Niluvu Dopidi

<p>Jagapathi Rayalu, the of the village Rangapuram, has two sons – Ramu and Krishna. Before dying, he entrusts their responsibility to his sisters Chukamma and Sheshamma. The avaricious Chukkamma ploys with her distant relative Bhushanam to kill the heirs for the property. However, the boys are rescued by Chukkamma’s wise husband Venkataramaiah and they land at an orphanage. Years roll by, and Ramu turns into a mechanic whereas Krishna is a college student. They fall in love with the daughters of Sheshamma and Chukkamma: Janaki and Radha respectively. At Rangapuram, Chukkamma reaps her benefits. Parallelly, Bhushanam becomes the president of the village who aspires to arrange his son Raju’s marriage with Radha. Bhushanam learns of Radha and Krishna’s love affair. So, he beats Krishna when enraged Ramu revolts on Bhushanam, but stops upon seeing the picture of the orphanage founder i.e. Jagapathi Rayalu. Soon after, their guardian Swamiji reveals the truth. Ramu and Krishna reach Rangapuram in disguise, brings Bhushanam to justice, and teach a lesson to Chukkamma. The film ends with the marriages of Ramu with Janaki, and Krishna with Radha. After the success of the folklore film (1967), its producer U. Visweswara Rao and director decided to make their next venture a contemporary film under the same banner Manjula Cine Syndicate. s lead actors and were retained for the new film, titled . Visweswara Rao wrote the story which , the film’s screenwriter, read and noticed was strongly influenced by (1962). Maharadhi felt Visweswara Rao’s story was outdated, so he reworked it to its final form. Visweswara Rao’s initial choice for the second male lead was , but later chose at the insistence of Maharadhi, who felt he would match Rama Rao’s “jubilance”. was cast as the second female lead, paired alongside Krishna. , who appeared in , was dismayed upon realising there was no role for him in and insisted on an appearance; he was offered to act as a minister and willingly accepted. The cinematography was handled by G. K. Ramu and the art direction by S. Krishna Rao, while editing was handled by R. Hanumantha Rao. The song “Aadapillalante Hoi Hoi”, choreographed by Thangappa, was shot at the Madras-based Golden Studios in September 1967. The soundtrack was composed by . was released on 25 January 1968 and became a commercial success.</p>