Raavanan

<p>A named Veeraiya and his gang are busy distracting the cops, where police vehicles are set ablaze and women seduce cops into a trap where Veera’s henchmen attack and brutally kill them. Whilst on a boating trip, Raagini is kidnapped by Veera, where her husband Dev Prakash Subramaniam , is informed of the incident. It is revealed that Veera is a local hero in his village, who runs a parallel government in rural areas near , with his brothers – Singarasu and Sakkarai. Though considered a naxalite by the local police, Veera is respected by the villagers. He kidnaps Raagini hoping to avenge the death of his sister Vennila, where he brings her to a cliff to kill her. She refuses to die at his hands and jumps off the cliff into the water far below, hoping to kill herself, but to no avail. This causes Veera to hold off the murder, being unable to kill someone who has no fear of death. Dev and his team enter the forests with the aid of Gnanaprakasam, a local . Despite searching deep in the forests, Dev is unable to hunt down Veera. Meanwhile, Raagini learns that Dev had led an encounter against Veera during Vennila’s wedding, where his shot grazes Veera in the neck. Fighting for his life, Veera is unable to protect his sister and is led out of the fiasco by his gang. The police pressurise Vennila into revealing Veera’s hideout. When she refused, she was subjected to torture and was assaulted by the cops. Veera returned home to find Vennila depressed and traumatised. The next day, Vennila committed suicide by drowning in a nearby well. Unhappy with the ways of leading the war causing distress to his gang, Sakkarai offers a truce to Dev, who initially seems to agree. When Sakkarai arrives from his hideout, Dev shoots him to death revealing that he considers the destruction of Veera as more important than saving Raagini. Veera and Singarasu are enraged and attack Dev’s camp where they wipe out completely. A final confrontation ensues between Veera and Dev on a rickety bridge where Veera triumphs over Dev, but leaves him as Dev told that he is leaving him alive because of Raagini. Dev manages to extricate himself out and finds Raagini bound and tied up, with Veera leaving her. While returning to their hometown in , Dev accuses Raagini of and informs her that Veera actually told him. Furious, Raagini leaves Dev to meet Veera through Singarasu, where she manages to meet him and asks him about the accusation. Veera denies the accusation, where the duo quickly realises that Dev lied, hoping Raagini would lead him to his hideout. Dev appears with a police team and confronts Veera. Raagini tries to save Veera, but he pushes her out of the line of fire, and is shot multiple times, however Raagini reaches out to him and though their hands do not link, that is enough to make Veera smile and he falls to his death satisfied that the women he loved, cared for him also. During the making of his 2007 biopic starring and , had finalised a script for his next directorial venture titled . Based on a short story by , it was a musical period film set in the desert and was to star and in the lead. Though the film was slated to go on floors after the release of the former, there were reports of a fall-out between Ratnam and Khan due to creative differences. While cinematographer denied the reports, the film’s would-be lyricist said there were actually problems with acquiring the copyright of the story, and composer even confirmed to having completed 80% of the film score. Yet, the project was put on the back burner for reasons unknown. Following the critical and commercial success of , Ratnam announced his next film in February 2008. A modern-day retelling of the mythological epic , the film again features the real life couple in the lead. The film was initially planned to be made only in Hindi and the idea for the Tamil version came later. In January 2009, while the film was in the making, it was further decided to dub the Tamil version to Telugu making it a tri-lingual. While the film was yet to be titled, it was widely reported in the media that the Tamil version was titled in reference to the place where Sita was held captive by Ravana. Further reports emerged stating that since director has already registered the title for his project, Ratnam has requested him for using the title. Later, , the lead actor, clarified in an interview that the film was tentatively titled but was wrongly reported as . Subsequently, the film was titled in Hindi, in Tamil and in Telugu. While the plot is inspired by , the story is narrated from Ravana’s perspective making him the protagonist. The film is centered on the ‘Ashokavanam’ episode where Ravana kidnaps Sita and keeps her in Asokavanam. Later Rama ventures to save his wife and bring her back. While Bachchan and Vikram were roped in for the contrasting leads in Hindi, Ratnam asked them to swap roles in Tamil. Though Bachchan agreed initially, he grew sceptical being unfamiliar with the language. Eventually was cast in his place. Rai plays the female lead in both versions of the film. After a brief hiatus, made a comeback with this film, collaborating with Ratnam for the third time after and . was cast in a prominent role, joining hands with Ratnam after and . While was cast as Ravana’s sister, was signed up to play a role synonymous with Vibhishana. was to play the role of Mandodari, which was later scrapped to keep the film short. Likewise, singer ‘s role as the mother of Aishwarya Rai Bachchan’s character was also cut from the final version. Comedian plays a transgender. The cinematography was initially handled by , but it was later taken over by , when the former left the project. The editing was done by Ratnam’s regular, , since . Rai’s costumes were exclusively designed by fashion designer . Choreography was by , Brinda, , and Astad Deboo. and Shyam Koushal choreographed the action sequences and took care of production design. The film was predominantly shot outdoors in various hitherto unseen locations in and around India. Shooting took place at Tumkur ( ), near and the forests of , in Maharashtra. It was also reported that Ratnam had planned to shoot at Sri Lanka but decided against it owing to insurgency by the rebel group . But Ratnam dismissed the reports as rumours. Principal photography commenced in October 2008, in the forests near , Kerala. A few scenes were filmed at , Ratnam’s favourite location. Incidentally, he has shot for the songs ‘Jiya Jale’ in and ‘Barso Re’ in at the same location. Forest officials banned the shooting at , an eco-tourism centre, for violating rules and constructing temporary huts, delaying the shoot for 11 days until the issues were resolved on 22 October 2008, while laying down reworked rules. The second leg of the shooting at that began in December 2008 was also delayed as local cab drivers protested the use of film federation (FEFSI) vehicles which affected their business, forcing a dejected Ratnam to call off the shoot temporarily and move on to . In February 2009, the crew advanced to where the song ‘Kalvare’ was shot by the banks of at . Later, as the shooting resumed and progressed at Ooty, Ratnam fell ill in April 2009 and was hospitalised at , causing a further delay of 47 days until filming resumed in June 2009 following his recovery. As the numerous delays affected his other projects, DOP Manikandan walked out in May and was replaced by Santosh Sivan. By July, the crew moved back to Kerala, to reshoot a few scenes at as Ratnam was reportedly unsatisfied after seeing the rushes. This time around, heavy rains played spoilsport leading to another delay in filming. Moreover, when an elephant brought for the shoot ran amok killing the mahout, the Animal Welfare Board served a show cause notice to the production company (Madras Talkies) for not taking permission to use elephants. The film began its last schedule in August 2009 at the in where the climax sequence was shot, the final encounter taking place on a wooden bridge. Production designer Samir Chanda built three identical bridges to facilitate the scene to be captured from different angles. Though initially planned to be built either in Sri Lanka, Australia or South Africa, the bridge was constructed in to reduce costs. While bad weather and heavy rains disrupted shoot for a few days, the forest department filed cases against some crew members for trespassing. The film went into post-production by the end of 2009. Numerous action sequences were performed by the actors. The actors suffered from real cuts and bruises so they didn’t need make up. For his introduction scene, the protagonist has to jump from a 90-foot high cliff near the Hogenakkal Falls into the river below. This risky dive was performed by a body double, Balram, a based former national diving champion. , a martial art form originating from Kerala, was also featured in the film. Sunil Kumar, a Kalari gym trainer from , trained the actors. Contemporary dancer Astad Deboo choreographed a stunt scene for the film. Vikram got his hair cropped short for his look and it was kept under wraps until the release. Supporting actor Munna tonsured his head and went bald for a scene. Rai was training in Tamil to voice her lines. While Ratnam was impressed with her Tamil and had planned to let her dub, actress , who had earlier dubbed for Rai in and , ended up lending her voice. ‘s norm composer , was roped in to compose the film’s soundtrack, collaborating with actor after a gap of 16 years, since (1994). The soundtrack album which was released by on 28 May 2010, features six songs with lyrics penned by , except for the song “Veera”, which was penned by himself. The same soundtrack was used for the Hindi version of the film, titled , and the dubbed Telugu version of the film , with the lyrics for the former was penned by and the latter was penned by , which is his last work before his death in May 2010. While the audio rights of both Tamil and dubbed Telugu version was released by Sony Music, the Hindi version was released by . While the album has six songs in total, five additional songs, which were featured in the movie was released as a collectors’s edition special pack on 10 November 2010. A 10 min teaser was released for a promo event. The film look was unveiled at Cannes Film Festival. promotion in Andhra. The film screened at 67th . The film was well received at where the audience gave it a thunderous applause after it was screened. The master filmmaker was honoured with the Glory to the Filmmaker Award, an award shared by the likes of legends like Takeshi Kitano, Abbas Kiarostami and Sylvester Stallone. Later, the film has been screened at the . Indian Panorama Film Festival. The film was premiered at the 10th Annual Mahindra Film Festival in New York City. praised mani ratnam’s work and mentioned ‘Raavanan is a must see international film of 2010. 29th San Francisco Asian American Film Festival. Prior to its release, the film was given a by the without cuts. released in 375 screens worldwide. The overseas distribution rights of was sold for a record price of $1.5 million to Ayngaran International. was previewed at the Devi-Sri Devi Cinema Complex in Chennai, where it received a standing ovation by film personalities including . The film was also previewed at and was attended by celebrities from tinsel town. It was released worldwide on 18 June 2010, in 375 Screens (225 Screens in India and 150 Screens Overseas). ‘The Telugu version released with 215 screens in Andhra and 25 screens overseas. In the US, it was distributed by Big Cinemas. The satellite rights for the film were acquired by for $1.1 million. The film received mixed reviews. On the website , 68% of 19 critics’ reviews are positive, with an average rating of 6/10. Malathi Rangarajan of called a “masterstroke”. A. Srivathsan said that it was “Rai’s most genuine performance till date”. Deepak Kumaar’s review. Hindustan Times review. The stated that “The film is certainly not the best from Mani Ratnam’s , but it can’t be dismissed as shabby. Even if this Raavanan has no shades of grey, overall the film falls under the greyish form of art from Mani Ratnam enterprises, and plays the strong woman who does not fear her kidnapper. Her performance is worth a mention but her male co-stars steal the show”. IANS praises Mani Ratnam’s style, but calls some of the performances “inadequate”. review. Madurai Messenger review. Rai’s performance was also noted as a highlight of the film according to Rediff, with her performance placing her in a “different league” than other Bollywood actresses. Indiaglitz praised the music, cast, dialogues and cinematography, but stated that the first half was “an utter waste of film reels”. The cinematography was called “brilliant” by Behindwoods, although they found a “lack of ‘Tamil’ feel in the film and its music”. rated the film as above average and noted “the film’s best-written role, Aishwarya Rai has made a sensational comeback as Ragini, is mesmeric and has come out with an award-winning performance. is the ideal foil for Vikram, and is good. The movie lacks the Mani Ratnam touch in the story and screenplay department, and has a wobbly first half, where the story just does not move. The last 10 minutes are the best part of this 2 hours 7 minutes film”. Film critic Sudhish Kamath review. The Tamil version was regarded as the better version of the film in comparison to the Hindi version , with critics particularly applauding the lead performances and the technical work of the film. Unlike its Hindi counterpart, which tanked at the box office, the Tamil version tasted success in the South. During its opening weekend on 15 screens in Chennai, it was the number one film and netted (US$110,000), an opening weekend record then. Though the film opened to packed houses, it slumped a little due to mixed reviews but later picked up following a local holiday. The film collected $8 million at the box office in the first month of release including $400,000 from Kerala. It went on to make over 600 million at the worldwide box office and remained one of the top Tamil grossers of the year. Uk opening weekend. UK boxoffice second week. New York boxoffice. It was agreed the film would be screened in Bangalore across 21 screens. When both the versions were screened in more centres, the Karnataka Film Chamber of Commerce (KFCC) approached the court. The film chamber banned the exhibition completely. The Competition Commission of India (CCI), in an interim order, stayed the chamber ban and permitted Reliance Big Entertainment Limited (RBEL) to exhibit the film in 36 cinemas. This order was to be in effect till 22 June 2010. The film also created a furore in . Since Amitabh Bachchan, Abhishek and Aishwarya boycotted ( ) the awards that was held in Sri Lanka, the film release was protested and theatres were torched. Films of those who attended IIFA in Sri Lanka were banned in Tamil Nadu. was one among the films shortlisted for India’s submission to the Academy Awards. V. Manikandan was nominated for Best Cinematography award in the Asia Pacific Screen Awards (APSA). The film was praised by Indian politician Muthuvel Karunanidhi. The film was added to the Austrian Film Museum. Peter Heins was nominated at the World Stunt Awards.</p>