Parattai Engira Azhagu Sundaram

<p>Azhagu Sundaram is a village bumpkin who comes from to to earn money to buy gold bangles for his beloved mother Meenakshi. He gets entangled in the big bad world of dons and goondas and is unable to get back home to see his mother. On the other hand, Meenakshi lands up in Chennai in search of her son without even knowing his address or whereabouts. Meenakshi bumps into Shwetha, a journalism student who takes pity on her, takes her home, and promises to help her find her son. Azhagu is now known as Parattai in Chennai and is taken under the wings of Khader Bhai, a tea shop owner. Parattai is forced to take the as gang wars erupt and single-handedly, he wipes out Deva, Kesavan and Suri, all dreaded criminals in the city. On parallel lines, he never sees his mother and finally accompanies her dead body to the , thinking it is an orphan’s corpse. He dances with others, offers flowers, and finally after her body is charred, he realises that it was his mother. watched the Kannada film and liked it. He encouraged his then son-in-law to accept to star in its Tamil remake. The film was titled , paying homage to Parattai, a character played by Rajinikanth in (1977). When Rajinikanth initially wanted to portray the lead role, he approached , the director of the original, to direct the remake, but Prem declined as he did not want to pander to the lead actor’s popular image at the cost of . Dance choreographer was selected to direct the film but later he was replaced by . Sundaram opted out of the film due to his assignments as choreographer. The film was launched on 31 August 2006 with a . Archana, who was part of the films directed by agreed to play the mother of Dhanush. To portray his role in the film, Dhanush grew his hair out. One of the songs was shot at . The music was composed by , who retained the soundtrack of for this version too. wrote, ” is a steamy sob story harping on mother-son sentiments’ reminding you of 60’s tearjerker’s laced with lot of violence and Rajnikanth’s favourite director Suresh Krishna’s presentation and direction is old fashioned, to put it mildly”. Sriram Iyer of wrote, “Director Suresh Krishna has relied on melodrama to make up for the story’s deficiencies. Poor performances add to the film’s low points”. Malathi Rangarajan of wrote “` ‘ is remake of the Kannada ` .’ The original was a hit you hear, and that sets you wondering!” Lajjavathi of praised the acting of Dhanush and Livingston, music and cinematography but felt Krishna’s screenplay lacked speed and concluded the suspense of whether mother and child will meet up to a certain point starts to creep up. The director who offered the affection may have added a little ecstasy.</p>