Majaa

<p>Govindan is a thief who has two sons: Aadhi and Mathi. Years go by, and the brothers decide to stop stealing, mend their ways, and lead a hardworking life with their father. They migrate to a neighboring village and meet a retired agricultural officer Chidambaram, who is in deep debt and is under pressure from the village landlord Kalingarayar to clear his debts. In efforts to help Chidambaram, Mathi confronts Seetha Lakshmi, Kalingarayar’s daughter, who comes to collect the money Chidambaram owes her father. Seetha Lakshmi starts to acquire a liking for Mathi but keeps it hidden due to her father’s atrocious temper. In an attempt to teach Kalingarayar a lesson, Mathi forcibly ties the mangalasutra around Seetha’s neck. Kalingarayar, realizing his daughter’s love for Mathi, comes down to arrange a grand remarriage between the two. However, things go awry when Rajavelu, Seetha Lakshmi’s maternal uncle, comes to town in an effort to stop the wedding between the two as he has wicked plans of marrying Seetha Lakshmi and usurping her family fortune. The film was primarily shot at . Though the film’s title received criticism from the media due to its suggestiveness, the makers refused to change it. The music was composed by . The film was released on 1 November 2005, day, alongside and . wrote, “The major flaw of is its wafer-thin story and screenplay, a mediocre subject to be remade from Malayalam […] the film gives you a dreary sense of déjà vu, a feeling that one has seen it before”. A critic from wrote that “‘Thomanum Makkalum’, the film’s original Malayalam version, in which Mammootty starred, had some perfect casting for the trio. But here the combination of Vikram, Pasupathi and Manivannan somehow fails to jell together as a team”. A critic from wrote that “Overall it is a clean family entertainer worth a watch”. Lajjavathi of praised the humour and performances of Vadivelu, Pasupathy and Manivannan but felt Asin and Murali were wasted, Vidyasagar did not score well while panning Thaali sentiment scenes, crippling screenplay and lengthy dialogues. He was surprised by Vikram for choosing this film and she do not want to get him wasted in weak plots. S. R. Ashok Kumar of wrote “Getting an opening from an established producer like Rockline Venkatesh and with Vikram in the lead, director Shafi should have made the effort to make the fare more interesting”. G. Ulaganathan of wrote “One word to describe the movie–Bad. One wonders how the original film in Malayalam, Thommanum Makklalum clicked. This Tamil version is a rehash of hundred and odd old films and the only novel feature is that instead of the mother-son sentiment, there is father-sons sentiment”. It was declared an average grosser.</p>