Om Shanti Om

<p>In 1977, Om Prakash “Omi” Makhija, a in Mumbai, dreams of becoming a renowned actor. He lives with his widowed mother, Bela, and his friend Pappu Master in a small . Omi adores the glamorous actress Shantipriya, often expressing his feelings in front of her film poster. One night, he and Pappu sneak into the premiere of Shanti’s film, , in disguise, making a memorable impression on her. Later, Omi, inebriated, gives a heartfelt acceptance speech to Pappu and local children, pretending to have won an award. Omi and Pappu land minor roles at R.C. Studios, owned by the egotistical producer Mukesh Mehra, who also launched Shanti’s career. During a shoot, Shanti gets trapped in a fire but is rescued by Omi. The two become friends, and although Omi initially lies about being a star to impress her, he eventually confesses the truth. Shanti genuinely likes him, and with Pappu’s help, they share a memorable evening together. Omi overhears a heated argument between Shanti and Mukesh, revealing that they are secretly married. Shanti is furious when she learns that Mukesh plans to marry the daughter of the distributor for his upcoming film, Om Shanti Om. She reveals to Mukesh that she is pregnant with his child, which seems to please him. Heartbroken, Omi avoids Shanti. Mukesh then takes Shanti to the future set of Om Shanti Om, claiming he will cancel the film and have a grand wedding there to make their marriage public. Omi visits Shanti but is devastated to see her with Mukesh; he leaves without either noticing. However, once Omi leaves, Mukesh reveals his true colours to Shanti, confessing that his actual plan is to kill her and their unborn child to avoid any impedance in his career as a producer. He lights up the set on fire and locks Shanti inside. Despite his attempts to rescue her after Mukesh leaves, Omi gets beaten by Mukesh’s guards and is thrown out by an explosion by the time he can get to Shanti. The set burns down with Shanti inside. Omi is later struck by the car of actor Rajesh Kapoor, whose wife Lovely is in labor. Rajesh brings Omi to the hospital, but he dies from his injuries, while Rajesh and Lovely welcome a baby boy named Om Kapoor. Thirty years later, Om Kapoor aka O. K., now a successful yet arrogant actor, suffers from and frequently encounters Bela, who believes him to be her son. He dismisses her as delusional, and Pappu, now old, tries to explain the truth, but Bela remains unconvinced. While shooting at the abandoned R.C. Studios, O.K. experiences vivid flashbacks and unwittingly delivers Omi’s old drunken speech at a event. Pappu realizes Omi has been reincarnated. At a party celebrating his victory, O.K. meets Mukesh, now known as Mike, who proposes a film collaboration; an introduction to him causes O.K. to fully remember the events of his previous life. Om finally reunites with Bela and Pappu, and they plan to expose Mukesh’s crimes. O.K. resumes filming Om Shanti Om at the old studio after convincing Mukesh to revive the project, and hires Sandhya “Sandy” Bansal, an aspiring actress who is a doppelganger of Shanti and a huge fangirl of Om. He initially hides his plan but later reveals the truth to Sandy, who promises to help him. At the film’s inauguration, Bela, disguised as a witch, tries to scare Mukesh, but the plan fails. However, despite a plan gone wrong, a photograph of Shanti inexplicably catches fire, unsettling Mukesh. During a masquerade ball for the film’s music launch, Om indirectly hints at Mukesh’s guilt through Shanti’s story. Sandy accidentally reveals her ruse by injuring herself, proving she is not a ghost. Mukesh, suspicious of the film reels, chases Sandy but is knocked out by a chandelier. When he regains consciousness, O.K. confronts him about Shanti’s murder. Mukesh mocks O.K., claiming there is no proof. Sandy then appears, disclosing that Mukesh had buried Shanti alive under the chandelier after discovering she had survived the initial fire. Both Om and Mukesh seem perturbed, since neither feels she would have known Shanti’s tragic story this deeply; in the confrontation that follows, Om finally overcomes his pyrophobia and defeats Mukesh, who is crushed to death by Sandy looking at the chandelier. O.K. remains confused about Sandy knowing the truth about Shanti’s death until Pappu and Anwar arrive with the real Sandy. He finally realizes that the woman with him is actually Shanti’s ghost, who was also responsible for the unexplained aids in his plan. With her death now avenged, Om and Shanti bid each other a tearful goodbye, and he reunites with Sandy while Shanti runs up the stairs and disappears, having attained peace. 39 Bollywood film actors appeared in cameo appearances for the song “Deewangi Deewangi”. Other actors were also supposed to play cameos, including , who was arrested in over a drug case. refused as he always played lead roles in his career. declined due to the promotional activities of (2007). declined due to his shooting schedule of (2008) in New Delhi. and didn’t appear in the song, despite plans to include them. declined due to his son ‘s wedding to , while declined due to (2007) on his pending editing. Farah had wanted the to appear together in a film. , who appears in the song, carried out 2 days of rehearsal for it. All those who appeared for the song received gifts, including a Blackberry phone and a Tag Heuer watch. The participants are listed below: In 2002, worked as a choreographer for the musical in London, which she felt presented a “clichéd and outdated version” of the Indian film industry. She thought that the musical would not be successful if released in India. She instead thought of a new story, writing her initial thoughts about the subject on ‘s letterhead while staying in his house. Later in 2006, Farah began to work on her next project, which was tentatively titled . Amid speculations that would star in , the actor rejected the first draft of the film, upon which Farah’s husband and editor reminded her of the story she had conceived while in London. , which was to mark ‘s Hindi debut, was put on hiatus and revived more than 8 years later under the . Farah completed writing the first script of within two weeks. She set the first half in the 1970s as she felt the made during that period were much more influential than those made in other periods, particularly the 1980s, which she felt was a period when “the worst movies were made”. She also included many references to the 1970s, which were also prevalent in films of that time. She said, “Everything in the first half is about the 70s—such as the mother who overacts, mouthing clichéd dialogues. Then there are cabarets, badminton and other stuff popular during that era.” Shah Rukh’s costumes were designed by , while designed Padukone’s costumes. The rest of the cast had their costumes designed by Sanjeev Mulchandani. In addition to directing the film, Farah co-wrote the story with and . She was also the film’s choreographer. Puri wrote the screenplay and dialogues. He completed the writing process in two months and rewrote the film’s second half. Puri created the screenplay by writing his natural reaction to the characters as scenarios. He knew that despite being part of a crowd, junior artists do not want to be recognised as such, ruins their chances of landing a leading role in future. This was used in a sequence involving Shah Rukh and Talpade, who play junior artists. Puri blended different genres together in , which he felt was challenging. He used his personal memories from childhood for creating the 1970s. Shirish Kunder was the editor, while V. Manikandan was the cinematographer. Sabu Cyril was the film’s . Sabu was first offered the -directed (2007) at a time when was being planned, but ultimately chosen the latter due to his earlier commitment to Farah for her future project. Farah used two particular dialogues in the film: “When you want something badly, the whole universe conspires to give to you” and “In the end everything will be ok and if its not ok its not the end”. These were used as Khan felt that it reflected her philosophy in her life. Farah stated that the film’s opening scene was her most favourite in it. In 2008, Puri felt his most favourite dialogue from the ones he wrote would be the Filmfare Awards speech. The film’s title derives from the eponymous song from the film (1980). is a Hindu mantra; roughly translates to “Peace Be With You”. The film opens with the grandeur shot of the most famous songs of that is featuring and as a junior film artist standing in the crowd. Shah Rukh was cast as the lead; he gained six packs for a song sequence. He felt was a “happy film”. Farah was advised by to cast Padukone as the female lead, who was suggested by , under whom Padukone was working. She was cast without a screen test. Khan felt that she was “a beautiful, classic Indian beauty” who fit the role of an actor of the 1970s. She was excited at the prospect of working with Shah Rukh and said, “I’ve grown up watching [Shah Rukh] and always admired him so much. To get to work with him … is quite wonderful. It was also fantastic that Farah showed faith in my talent and cast me opposite him.” In preparation for her role, Padukone watched several films of actresses and to study their body language. Her character was modelled after Malini and nicknamed Dreamy Girl after her the latter’s nickname as Dream Girl. Rampal was approached by both Khan and Shah Rukh at the latter’s New Year’s Eve party. Rampal was initially reluctant to do the role as he felt it was “too evil” for someone like him. With persuasion from Shah Rukh, he agreed. Rampal wore a mustache in the film which was suggested by Shah Rukh. Shreyas Talpade played a supporting role as the best friend of Khan’s character. After the release of (2005) and completing the filming of , Talpade, who attended the same gym as Khan, was called for a narration of what would be . He agreed to do the role. , and also appear in the film. A further red carpet scene featuring a number of actors making guest appearances, including and as well as , and was deleted from the film. was made on a budget of ₹40 crore. The first scene to be filmed was one where Talpade’s character tells Shah Rukh’s character that he will be a hero; Shah Rukh was an hour late for filming. Farah was pregnant with triplets while filming and experienced difficulties while shooting, she would constantly vomit while directing the film. The film was shot entirely in sync sound; Farah dismissed rumours of Padukone’s voice being dubbed. In 2015, however, admitted to have dubbed for Padukone in the film. The fake fight scene involving a stuffed tiger was inspired by a similar scene in the film . Old cars owned by actors and were used for filming for authenticity. A number of references to real life was also filmed, including a scene in which Om rescues Shanti from a fire, which was a spoof of rescuing from a fire on the sets of (1957). For a shot involving a Filmfare Awards ceremony, Khan stood on the red carpet of an actual Filmfare Award ceremony and requested actors to dictate dialogues as she stated. The song “Deewangi Deewangi” was shot over a period of six days. The song “Dhoom Taana” has digitally altered guest appearances, which included from (1966), from (1970) and from (1977). Farah wanted to film for filming a special appearance had made her commit a few days for the role. Due to the uncertainty of her dates, the idea was scrapped. In February 2007, a filming schedule was completed in Film City. It was then reported that filming would move outdoors after Shah Rukh completed filming for . In October 2007, finished filming for his cameo appearance; he shot between 10 and 2 in the night for his screen time of about one and a half minutes. Filming of the last sequence and the end-credit song was done in . Farah continued the tradition of featuring an end-credits song beginning with (2004). was produced by Shah Rukh’s wife under their banner. While Marching Ants handled the publicity design, Gauri was the presenter. Shyam Kaushal, Amar Shetty and Shah Rukh were the action directors. The film’s final reel length was 4013.94 ft (1223.45 m). The was composed by while the original songs featured in were composed by the duo with lyrics by , and Vishal Dadlani. One song was composed by Pyarelal of the duo. The vocals are provided by , , Marianne, Nisha, , , , , , Rahul Saxena, , , , , , DJ G, Kiran Karnath, Jackie V, , DJ Nawed and Zoheb. Trade reports predicted the album to be commercially successful even before its release. The soundtrack album of was released on 18 September 2007 on CD, and was the highest-selling music album of the year in India, with sales of around 2 million units. created a record of sorts by going in for an unheard of 2000 prints (worldwide) release. This was the highest number of prints (including digital) for any Indian movie at the time of its release. set another record for registered pre-advance booking of 18,000 tickets in a chain of theatres in a few days before the advance booking was to start. A special screening was conducted for Bollywood actors. had reportedly sold the world rights for the film to for an amount between Rs. 720–750 million. Baba Films, a production and distribution company, had offered a record Rs. 110 million for the rights to the Mumbai Circuit, surpassing the highest amount ever paid for the territory. As a marketing strategy, Amul advertised Shah Rukh. In the United Kingdom, the film was watched by 750,000 viewers on in 2010. This made it the year’s most-watched foreign-language film on UK television, above the Japanese film and German animated film . planned to sue the makers of for showing his in . Kumar added, “Are the Mumbai police so stupid that they can’t recognise Manoj Kumar and lathicharge him in the ’70s when he was a star?”. Later, in a press conference, Shahrukh Khan and director Farah Khan accepted their mistake and apologised for the matter. Farah Khan even offered to cut the scene which Manoj Kumar felt was hurtful, but Kumar refused on grounds that, as Farah had stated, “I [Farah Khan] am like his daughter. He said, ‘Betiyaan maafi nahi maangti’ (Daughters don’t ask for forgiveness). I told him that he could’ve called me and scolded me.” Later, Kumar said that though this incident was hurtful to him, he wishes to forgive, ignore, and move on, saying that he prefers to “see in everyone and ignore the .” Before the film’s television premiere on Sony TV, Manoj Kumar filed for a stay on the television release, at civil court in . On 8 August 2008, he won permanent injunction on the scenes in that lampooned him. The court ordered the producers and , to edit the Manoj Kumar look-alike scenes before showing the film on the channel on 10 August 2008. It also ordered that the film could not be shown in any media—TV, DVD or Internet—without the scene being deleted. On 7 August 2008, before its television release, scriptwriter moved the Bombay High Court alleging that the basic storyline of the film was lifted from a film script he had emailed to Shah Rukh Khan in 2006. According to the petition, “Monga, along with one more writer , had registered the script with the Cine Writers Association (CWA) in September 2005. In January 2008, Cine Writers Association (CWA) rejected Monga’s appeal at a special Executive Committee meeting. Thereafter, he approached the court to stay the film’s screening on television. Though, on 6 August the court rejected Monga’s plea for seeking a stay on the television telecast, it directed all the respondents including , , , (director Red Chillies) and film’s co-writer Mushtaq Sheikh, to file their say by the next hearing on 29 September 2008. In November 2008, the Film Writers’ association sent a communication to Red Chillies and Ajay Monga that it had found similarities in and Monga’s script. The similarities were more than mere coincidences according to Sooni Taraporewala who chaired a special committee that has investigated the case on behalf of the Film Writers’ association. Another allegation of came from , daughter of late , who directed (1958). She threatened legal action against Red Chillies Entertainment and the producer-director of , as she felt that the film’s second half was similar to , also a rebirth saga. opened across 1100 cinemas in 3000 prints worldwide. The film’s net gross (after deducting ) was (US$19.2 million) in India. The film collected $2.62 million in the United Kingdom, $3.6 million in North America, and $3.93 million collectively from the rest of the world, which resulted in total overseas collections of $10,150,000, the fourth largest of all time as of 2010. As a result of these collections, a worldwide gross of (US$36.28 million) was accumulated. On the website , 79% of 19 critics’ reviews are positive, with an average rating of 7.21/10. was received positively by Indian film critics. of gave it four stars out of five and writes, ” is Bollywood masala in its truest form and also, at its best” but notes, “the second half could’ve been crisper”. of gave the film four stars out of five and appreciated the performances, observing how Rampal is “consistently first-rate as the suave villain” while Padukone is “fantastic, so surprisingly assured that you marvel at her poised debut”. He notes that “the enterprise belongs to Shah Rukh Khan, who tackles comedy, high drama and action with his signature style—spontaneous and intuitively intelligent. Six-pack or no-packs, he’s the entertainer of the year in this valentine to the movies.” of gave the film three and a half stars out of five and writes, “Farah Khan’s re-birth saga literally makes an art of retro and paints the seventies pop culture in strokes”. She called it an “unabashed tribute” to . of gave it three and a half stars out of five and applauded the performances of Shah Rukh, Padukone and Talpade. He writes, ” is an exultant, heady, joyous film reveling in Bollywood, and as at most parties where the bubbly flows free, there is much silly giggling and tremendous immaturity.” He criticised the dialogues and excessive cameos in the film. of gave the film three stars out of five and writes, “Unpretentious and completely transparent in its intentions, is an entertainer in the true sense of the word, mixing up genre elements like comedy, drama, action and emotion to create a heady broth of -style exaggerated entertainment.” He compliments the dialogues “which so cleverly incorporates Bollywood’s oldest clichés into these characters’ everyday parlance.” A commentator for felt that Shah Rukh’s acting was repetitive and writes, “He needs to curtail his unwarranted superstar mannerisms even in a total masala film like “, while complimenting the performances of Padukone, Rampal and Talpade. Sudish Kamnath of stated that the film is “an unabashed celebration of willing suspension of disbelief, calling it a “light-hearted tribute to Hindi cinema the way we know it and love it”. He praised the performances of Shah Rukh, Padukone and Talpade, while criticising Rampal and Kher. He also praised the various spoofs, especially the ones directed at Manoj Kumar, and Abhishek Bachchan. Writing for SantaBanta.com, Subhash K. Jha gave it one star out of five and criticised the spoofs “which keeps swinging from homage to imitation with infuriating artifice”, writing, “The mood is one of patronizing and condescension rather than genuine admiration for an era that’s gone with the wind”. Tajpal Rathore of gave it 4 out of 5 stars as well and stated, “Both a homage to and parody of Hindi Films, this cinematic feast delivered straight from the heart of the film industry will have you glued to your seats till the end.” Mark Medley of gave 3 stars and stated, “The film is a mess for all the right reasons; elements of comedy, drama, romance, action and the supernatural are packed in. But really, the plot is just a vehicle to get from one song-and-dance number to the next.” gave the film 3 out of 5 stars stating, “The movie consists of all the elements that are essentially called the ‘navratnas’ of Indian cinema – from joy to grief to romance to revenge. And she mixes these well to cook up a potboiler, which is sure to be a runaway hit.” ‘s talent for was a Hindi film fusion dance choreographed by and performed to . It was the first time Indian film ever appeared on the stage and Davuluri is the first to win the competition. In Japan in 2017, was remade into a musical, performed by the all-female troupe , titled . A book, titled written by Mushtaq Sheikh, was released after the release of the film. The book gives an insight into the production and happenings behind the camera of the film.</p>