Rangam

<p>Appunni, a skilled Kathakali artist, is the cousin of Chandramathi, a classical dancer. Chandramathi dreams of going to Madras to study at a prestigious institution, but her father, Kunjikrishnan, initially opposes the idea. However, he eventually agrees after Appunni persuades him. Secretly in love with Chandramathi, Appunni finances her education in Madras. After completing her studies, Chandramathi returns home and secures a position as a dance teacher at Sadanam, a Kathakali training center. Around the same time, Madhavan, the son of Karunakarapanicker, the owner of Sadanam, comes back from Russia. Madhavan falls in love with Chandramathi, and she reciprocates his feelings making Appunni jealous and angry with Madhavan when he walks into the hotel room where Madhavan and Chandramathi are residing. Madhavan slaps Appuni after being confronted by the latter. Although Kunjikrishnan initially disapproves of their relationship, he eventually consents under Appunni’s persuasion. Meanwhile, Jayanthi, a passionate artist and the daughter of a wealthy businessman, joins Sadanam to learn Kathakali. Her talent and charm captivate everyone, especially Madhavan. As Madhavan grows closer to Jayanthi, Chandramathi discovers their affair. Heartbroken and angry, she confronts him and then banishes Jayanthi. Madhavan is angry at Chandramathi who is angry with him in return. Madhavan also slaps Chandramathi as he did to Appunni . Heartbroken, she watches as Madhavan leaves for Mumbai with Jayanthi. This shocks Karunakarapanicker, who dies as a result. Appunni consoles Chandramathi and encourages her to run Sadanam with dedication. In the meantime, Jayanthi abandons Madhavan, prompting him to return to Sadanam. During a Kathakali performance where Appunni portrays Bhima and Madhavan plays Dushasana, the former kills the latter in an act of rage. Appunni is arrested by the police, leaving Chandramathi devastated. The music was composed by , and the lyrics were written by S. Ramesan Nair. In a retrospect review, Neelima Menon of wrote: “Mohanlal aces the role of the unrequited lover who carries a torch for the lady. And the actor’s transition is more internal, letting us buy into his vocation as a dancer effortlessly”. In 2020, while writing about Mohanlal in , writer said that, although he loves every roles he enacted in his screenplays, Mohanlal’s performance in and stays close to his heart the most. This article about a Malayalam film of the 1980s is a . You can help Wikipedia by .</p>