Njan Steve Lopez

<p>Steve is a college kid whose major concern in life is how to tell his childhood friend Anjali that he loves her. He has an iPhone, is on WhatsApp all the time, goes out drinking with his friends and generally lives a carefree life made all the more secure by the fact that Steve’s father George is a in . This idyll is smashed when one day, Steve witnesses a stranger being attacked by men with scythes. Steve isn’t able to stop them, but when the attackers leave their victim for dead, Steve takes the injured man to the hospital. It’s here that he realizes there is more than what meets the eye. The man he helped is from a criminal gang and it’s evident that George is very unhappy that his son has got mixed up in all this. Steve’s misgivings intensify when he’s called to the police station to identify the attackers in a lineup and none of the men he’d seen are in that lineup. On his way back from the police station, Steve spots one of the scythe-wielding men in a car and decides to follow him. The man whom Steve is following, Hari, seems to be unaware of the college kid tailing him, but of course, that’s not really the case. Two of Hari’s men knock out Steve. When he comes to his senses, Steve finds himself bound and gagged in a room that overlooks Hari’s home. Things become murkier when Hari says he’s going to let Steve go and Steve realizes that Hari knows his father. All Steve wants to do is the right and humane thing by the people he encounters, but his acts of kindness just serve to muddle up the situation he’s in terribly. Steve realises George and the police force are somehow involved with the gangs and are playing sides, possibly to maintain a peaceful status quo. However, no matter how many times Steve asks, George won’t explain to his son precisely how the police are handling the situations. Inevitably, Steve realises that the bad guys have human sides and the police have terrible secrets, but no one has answers to the questions that Steve has. The more he investigates this case in which he has unwittingly become a critical pawn, the more dangerous things turn for him. Aside from Steve, no one seems blameless and yet, he is the one who seems to be suffering the most. The film ends with Steve riding his motorcycle down a street with an empty expression on his face, as another motorcycle approaches from behind and the men riding it swing a scythe at Steve’s back. The frame freezes just before the scythe connects, leaving Steve’s final fate ambiguous. The production of the film began on 25 December 2013 in Thiruvananthapuram. Director took a recce in to learn more about the place. Ravi compared his film with (2010) and said that “this is a coming-of-RAGE film where characters grow up only to turn into angry young men”. According to the director, the film doesn’t fall into a single genre. The film score was composed by and . The songs were composed by and were released on 13 July 2014 in A. J. Hall in Kochi. Chandran Veyattummal also composed the song “Pokaruthen Makane” for the film, which is extracted from the oral text of . In an audio review, a critic from wrote, “The music of the film doesn’t stick to one style or genre, neither does it adhere to the current trends. The result is a set of fresh and listenable tracks, each of which has something new to offer”. The song “Theruvukal Nee” became popular on social media. The movie was released online on to a worldwide audience on 20 July 2015. However, the day of the online release the movie suffered from piracy attacks and was uploaded to torrent sites. The online release partner, , was, however, able to track the uploader within 12 minutes and has initiated criminal proceedings against the pirate. The film was well received by critics. of wrote, “the fascinating and deeply atmospheric , follows pretty much the same trajectory [as ]. Young man. Rebuff. Love. Spanner-throwing fate. Tangential involvement with criminals. It’s all there – but in a different form”. Aswin J Kumar of rated the film 3.5/5 stars and wrote, ” is a film that will not disappoint even those who look for vigour and colour. It has warmth that glows every now and then and it is hard to resist”. Deepanjana Pal of wrote, “This is not a movie experience that will leave you feeling happy, but does make you wonder about the choices we make and those that are made for us. For that alone, it’s worth a watch”. Nandini Ramnath of wrote, ” suggests that sometimes, it’s better to quaff your way towards a stupor rather than swallow the hard facts of life in present-day Malayali society”. Shubha Shetty-Saha of rated the film 3/5 stars and wrote, “Watch it as it narrates an intriguing story aided by good performances”. The lack of commercialization made it a failure in the box office. It had since gone through a series of festival circuits gaining more critical acclaim. Finding audience online, now the film has a cult following and is considered Rajeev Ravi’s best work among his five films.</p>