 2023) for being the dancer in the song, “Eruvaaka Sagaro Ranno Chinnanna”, and thus marked her feature film debut. The soundtrack was composed by . “Eruvaaka Sagaroranno Chinnanna” was inspired by the folk song “Ayyo Koyyoda”, popularised by Valluri Jagannatha Rao. It was later adapted into many other songs, such as “Summa Kidantha Sothuku Nashtam” in the film (1956) and “Dekhne Me Bhola Hai Mera Salona” in the film (1960). was released on 14 April 1955. The film ran for over 25 weeks in theatres, thereby becoming a . Its 100th day functions were held in the Hyderabad-based Rajeswar theatre and , then the Deputy Chief Minister of Andhra Pradesh, presided over the function. The film was later remade in Tamil as (1956), where “Eruvaaka Sagaroranno Chinnanna” was re-used as “Yerupooti Povaye Anne Sinnanne”, with Waheeda Rehman returning as dancer.</p>