Pudhu Pudhu Arthangal

<p>Manibharati is a successful playback singer who lives with his possessive wife Gowri. Tricked into marriage by his conniving mother-in-law, what really irks Bharati is his wife’s inability to deal with his rabid female fans, having been one herself. Tensions escalate until Bharati leaves home after a fight. He meets Jyoti on the way, who’s also escaping her abusive husband that forced her into club dancing and prostitution. Bharati and Jyoti end up travelling to Goa together, where they find themselves with no money and decide to make themselves a living working as servers at a restaurant. Bharati gets a call from his PA back home that Gowri is ill. Unbeknownst to him, his PA was forced to call Bharati and lie to bring him home; when he visits with Jyoti, Gowri calls her profanities and doesn’t let her in. Bharati gets so angry at this treatment of his friend that he leaves, claiming that he loves Jyoti. Gowri files for a divorce and informs news reporters about Jyoti, and starts dating Guru, a popular cricket player that had been in love with Gowri in the past. Guru accepts Gowri’s proposal and abandons his girlfriend Yamuna, who commits suicide at their wedding hall. Gowri’s mother and her PA feel that she is mentally unstable now from the trauma she’s suffered, and they beg Bharati to go and see her in the hospital. Bharati takes Jyoti with him to visit Gowri, and Jyoti sees that Bharati and Gowri belong with each other. As she leaves the hospital, she sees her husband tracked her down to apologise, and goes home with him. Bharati is shows to go to his next music recording, finally happy, and looking after his wife in the hospital. Malayalam actress Sithara was introduced in Tamil through this film. It also marked the acting debut of . Balachander chose as the lead dance choreographer after being impressed with her work in his previous directorial venture (1986). The dubbing voice for Rahman was provided by . According to T. A. Narasimhan of , the film is said to be based on the stage play by . The music was composed by and the lyrics were written by . This was the final collaboration between Ilaiyaraaja and Balachander. According to journalist Kamini Mathai, Ilaiyaraaja could not commit to re-recording as there was a strike; Balachander decided to use background scores from his older films to fill the unfinished portions, angering Ilaiyaraaja and leading to the end of his alliance with Balachander. The song “Kalyana Maalai” is set in the known as , “Eduthu Naan Vidava” is set in , and “Guruvayurappa” is set in . “Keladi Kanmani” was later adapted in as “Chandni Raat Hai”, composed by for (1990). All lyrics are written by ; all music is composed by . was released on 28 October 1989, day. P. S. S. of opined that Balachander, despite having done so many films, did not have the courage to give a different result. Rahman considered to be “the biggest milestone in [his] career” in Tamil, saying, “It helped me set my two legs permanently in [Tamil cinema]”. The song “Keladi Kanmani” inspired the title of a . A Hindi remake of entered production with starring, but the film never had a theatrical release.</p>