Kya Kehna

<p>Priya Bakshi is the bubbly, free-spirited daughter of Gulshan and Rohini Bakshi. Priya’s parents, brothers, and best friend Ajay love and support her. Ajay is secretly in love with Priya and wishes to marry her in the future. Priya enters her first year of university and quickly catches the eye of wealthy playboy Rahul, who becomes attracted to her. She succumbs to his charm but Ajay and her brother Vicky are unsure about Rahul. His reputation and womanizing ways worry them, and they warn her to stay away from him. However, Priya believes that Rahul is in love with her, and the two begin a relationship and have sex. Priya convinces her parents to meet Rahul, but when they prematurely talk about marriage and the future, he mocks them and leaves Priya. Priya is heartbroken but tries to move on with her life. She later learns that she is pregnant with Rahul’s child. Her parents go back to Rahul to talk about marriage once again. He acknowledges that he is the father but still does not want to marry Priya. Rahul’s mother also berates Priya’s family, believing that they are looking for financial compensation. Priya is faced with a decision, and she chooses to keep the child. Her decision prompts her father to willfully banish her from the house due to the shame, much against the rest of her family’s will. Alone and neglected, Priya is devastated. The rest of her family tries to bring her back but Gulshan prevents them from doing so. However, he eventually realises that it’s hard to live without Priya and agrees with their family to bring her back, supporting her during her pregnancy. Priya goes back to university, where she is shunned due to her pregnancy and ‘spoiled’ character. Rahul’s mother, who is part of the university’s board of directors, tries to convince the other parents that Priya should be expelled due to her character. Ostracised by friends, neighbours, and society, Priya realises Ajay’s love and dedication for her. The university holds a year-end performance, where a group of students perform a play that ridicules and vilifies Priya and her pregnancy. After the play, Priya makes a passionate speech about love, honour, and respect. She tells the audience about how she isn’t the only one to blame for her pregnancy, and how she decided to let her baby live and enjoy life. Her words move many in the audience, including Rahul. Her friends apologise to her, and she gains the support of the community. Later, Ajay declares his love for Priya and desires to marry her. However, Priya worries whether Ajay will accept her and her unborn child. Ajay tells her he is fully willing to accept both her and her child as his own. Unknown to Priya and Ajay, a remorseful Rahul approaches Priya’s family and reveals he is ready to apologise and raise his and Priya’s child together, to which they agree. Priya’s water breaks before she can answer Ajay’s proposal and she goes to the hospital to give birth, where she’s joined by Rahul and her family. At an event to celebrate the birth of Priya’s baby, Rahul proposes to her, stating that he is ready for marriage and to raise their child. Ajay wishes them well and begins to walk away. However, Priya rejects Rahul and confesses her love for Ajay, asking him whether he’s still willing to accept her and her child. Ajay agrees to this. Rahul accepts Priya’s decision, wishes them well, and leaves. The soundtrack of the film contains 8 songs. The music is given by , with lyrics by . According to the Indian trade website , with around 20,00,000 units sold, this film’s soundtrack album was the year’s seventh highest-selling. The title song “Kya Kehna” is copied from ‘s Single ” “. The film was a box office success and emerged as one of the highest-grossing Bollywood films of 2000, and was called a “super hit” by . The film’s success was unexpected, and it was therefore described as a . Vinayak Chakravorty of gave the film 3 out of 5 stars, writing, “The basic premise of , then, definitely had the potential of being a gripping family entertainer. Unfortunately, somewhere down the line, you feel as if most people associated with the film somehow lost interest.” He noted, however, Zinta as “the bright spot of the film”. Aradhika Sekhon of wrote, “The film itself has several flaws but the issues that it tackles are real. The director takes a straight, hard look at the problems of today and holds them up for exhibition. The Indian tendency is to sweep uncomfortable issues under the carpet but if films like continue to be made, at least, we’ll be forced to confront them.” Mimmy Jain of , in a positive review, commended Shah for making “a sensitive film, on a sensitive subject”, calling “a film that should have been made years ago”. She further noted Zinta as being “dazzlingly good” in her part. , in a three-star review, wrote that the film is “worth a watch” and attributed its success to Zinta’s “very convincing performance”. Sharmila Taliculam from was critical of the film, concluding, “Apart from the climax, the film is no big deal.” Namita Nivas of shared similar sentiments, writing that “there is nothing unusual or different about as the makers have been claiming for a long time”, but she, too, praised Zinta for her “brilliant performance”.</p>