Raman Ethanai Ramanadi

<p>“Saappattu” Raman is a bumpkin living in the village . Having lost his parents in his childhood, he was raised by his grandmother. One day Raman gets a , falls into the village tank and almost drowns until a woman named Devaki, who was informed by a witness, saves him. Devaki is the younger sister of Minor Rajarathnam, a and the richest man in the village, and has just returned from . Raman becomes infatuated with Devaki, who only feels affection for him because of his childish nature, which others misinterpret as love. At night, Raman breaks into Devaki’s bedroom and declares his love for her; to prove it, he jumps out of the window and survives the fall, only breaking a leg. After recovering, he visits Rajarathnam and requests him for permission to marry Devaki. Rajarathnam humiliates and beats Raman up, citing the fact that there are millionaire suitors for Devaki whereas Raman is poor. In response, Raman vows to become rich and marry Devaki. He then leaves to Madras looking for his fortune. In Madras, Raman struggles to earn money while doing menial jobs. He meets his best friend Mookurinji, now a film actor known as Gopi. With his help, Raman joins the film industry. At a shooting spot a writer is looking for someone to recite a dialogue. When no one volunteers, Raman jumps in and tries to impress the writer. His recitation does not impress the writer, but his enthusiasm and spirit wins the director’s favour. He soon becomes a successful known as Vijayakumar. Raman returns to Poongudi, dreaming to marry Devaki, but is shattered upon learning that she was forced to marry Muthu, a rich man, under compulsion from her brother. Heartbroken, he returns to Madras. A few days later, he finds Devaki and she tells him about the cowardly Muthu and that she left him. The reason being that after ill-treating her, he took her to a party. There his friend Balu tried to rape her and threatened to shoot anyone trying to stop him. Muthu fled for his life, forcing Devaki to knock Balu out with a vase. After hearing this, Raman offers to take care of her which she refuses. Balu again tries to rape Devaki, who kills him this time. Devaki runs to Raman and gives him her baby daughter Sumathi to take care of her while she surrenders to the police. Using his influence, Raman helps Devaki receive a reduced sentence of five years. Meanwhile Raman brings up and educates Sumathi. Having squandered his wealth, Muthu becomes the school bus driver of Sumathi and Sumathi realises he is missing his wife. She meets his wife (her mother) at jail coincidentally. Raman is with Sumathi during this meeting but Devaki stops him from speaking. Completing her jail sentence, Devaki becomes a teacher in a small school letting Raman know of her whereabouts. Time moves on as Sumathi goes to college, being brought up as a well mannered girl by Raman. She then falls in love with Gopi. Raman agrees to their marriage. He informs Devaki and requests her presence. When he brings Devaki home, Sumathi is absent as she has gone to a party. Raman rushes to the party and finds an attempt to rape Sumathi taking place. He fights the rapist but an attack by the rapist triggers a seizure, due to which Raman loses control and accidentally kills him. Sumathi saves Raman and brings him home by taxi. But Raman calls the police to surrender. He also reunites Muthu, who drove the taxi, with his family. was produced and directed by under the Arun Prasad Movies banner, and written by Bala Murugan. Cinematography was handled by , and editing by R. Devarajan. The film’s title was derived from the song from (1968). The protagonist “Saapaattu” Raman was inspired by a man Madhavan knew in his native town . In the 1940s, portrayed the king in the play , written by . A portion from the play was re-enacted in the film as a with permission from Annadurai’s family. wrote the dialogues for the portion. Ganesan’s character acts in many for which footage from Ganesan’s films such as (1952), (1961), (1961) and (1964) was used. This is the first film to feature in a speaking role. Film historian notes that the film has many references to Ganesan’s personal life. He believes the scene, where Raman asks a character if he really looks like he is ignorant of politics, was Ganesan’s retort to the political party since they had previously questioned his knowledge in politics. Historian considered the film to be similar to (1964) because it features “an ordinary and innocent man becoming a film hero overnight for the sake of his lady love”, with the difference being “the love of [Raman] for Devaki and the sacrifices he makes till the end for his ex-lover and her child”. The music was composed by and the lyrics were written by Kannadasan. was released on 15 August 1970. wrote, “The basic ingredients of an average Tamil film are no less in number and variety than those of a Bombay film. If anything, there is an excess on the part of the Tamil film. […] The story is absurd even by Madras standards. One cannot doubt the range of histrionics that Sivaji is capable of exhibiting, but it needs a tough director to get him to do what is wanted. Madhavan does not seem to be one. Hence some avoidable overacting by Sivaji.” The film ran for over 100 days in theatres, and won the .</p>