Mattoral

<p>Kaimal ( ) and Susheela ( ) leads a routine married life with two school going children. Kaimal is a straight forward beurocrat while Susheela is a housewife. Balan( ) and Veni ( ) are a younger couple who are friends with Kaimal and Susheela. One evening Kaimal is shocked to find that Susheela has eloped with another man who turns out to be the local car mechanic, Giri. Balan tries to convince Susheela to come back, but she moves in with Giri in a dingy room in a shady street. Kaimal is devastated and is struggling to manage kids and facing society. Susheela slowly realizes Giri’s womanizing ways as he brings another woman home. Kaimal also has to ward off flirtatious advances of the house maid, Rajamma. Kaimal turns to alcohol and contemplating murdering Susheela. Susheela decides to patch up things with Kaimal. Balan arranges the couple to meet at the beach. However, Kaimal commits suicide before Susheela could reach the beach. took place in , with the first shot taken at a car workshop in Thakarapparambu. Mammootty read the script from writer C. V. Balakrishnan only after the initial filming was completed. A scene wherein Mammootty’s character hums a song was changed to him singing, after a suggestion by director , who while his visit to the film’s set sang “Alappuzhakkaran Kesavanaasante”, a folk song from there, which was included in the scene as Mammootty singing. The film is based on a story by author , who co-wrote the script, in his film debut. K. G. George had once said, “it was C. V. Balakrishnan’s film”. In a 2016 article for , film critic described the film as “one of the most chilling portrayals of middle class life and the void that men are despite their progressive, civic appearances.” In a 2018 critical study article of K. G. George’s films, s Joseph Anthony observed, “If George’s women battle jealous, self-indulgent and exploitative men in his other films, in they battle a more formidable enemy, the ideal husband — the decent man or the bore.”</p>