Ratha Kanneer

<p>Mohanasundaram is a philanderer, chain-smoker and drunkard. He does not respect elders, or people below his social standards. He is ruthless and even beats his own mother. Immediately after his return to India, he is married to Chandra, a cultured, well-mannered, conservative Indian village girl. But he develops an affair with Kantha, a prostitute. His best friend Balu tries to advise him and mend his ways but Mohan turns a deaf ear. Mohan even failed to attend his own mother’s post-death formalities as he wanted to attend the birthday function of Kantha’s mother. Mohan loses his mind over Kantha, even surrenders all his riches to her and also loses every loved one in his life. When he loses the last of his riches and close ones, he gets struck down by . His life then turns upside down. With no money left for the treatment of his disease, he is totally ignored and despised by Kantha and her associates. She even locks him up in a room and treats him like an untouchable. In a few days, Kantha throws him out of her house and Mohan loses his eyesight soon after. As a poor leper, Mohan wanders the streets to beg for food. In this last stage of his life, he learns the value of life itself and how to respect others. He feels remorseful for the way he treated his wife, mother and everyone else around him. He meets Chandra, his wife, who now lives a scarce life. Both do not recognise each other, as he is blind and she gets to see only his disfigured, leprosy-stricken face. He also meets his old best friend, Balu. The trio finally recognise each other. Mohan also learns through Balu about Kantha’s death in an air crash. Mohan marries Chandra off to Balu, in the hope that she can now only be loved and cared for by a better man than Mohan himself. As a last request he asks for a leper’s statue to be risen in his likeness, as a threatening example to philanderers like himself. Some time after Mohan’s death, a statue of him is erected per his request, and Balu breaks into a song about righteousness and values of life. was a stage play written by Tiruvarur K. Thangaraj. The play was first staged on 14 January 1949 in , and was a success wherever it was staged, elevating its lead actor to an icon in the field of Tamil theatre. The play was staged not only in South India but also in places like Malaya (now Singapore and Malaysia), Burma (now Myanmar) and Ceylon (now Sri Lanka) where it met with equal success. The director duo decided to adapt the play into a feature film. who was supposed to produce the film backed out due to the negative approach of the plot. The film adaptation was produced by Perumal Mudaliar under . Cinematography was handled by R. R. Chandran and editing by Panju under the alias S. Panjabi. Though many film producers of the period hesitated to cast Radha in their films because of his caustic attitude, Mudaliar decided he should reprise his role from the play. Radha agreed to join the film after his conditions were met, one of which was him acting only at night after he acted in stage plays during the day. The film marked the comeback of Radha to cinema after a long absence. was selected to portray the Kantha, and had to put weight to portray the character. According to Rajam, no actress was willing to portray Kantha, but she agreed after she was approached by Krishnan–Panju. Rajam was hesitant to enact the scene where she had to kick Mohanasundaram (Radha’s character) down from the staircase; she later relented after being requested by Krishnan. While filming the climax where Mohan is seen joining his wife Chandra’s ( ) hands to his friend Balu’s ( ), the directors were hesitant, believing that if the scene was featured in the film, people would not accept it and the scene would cause controversy. Radha threatened not to act further if the scene was not filmed, and shooting stopped for a few months. Eventually, the climax was filmed at the behest of Radha. Though during filming a remuneration was fixed for Radha, by the time filming ended he charged three times the agreed upon remuneration; his overall pay was (equivalent to 13 million or US$150,000 in 2023). The final length of the film was 15,895 feet (4,845 m). According to , was built on a framework of purity and impurity. The title of the film meaning “Tears of Blood” refers to the tears of the wife who is pure. In Marja Evelyn Mogk’s edited volume , Joyojeet Paal wrote that the film pairs “western debauchery with consequent traditional punitive reprisal in form of physical disfigurement” and also noted that the storyline of the film bears resemblance to , son of the Hindu god . Writer feels the views of Mohan actually reflect those of , of whom Thangaraj was a follower. Researcher and ethnographer Preeti Mudliar compared (1954) to because in both films, “the sin of foreignness is [neutralised] by a chaste Tamil woman, the virtuous wife”. The music director for the movie was while the background music was provided by . The song “Kadhavai Saathadi” is set in the known as . The songs “Kutram Purindhavan” and “Aalai Aalai” attained popularity. was released on 25 October 1954, during the week of . The film emerged a critical and commercial success, with particular praise towards Radha’s performance, and ran for over 100 days in theatres. The play inspired an adaptation in Telugu starring , and later the Tamil film was dubbed into Telugu. After Radha’s death, his eldest son played the protagonist in the play till his death, and at present donning the character is Radha’s other son . In 2002, whenever the play was staged with Ravi starring, the plot was amended to show the protagonist suffering from . Kannada actor who saw the film and adapted the play in Kannada for the current trend, he appeared in the lead role. Upendra, however, clarified that the Kannada version was not a remake. The film, titled was directed by . The film was released in 2003 and became a success. In August 2014, Vasu’s son Sathish announced his intention to make another modern film version of the story, but those plans were cancelled due to his death in May 2015. After the success of the film, Radha became a much sought-after artiste in Tamil cinema. In July 2007, S. R. Ashok Kumar of asked eight Tamil film directors to list their all-time favourite Tamil films; and named as one of their favourite films in Tamil. Mahendran said: ” , has progressive ideas and great acting by M.R.Radha”. Actor stated that “You can’t reproduce movies like , , , or […] By remaking such films, you are lowering yourself, while it enhances the original artists’ image.” An exchange between Mohanasundaram and Balu is sampled as part of the outro in 2006 hit track, “Madai Thiranthu”.</p>