Mahaan

<p>: Mohandoss is a middle-aged liquor-ban activist whose twelve-year-old son Gandhi Mahaan is the exact opposite of him, and is addicted to gambling. Sathyavan Soosaiyappan is his friend, who gambles against Gnanodhayam. Gandhi is a prodigy at gambling and always helps Sathya win matches. One time, Sathya keeps on losing and confronts Gandhi, who tells him he has no choice but to make him lose because Gnanam kidnapped his dog, Joker. Everyone fights over it, and their parents have to interfere in it. Mohandoss makes Gandhi promise that he will lead the liquor-ban movement and live as a ” . : Gandhi is a 40-year-old commerce teacher at the local government school. He is married to Nachi and has a son Dada. On his , Gandhi leaves for a temple to give , where he meets a beggar Manickam, who tells him that Gandhi leads a life-like 95% of people with morals or principles, but cannot lead a life like 5% of people, who do not follow morals or principles in life. At night, Gandhi remembers the beggar’s words when Nachi tells Gandhi that she and her friends are going on a trip to . Gandhi uses this as an opportunity to enjoy his real birthday the next day and goes to a bar, where he meets one of his old students, Rakesh Christopher alias Rocky, who decides to help Gandhi fulfil his dreams. Gandhi is then taken to Rocky’s father Sathya who owns the bar, where Gandhi plays rummy and wins a lot of money. Sathya recognizes Gandhi as his childhood friend due to the scar. The next morning, Gandhi returns home late, when Nachi deduces that Gandhi has drunk and leaves him, taking Dada with her, since Gandhi broke the rule of never drinking. Gandhi goes to Nachi’s house multiple times and begs for a reconciliation, but is ousted. He decides to live with Sathya and Rocky, and they all come up with selling the liquor that Sathya’s father Soosaiyappan made and names the brand . : Gandhi, Sathya and Rocky are all rich from selling liquor and plan to start and lead a where only their drinks can be sold in the bars in . One of the members opposes their leadership, resulting in him being tied away and sent away in a . Later on, the trio visit a bar and try some strong alcohol, which severely intoxicates them. They are then driven to the rival member who tries to kill Rocky in front of Sathya, but Gandhi drunkenly stops him and fights all of them off. This incident causes Sathya to become a devout Christian, becomes paranoid and suggests that they stop selling liquor, whereas Gandhi convinces him otherwise. : Gandhi, Sathya and Rocky have become influential people in society. However, the announces that only government-approved liquor is allowed to be sold in bars, and with this development, they decide to visit one of the party members, Gnanodhyam, through his supporter Anthony, whom they then deduce that he is the same Gnanam, one of their childhood friends, through his scar, and he agrees to a deal that Sooraa can be sold in bars. : Gandhi has become a billionaire owing several distilleries and the gang runs a in Tamil Nadu. The is trying to find evidence to arrest them. At Rocky’s wedding, Gnanam proposes a deal to Gandhi that he can let them produce the entire stock of liquor in Tamil Nadu by killing off the , which they do. Gnanam then meets Sathya and Gandhi and proposes that they sell their liquor under different brands of lower quality, which Sathya does not agree with, stating business ethics, Gandhi admits that they killed off the collector, where Sathya storms off and Gandhi admits he sees Gnanam as less of a friend than Sathya. With all of this, Gnanam decides to cancel the license of Sooraa, but they know that Gnanam had illicitly had a son, who was Anthony, with a woman in his old colony and use this information to Gnanam into reinstating the license of Sooraa. : Gandhi leaves for a festival to which one of his gang members, Michael, invites him. In the middle of the festival, a stranger arrives and reveals himself to Gandhi as his son Dada. In this timeframe, Dada kills Michael and tells Gandhi that he was appointed on a to eliminate the liquor mafia. : Dada moves to North India with his mother and relatives, where they receive news of Gandhi’s success in the liquor business against Mohandoss’s wishes, which angers them all. His relatives convince Nachi to remarry, but she withdraws at the last minute, still faithful to Gandhi. Rajavel blamed Gandhi for his death on his deathbed, which motivated Dada to retaliate against Gandhi. He assaulted someone for trying to make him drink and was encouraged to join the for his revenge. He is soon appointed to the , to dismantle the liquor mafia. Dada ensures Gandhi that he will not kill him, but he will kill everyone else. It is revealed that Gnanam, who became Deputy , wanted to appoint the team to retaliate against the entire group. Gandhi visits Gnanam and tells him to stop the operation before it worsens. Dada takes Anthony and kills him. Enraged, Rocky tries to learn who killed Anthony and Michael, and Gandhi is forced to reveal to Rocky that the officer who killed them both was his son and he can do nothing about it. Rocky tries to convince Dada to not kill them, presenting himself as an older brother, but Dada kills him and incapacitates Gandhi. Gandhi gets up and fights Dada, but is unable to kill him as his father. Gandhi attempts to convince Sathya to target Gnanam instead of Dada, but his efforts fail as their relationship remains undisclosed. He visits Nachi and reconciles with her, but they cannot convince Dada. She moves into Gandhi’s house and lives there, where he asks her to leave with Dada. She talked to the Deputy CM, Gnanam, to dismiss Dada, where Gnanam recognised her in the picture at Gandhi’s house. Dada is kidnapped by Gnanam, who learns that Dada is Gandhi’s son and will only release him if Gandhi kills Sathya. Sathya gets a video showing Rocky’s death and notices Gandhi in it, where Gandhi admits Dada is his son and reveals the incident. Sathya tries to kill Gandhi, but Gandhi kills Sathya when he admits he would target Dada next, before killing all his henchmen. Gandhi leaves for a remote location, burns the car they bought together, and Dada arrives. He reveals that he never was kidnapped by Gnanam and wanted Gandhi to kill Sathya accelerated the process by sending the video footage to him. Gandhi states he should have killed both Dada and Nachi in 1996, before insulting her, where Dada then threatens to kill him if he continues to insult her. Gandhi then questions her whereabouts, stating that Gnanam said he had his whole family with him, leading Dada to believe she was truly abducted. Gandhi plans to kill Gnanam, and he convinces Dada to do the deed as his son, but it is revealed that Nachi was not kidnapped but given a ball by Manickam to put her into a deep sleep. Dada visits Gnanam and kills him while on the phone with Gandhi. Gandhi reveals that he destroyed all the liquor in his house, signed all of his wealth to an , and shuttered the factories. He also tells Dada that he used this opportunity to have Dada arrested and teach him the importance of balance in life, stating that himself believed that having a lack of freedom to make mistakes means that you have no real freedom. He proclaims that he has finally become a “Mahaan”. Both men drink a glass of Sooraa and throw them away in frustration. In June 2020, was reported to direct a gangster film with in the lead role, which was tentatively titled . Vikram, initially greenlit the one-liner narrated by Subbaraj in 2016, while he was shooting for , but he could not offer the role due to his commitments in other projects. While Karthik Subbaraj worked on , Vikram agreed to start the shoot with Subbaraj’s script he earlier planned, with S. S. Lalit Kumar of Seven Screen Studio, which produced the actor’s , agreed to fund the project. The film marked Vikram’s return to gangster film-genre after (2002) and (2008). Lalit Kumar officially announced the project on 8 June 2020, with Vikram’s son also sharing a pivotal role in the film. Karthik Subbaraj used the period to develop the film’s script and had planned to start the shoot only after the lockdown ends. It was touted to be a film based on revenge, similar to the director’s . On 20 August 2021, the film’s official title was unveiled as . Soon after the film’s announcement was chosen to score the music, in his second collaboration with Karthik Subbaraj after (2019) and his maiden collaboration with Vikram. Shreyaas Krishna who worked with Subbaraj in was signed as the cinematographer and joined the film’s team as the editor, after multiple associations with Subbaraj since (2014). Anirudh opted out of the project due to his busy schedule and was replaced by Subbaraj’s norm composer . The makers announced the principal cast and crew members on 10 March 2021 onwards, with being the first member to be announced as a part of the film. On 12 March, was announced as being in the cast, this being his sixth collaboration with Subbaraj. The next day, was confirmed, with her role reported to be Vikram’s love interest; however her scenes did not make the final cut. Actors Sanath and Vettai Muthukumar were announced soon after. Sound designer Kunal Rajan who worked in and was announced a part of the technical team, while Dinesh Subbarayan, son of prominent stunt choreographer joined the team as stunt director. Subbaraj fixed as the principal location for the film, and planned to start the shoot in February 2021 due to Vikram’s commitments to and . With Vikram’s return to after completing the shooting schedule for in , commenced on 10 March 2021. The film was set to be shot across Chennai, and Kodaikanal. On 29 April 2021, despite the continuous shoot for about 50 days, the producers suspended the shooting, keeping in mind the rise in . By then, 50% of the film’s shooting was complete. In late-June 2021, it was announced that Subbaraj planned to resume shooting for the film in July, with the entire team being before the shoot. Filming resumed on 6 July, with a 35-day schedule being held in and then another shooting schedule was planned around Chennai, Goa and . In mid-July 2021, the team headed to Darjeeling for the final schedule. and portions involving Vikram, Dhruv and Vani Bhojan were shot in this schedule. On 9 August, it was reported that Dhruv Vikram had wrapped shooting for his portions in the film. Four days later, on 14 August, it was reported that shooting for the film has been . In December 2021, Vikram and Dhruv had completed dubbing for their respective parts. The film’s soundtrack and score is composed by . Compositions for the soundtrack began during March 2021, where Santhosh and his music team recorded the first track, in collaboration with native folk musicians from . In April 2021, he started tracking vocals to record the film’s songs. During mid-December, Dhruv had recorded vocals for one of the songs in the film, incorrectly reported to be his singing debut, as he had already sung in his debut film (2019). On the occasion of (10 September 2021), the first single track “Soorayaatam” was unveiled by . The second single “Evanda Enakku Custody”, a retro-based dance number, was released on 28 January 2022. The third single “Pona Povura”, was released on 2 February 2022. The fourth single “Rich Rich”, was released on 5 February 2022. The fifth single “Missing Me”, written and sung by Dhruv, was released on 8 February 2022. The sixth single “Naan Naan”, a tribute to Vikram, was released on 9 February 2022. had a release on 10 February 2022 via , and had its television premiere via on 31 August 2022. M Suganth of gave 3.5/5 stars stating that “Thankfully, the emotional stakes keep getting higher and the actors deliver splendid performances. There is an air of casualness in Vikram, who seems to have loosened up a lot, that only shows the actor enjoying himself with a performance that is his best since , which was way back, in 2010. Dhruv matches up to him in many of the scenes, proving that he is a chip off the old block. Simha, Muthukumar, Simran and Sananth, too, deliver memorable performances that elevate the scenes and the film. Praveen Sudevan of wrote “Karthik Subbaraj attempts a meditation on morality and ideology within a crime saga that struggles to bear its own weight.” Ashameera Aiyappan of gave 2/5 stars and wrote “Karthik Subbaraj’s films have always played with irony. In , he found irony in a gangster who found his calling as a comedian. had a man who was terrified of ghosts, cook up a great ghost story to cover up a theft. was a film about female empowerment but told through the male characters. Even his short film in the anthology Navarasa looks at ‘peace’ from an ironic vantage point, an ongoing war. Mahaan is the latest addition to the list. But with its flawed set-ups and a lack of emotional depth, it doesn’t become a very memorable one.” Haricharan Pudipeddi of wrote “Mahaan extracts a very uninhibited performance from Vikram, who is refreshing in a character that spans over five decades. This is a very mature performance, and he embraces the character’s flaws and vulnerability so convincingly. Dhruv Vikram looks even more comfortable in his second outing as an actor. After leaving a strong impact with his debut film, a remake of , he delivers a slightly exaggerated performance which suits the character. Bobby Simhaa gets a meaty part and even though you find him in almost every Karthik Subbaraj film, he manages to surprise each time.” Manoj Kumar R of gave 3.5/5 stars stating that “Composer Santhosh Narayanan’s background score, cinematographer Shreyaas Krishna’s camera enriches the mood and atmosphere of Karthik’s vision. If Karthik had slowed the pace a little and dug deep into the period and atmosphere of his characters, Mahaan could have been his own version of . But, that doesn’t take away the fact that it is a spicy action-family-drama that in a way captures the moral and spiritual struggle of our time.” Ranjani Krishnakumar of wrote “At two hours and forty-two minutes, Mahaan is a self-indulgent and vacuous film. At its best, it’s tiresome. At its worst, it’s an abomination.” Aditya Shrikrishna of wrote “Vikram’s Gandhi transforms into ‘ ‘ in his sleep, belting out “get three coffins ready” like in . But after a chance meeting with a beggar on his fortieth birthday and a harsh dressing down, and a day for himself without family, he takes matters into his own hands. A curious choice from Karthik on the beggar as a major plot shifter, almost like the witches in Macbeth or the ghost in Hamlet. Mahaan doesn’t shy away from its larger themes.” Vivek M V of gave 3/5 stars and wrote “Mahaan begins with a quote from Gandhi that says, ‘Freedom is not worth having if it doesn’t include the freedom to make mistakes’. Karthik’s mistakes while attempting unique stories can perhaps be forgiven. But the truth remains that since , the director’s craft has seen a decline.” Janani K of gave 3/5 stars and wrote “Mahaan could have been a solid gangster drama with a conflict between a dad and son at the core. If only Karthik Subbaraj had conveyed his thoughts in a crisp screenplay, Mahaan could have been much better.” of gave 2.5/5 stars and wrote “Mahaan grabs that freedom with both hands – like the eponymous character, it makes its share of mistakes and lives to tell the tale because Vikram injects just enough variety into it with a performance that serves to temper some of the film’s excesses.” of stated that “Instead of the gangster saga that it is, I wish it had been a satirical comedy on Gandhism, and a man caught in the middle of an uptight family, and his adventures without their knowledge. If only Karthik would break his rigid rule about dragging gangsters into every idea he has!” In an interview after the film’s release, Karthik Subbaraj stated that some dialogues criticising ‘s killer were censored. He stated that the line “Gandhi was killed by someone with maniacal ideological devotion, such as Godse” was asked to be removed and was told that he was free to include anything about Gandhi but not about Godse.</p>