Love at Times Square

Sweety is the daughter of a billionaire Indian Shaan. The girl’s father organizes a musical concert at , where she comes across two young boys: Raj and Bobby. Raj is a computer engineer and works in Silicon Valley, whereas Bobby has come to the US in order to earn a bright future. Sweety is pursuing her studies in mass communication in the US. Both the boys fall in love with the same girl. Sweety drives from New York City to San Jose with Raj to meet her father, and on the way, Raj falls in love with her. Meanwhile, Bobby starts working under her father and also falls in love with Sweety. Both men propose marriage to her, but Sweety declines, unsure about love. Eventually, she falls in love with Bobby after he saves her from the antagonist. On New Year’s Eve, one year after their initial meeting, Sweety chooses Bobby, and the two get engaged. Lyrics were written by and , music was composed by , , and . Lucky Ali and Adnan Sami also gave his voice for the songs. In India, criticized for poor writing and plot as well as poor acting by the newcomers. The direction of scenes in New York and transitions between scenes were also criticized. of gave the film 1 out of 5, writing ″Even the September 11 incident has no relevance to the story and has been forced to the screenplay. The climax is also an absolute letdown. Dev Anand’s direction is below the mark. Though the idea of depicting a love story on a New Year eve is different, the execution leaves a lot to be desired.″ In US, of wrote that “The good cheer of is relentless, and given the film’s 155-minute running time, occasionally oppressive”. Mark Holcomb of wrote ″It takes an abundance of nerve or an impressive miscalculation of vision to situate the guileless, frenzied glitz of a Bollywood musical in gloomy NYC. Both seem to motivate octogenarian Indian auteur Dev Anand’s Love at Times Square, which mixes bourgeois moralizing with chaste rom-com shenanigans and song-and-dance numbers that would make the Solid Gold dancers weep with envy. Anand plays a self-described “compassionate Silicon Valley billionaire” whose daughter, Sweety, contends with dual suitors in pseudo-swank Manhattan (or a Calcutta soundstage facsimile thereof). When the pressure mounts, she pops over to Dad’s spray-paint-and-pasteboard San Jose mansion—which appears to be about a day’s drive from midtown—to belt out a tune or two. Anand manages to work in shamelessly exploitative September 11 footage between numbers, but aside from this sequence, Love couldn’t be more giddily benign.″ Megan Lehmann of the gave the film 1.5 out of 4, writing ″This blithe inattention to authenticity is perversely endearing, and the whole (overlong) shebang is so jolly and well-intentioned, that it’s kind of fun. It’s just not very good film-making.″