Mere Brother Ki Dulhan

<p>After ending his relationship with his girlfriend, Piyali Patel, in , Luv Agnihotri asks his younger brother, Kush—a -based assistant film director and photographer—to find him a suitable bride. Kush returns to to meet his parents, retired army officer Swarnik Agnihotri and homemaker Kanak. Together, they travel across India in search of a potential match for Luv, but without success. At the suggestion of Kush’s friends, the family places a matrimonial advertisement in a newspaper. They receive a response from Dilip Dixit, a father seeking a groom for his daughter. When the Agnihotris visit the Dixit family in Delhi, Kush is surprised to discover that the prospective bride is Dimple Dixit, a free-spirited and outspoken woman he had briefly met five years earlier during a college trip. Despite their contrasting personalities, Kush encourages Dimple to consider the match. After meeting Luv, Dimple agrees to the marriage. Her brother Ajay decides the wedding should take place in Agra with a view of the . As preparations begin, Kush realizes he has developed feelings for Dimple. On the advice of his best friend, he confesses his love. Dimple, who had tried to signal her own feelings earlier, initially reacts with frustration but eventually reciprocates. The two attempt to elope but fail, and instead devise a plan to reunite Luv with Piyali. Dimple invites Piyali to the wedding under the pretense of being a friend. Luv and Piyali reconnect and elope the next day, later informing both families through letters. In the aftermath, Swarnik and Dilip initially quarrel but ultimately agree to save face by arranging a marriage between Kush and Dimple. Kush consents on the condition that Luv and Piyali are accepted by both families. The request is granted, and both couples are married in a grand joint ceremony. announced the then-untitled project on 5 August 2010. The film marked the directorial and writing debut of Ali Abbas Zafar, who had previously served as an on several Yash Raj Films productions including (2007), (2008), (2009), and (2010). Lead actor described the film as a “comedy of errors.” Following the studio’s prior success with debutant director on (2010), this became the second consecutive Yash Raj production to be helmed by a first-time filmmaker formerly employed by the company. Zafar, a native of —where a portion of the narrative is set—submitted three romantic storylines to producer . was eventually selected for development, after which Zafar began work on the screenplay, which spanned 150 pages. Prior to entering the film industry, Zafar had been active in theatre and was associated with The Players, the drama society of at . In the months leading up to release, the film drew comparisons to the American romantic comedy (2007), in which a man falls in love with his brother’s partner. It was also likened to (2002), an earlier Yash Raj production with similar narrative elements. The casting of and in the lead roles was announced concurrently with the film’s initial press release. Though this marked their first on-screen pairing, the two actors had previously been signed to appear in the indefinitely postponed , directed by . Khan made his debut for Yash Raj with this film, while Kaif had earlier collaborated with the studio on (2009), where she worked with Zafar, then serving as assistant director. Her availability for arose following delays in the production of . The role was reported as a departure from Kaif’s previous screen personas. The part of Luv Agnihotri was played by singer-actor (no relation to the director), marking his second Bollywood appearance following critical praise for (2010). He announced his involvement via social media and referred to the casting as “a dream come true.” Zafar also performed the singing for his character in the film, which he described as a “parallel lead role.” The cast also included newcomer Tara D’Souza, a former model, in a supporting role. On 17 October 2010, multiple media outlets reported that had been cast in an unspecified “glamorous role,” but the actress refuted these claims on Twitter the same day. began on 25 September 2010, with the initial schedule based in , followed by shoots in , , , , , , , and . Filming spanned 45 days across northern India before concluding in . Kaif joined the production on 27 September, while also balancing her commitments to (2010) and (2011). During the early days of filming, on 29 September 2010, Kaif sustained a minor nose injury during a comic scene shot at , when a prop gun handled by Khan accidentally struck her face. She later clarified the incident as unintentional, stating, “These things happen… It was one of the really madcap scenes.” In another on-set occurrence, Kaif slapped Khan multiple times for a scene that required numerous retakes at Khan’s request, to offer the director a variety of options. Later, during filming in , Kaif’s hair became entangled in a fan. The situation was quickly controlled by co-star and a crew member, who both sustained minor injuries in the process. The film’s official title, , was announced on 2 October 2010, accompanied by promotional stills. Ahead of the release, Zafar stated that Kaif had promised to appear in a music video with him if the film earned more than ₹600 million at the box office. The film’s soundtrack and background score were composed by , with lyrics written by . The album consists of six original tracks and two remixes, and was released on 10 August 2011 under the Yash Raj Music label. Among the songs, “Madhubala”—sung by cast member and picturised on —served as a tribute to the iconic Hindi film actress . initially targeted a July 2011 release for . However, the release was later postponed to 16 September 2011. In a notable shift from the studio’s traditionally guarded promotional strategy, the title and initial promotional stills were made public just one week into production—an approach that contrasted with their previous practice of delaying such announcements until closer to the film’s release. The film was released theatrically in on 9 September 2011, ahead of its Indian premiere. opened to strong box office collections in India, earning ₹75 million net on its first day. Over its opening weekend, the film collected ₹255 million net, and held steadily on Monday with an additional ₹37.5 million, bringing its four-day total to ₹290 million net. By the end of its first week, it had grossed ₹378 million (US$4.5 million) net domestically. The film concluded its theatrical run in India with a total net collection of ₹772 million (US$9.1 million), contributing to a worldwide gross of ₹938 million (US$11 million) against a production budget of ₹320 million (US$3.8 million). Internationally, the film earned approximately ₹200 million (US$2.4 million) from overseas markets. received generally positive reviews from critics, with particular praise directed at ’s performance, the music, and the film’s lighthearted tone. of gave the film 4 out of 5 stars, describing it as “a delectably wholesome, heartening, feel-good entertainer.” also awarded the film 4 out of 5 stars. rated it 3 out of 5 stars, calling it “a treat for Katrina’s fans, as it will be an experience to witness her talent.” of gave the film 3 out of 5 stars, noting its “reasonable entertainment value, very good music, and exciting song picturisations,” though he also mentioned that “the screenplay dips at a few places; a few comic scenes seem forced.” of rated it 3.5 out of 5 stars, writing, ” is a pretty ordinary effort,” but commended its energetic performances. of gave the film the same score, noting that “a large part of the film is a spoof” with mixed success. In a more critical take, Gaurav Malani of felt the screenplay did not fully explore its potential and wrote that “the writing is shallow and resorts to a convenient climax.” Krita Coelho of described it as a film to “watch if you’re a sucker for a sweet Bollywood romance.” referred to the film as “a fun, good one-time watch” for viewers willing to overlook certain flaws. Rahul Gangwani of gave the film 3 out of 5 stars, remarking that “the film ultimately belongs to Kaif. She sparkles, sizzles and infuses energy into the film,” citing a scene in which she mimics a rendition from as a standout. Conversely, of rated the film 2 out of 5, writing, “The film doesn’t always work because it relies too heavily on silly stereotypes and clichés, and because you can see exactly where it’s going from the moment you settle into your seat.” Other publications such as also responded positively, with the outlet awarding 4 out of 5 stars and stating that Kaif’s performance alone “is worth paying the admission price.”</p>