Naa Autograph

<p>The film begins with Seenu, who works in an advertising agency in , setting off on a journey, distributing wedding invitations for his forthcoming wedding. Along the way, he encounters various individuals from his past, who bring back memories of three women who have affected his love life. First, Seenu returns to his village in where he spent his childhood. He remembers his childhood antics, his school and his first love Vimala. After finishing school, Vimala got married and she never met Seenu again. In the present day, Seenu invites everyone from his village for his wedding including his friends, his old school master and Vimala, her husband and her three children. Then, Seenu goes to a village in where he moved after his father Sriram, a postmaster, was transferred there. He had his college education there. He was constantly bullied by the students there as he did not know , but eventually managed to become friends with a fellow student Satyam, whose mother tongue was also . Satyam served him as a translator. Seenu soon fell in love with Lathika, a Malayali girl. Lathika too reciprocated his feelings and soon their relationship becomes intimate. However, when Lathika’s family discovered this, they expelled Seenu’s family from the village and had her marry a local youth who also liked her. In the present day, Seenu reunites with Satyam in Kerala and invites him for his wedding. When they arrive at Lathika’s house to invite her too, Seenu becomes upset to see that his former love had become a widow (her husband had died in a boating accident a couple of years prior). After being expelled from the village in Kerala, Seenu and his parents moved to Hyderabad. Seenu had not got over Lathika and became an emotional wreck, and started to smoke and drink. He remained an emotional wreck until he met Divya, who worked in an advertisement agency headed by one Prakash. Divya, in fact, secured this job for Seenu after she saw him and his friend Bhagavan distributing pamphlets to the passengers in a bus, seeking job opportunities, hoping one of them may help them out in finding a job. Soon Seenu and Divya became close friends and Divya instilled confidence, unearthed his hidden talents and taught him the lesson that one has to proceed in life without looking back. Soon, Divya revealed that her widowed mother was a paralytic patient and that she worked to take care of her mother. As time passes by, she reveals that she was in love with someone and believed that he was the man of her life, but he cheated her. After Divya’s mother died, she goes to orphanage and she lives with the orphanage children to build their carrier successful. Finally, Seenu decided to marry a girl of his parents choice, Sandhya, for which he is distributing invitations in the present day. Everyone he invited, including Vimala, Lathika and Divya, attend his wedding. The film ends with Seenu reflecting on his life’s journey to the audience. The was held on 18 March 2004. After the success of the Tamil film (2004), wanted to remake it into Telugu. Cinematographer turned director with this film. The music was composed by . The music was released under the label. attended the film’s audio launch. A writer from wrote that “VERY FEW times do music and lyrics appeal as a package. reflects the brilliance of Keeravani and refreshing innovativeness of Chandrabose. While the tunes are soothing, lilting and most melodious, the lyrics are poetic and touching. And the singers are at their best”. The song “Mounamgane Yedagamani” also featured the performance of the members of Raaga Priya orchestra which also included its founder . All lyrics are written by . A critic from opined that Gopika “is the most attractive one in the film, because of the touch of tradition and [her] performance” and praised Keeravani’s music. A critic from wrote that “The weird aspect of is that there are no cinematic touches and the whole enterprise looks like a narcissistic affair! Consequently it becomes a Herculean effort to sit through the 165 minutes of the hero?s love life without lapsing into a siesta!” Jeevi of wrote that “This film is one example of remakes where the body is imported successfully without the soul”.</p>