Minsara Kanavu

<p>Priya is a student at known for her friendly, and precocious nature. Since childhood Priya is interested in singing, and attending church. Priya’s father Amalraj is a widower and a clothing industrialist who expects Priya to look after Amalraj Garments, but her desire is to become a . Amalraj tries to stop this by unsuccessfully arranging a marriage for Priya. Thomas Thangadurai, a , returns to his home town Ooty after earning his from to look after his father James Thangadurai’s business. James, a former associate of Amalraj, had set up his clothing business opposite Amalraj’s factory. Amalraj dislikes James due to his boorish and clumsy attitude, even though Thomas and Priya are childhood friends. Priya, after several years as a at the convent, unexpectedly meets Thomas, who is visiting his aunt, the of the Lawrence School. He takes Priya’s help in surprising his aunt with a gift on her birthday, and falls in love with Priya but is unable to tell her. Thomas is shocked when he learns of Priya’s ambition to become a nun; he approaches a hairstylist named Deva, who is known for his ability to change women’s minds, to dissuade her. Deva is hesitant but accepts. Deva and his friend, a blind, aspiring musician named Guru, befriend Priya and persuade her to join their music troupe. Priya’s singing talent helps the troupe gain recognition and they are approached to audition for a film. Deva, Guru, and the rest of the troupe play tricks to make Priya fall in love with Thomas. Deva soon realises that he is also falling in love with Priya. Complications arise when Priya reciprocates Deva’s love and Thomas, with the help of Deva, declares his love to Priya. Priya finds out about Deva’s reason for his association with her and, feeling betrayed, decides to return to the convent to undergo . She quits the music troupe in Chennai and leaves. Deva tries to persuade Priya to remain with the troupe but he gets into a serious accident and falls into a . Priya undergoes the training but cannot forget Deva. Deva recovers from his coma and is visited by Thomas, who is upset and angry but realises Deva and Priya are meant for each other. Thomas rushes to the convent on the day Priya is to become a nun and, with the help of the Mother Superior, changes her mind and persuades her to marry Deva. Thomas, now a priest, baptizes the daughter of Deva and Priya, who are married. Deva is looking after his father-in-law’s business and Priya is working as a full-time singer. Guru has become a renowned music composer but is facing charges of plagiarism; James redistributes his wealth to everyone. “I’m not a prolific filmmaker, but I try exploring something new each time. I saw more as a musical. The characters in that film came from a dream-like space, and most of it was shot inside the studio or in places that did not look like real places. That’s why I called it .” wanted to make a film commemorating their 50th anniversary in 1997. They wanted the film , which was produced by , M. Balasubramanian, and , to revolve around young people. Before choosing a director, the three producers approached Prabhu Deva to play the male lead and to compose the music. Rahman suggested his friend , then an advertisement director and film cinematographer, to direct the project. Menon thought about the offer for two months, saying he was not “mentally prepared” to direct a film. Initially reluctant, he was persuaded to direct the project by Rahman and filmmaker , and so this became his directorial debut. Menon wrote story, which is based on ‘s 1965 film ; he also co-wrote the screenplay with V. C. Guhanathan in English. Arvind Swamy was cast as Thomas, a non-resident Indian who, after returning from his studies abroad, meets and falls in love with his childhood friend Priya; he had earlier been Menon’s replacement for the lead role in the 1992 film . Menon’s wife Latha suggested the actor to play Priya, making one of her only two appearances in —the other being in (2017). He originally wanted for the role but felt she was “too stylish” and that he wanted a woman “who looked Indian”. He recommended her to Ratnam, who he thought was better than Rai; she would instead star in Ratnam’s (1997), her acting debut. was approached but she rejected the offer due to her busy schedule. Kajol said working on was an “unforgettable experience”, and that she was happy Menon gave her the part immediately after the other actresses rejected it. Kajol, a non-Tamil speaker, had her voice dubbed by . Prabhu Deva, the first actor to be cast in the film, played the hairstylist Deva and also choreographed for the film. The producers chose to dub for him; Menon said they “wanted a new voice for Prabhu Deva”. Nassar, playing the aspiring musician Guru, found the part fun and working in the film to be a “delightful experience”. He described the character as high-spirited and added that “it was like, going through my youth again. Dancing, for instance—I never thought I could dance, but in this film I did it and loved it too.” Janaki Sabesh, who was later known for portraying mother roles, made her acting debut in by playing a nun. was chosen to play Thomas’ father James. In his obituary published by in 2020, Menon said Balasubrahmanyam was “so enthusiastic and joyous on [the] set”, noting that it was interesting to see him acting opposite , who played Priya’s father Amalraj. and did the on , and Chandran was credited with providing additional cinematography. Asked on his decision to not handle the cinematography, Menon said working as a director and cinematographer simultaneously could make him not “pay attention to both the departments equally”. Menon even approached his mentor to handle the cinematography, but Mehta could not accept due to other commitments. Saravanan’s brother Palu’s daughter Lakshmipriya, who had returned from her costume design studies in Singapore, designed the costumes. finished the art direction, Vikram Dharma was the action director, and Prabhu Deva, , and did the choreography. Filming took place at , The Church of The Ascension, Lovedale, , and ; in preparation, Menon interacted with several Christian priests. The song “Thanga Thamarai” was filmed at an artificial waterfall, while the filming for “Poo Pookkum Osai” took place as AVM studios in Chennai and , , and . Filming took between 70 and 75 days, and the footage was edited by . soundtrack album includes six songs that were composed by with lyrics by . Recording of the tracks took place at . The film used different ( ) throughout the soundtrack, with the choral music being written in , and the song “Anbendra Mazhayile in . In an interview with Balasubrahmanyam said of the recording session of “Thanga Thamarai”: “[I]t required a tone that reflected the feelings of someone totally smitten and intoxicated by love. The character singing the song in the film is on a high after finding his girl.” He said he tried to imitate the composer, who helped to record vocals for the singer. Rahman chose for the song “Mana Madurai”, also known as “Ooh La La La”. He advised Chithra not to sing as she usually does but to completely open her voice to sing the track. The re-edited version of the track was featured on the international musical . The soundtrack album was released on 25 December 1996, with the cast and crew attending the event and , the then- , as the chief gu- Lyrics for the dubbed-Telugu soundtrack were written by . wrote lyrics for the Hindi version of the soundtrack and a new song titled “Teri Meri Baat” was added. All lyrics are written by . All lyrics are written by . All lyrics are written by . was released on 14 January 1997 during the festival released at the same time as Ratnam’s , with which it competed. On its opening, drew mediocre box-office earnings but it was eventually a success after running for 216 days in Chennai. On 3 August 1997, an event was held to celebrate its . In order to celebrate the film’s silver jubilee, AVM collaborated with 3 Roses tea brand and conducted a contest where audience who answered questions from the film will be travelling in a special train with cast and crew specially organized for the film’s silver jubilee. -dubbed version , which was also released on 14 January, was a commercial disappointment. suggested the possibility of the film, whose themes are intended for youths, being rejected by youths themselves. The magazine also thought that this was due to the producers, who took “a gamble in acquiring the rights of the films without knowing anything of their story or content”. was dubbed into as , which premiered on 2 May 1997 and also failed commercially. The result of the Hindi version caused Menon to stop dubbing his films into that language. received mixed response from critics. S. R. of praised the film’s cinematography and music but criticised the plot and found the climax tiring. K. N. Vijiyan, who reviewed the film for the , likened its plot with that of a Hollywood film, finding it to be “vaguely similar. But even so, it has been adapted well to suit Indian culture.” Calling the film “good entertainment”, he lauded its screenplay and Kajol’s performance, adding that she was at her best when she is “her naughty self or belting out songs” such as “Maana Madurai”. Writing for , M. S. M. Desai was ambivalent about the Hindi dubbed version , saying it is filled with many songs and dances that make “the pace of the narrative dull and drab”. Initial responses to the soundtrack were unfavourable; Desai said Rahman “fails miserably to come up with catchy numbers”, but reception improved in the 21st century. The songs “Mana Madurai”, “Strawberry”, “Thanga Thamarai”, and “Vennilave” became popular.</p>