Kathai Thiraikathai Vasanam Iyakkam

<p>The trope of the movie is that there is no plot. It simply narrates the events in the life of a crew of film-makers as they attempt to get to a story for their proposed movie and whether they succeed. (in alphabetical order): In February 2013, actor-director announced that he would write and direct his twelfth feature film and title it , noting that he would not act in the film, unlike his previous ventures. The film began its shoot in December 2013 after Parthiepan had completed his acting assignments, with a schedule taking place in . While newcomers were signed for the lead roles, several popular actors from the Tamil film industry were offered to play in the film. first shot scenes for a day and did not take any remuneration for his participation and Parthiepan stated that , , Nazriya and were the other actors who had agreed to make cameo appearances. Amala Paul was subsequently requested to appear in a cameo role and agreed to continue filming for scenes in . She shot along with Arya, whose role was also extended. Nazriya meanwhile got engaged and backed out of all her projects she had accepted, including and instead worked on the film for one day. It was reported that and were also approached which was not confirmed by the director, who instead informed that would act in a few scenes. One of the film’s lead actresses was revealed to be , a model who had appeared in few Kannada films. The soundtrack album has four tracks composed by four different artists , , and . The title song by Alphons Joseph was released as a single on 12 May 2014 at Suriyan FM, the full album was launched on 25 May 2014. Parthiepan had stated that had agreed to compose a song for the film and that actress had recorded a song in April 2014. The soundtrack album did not feature a song by neither artist, however. Actress also had recorded a song for the film, singing the and a , but as she was displeased with the outcome, she suggested a professional singer replace her. The satellite rights of the film were sold to . Baradwaj Rangan of wrote “For a good part, it just wants to make us laugh — and that it does very well. The one-liners and Parthiban’s trademark dialogues are funny enough to camouflage the fact that this is actually a pretty serious premise… , for the most part, is borne along with rhythms that are slightly off-kilter, and it has the snap of a student film”. gave the film 3.5 stars out of 5 and wrote, “Radhakrishnan Parthiban and his films can sometimes come across as over-smart, and being quirky just for the sake of being so. But in , this over smartness and quirkiness lend freshness to a regular one-line plot. The film proudly wears these two elements on its sleeves and feels fresh and zany”. wrote, “With his refreshing screenplay and an unconventional narrative style Parthiepan makes a bold and successful attempt to veer cinema from its routine beaten path…the film packs enough punch to make it worthwhile for audiences, to experience a celluloid journey that is intriguing and fascinating. comes as a whiff of fresh air”. wrote, ” …is fairly a decent and fresh approach to filmmaking…The film works largely on Parthipan’s smart writing and his humour laced sarcastic dialogues”. Indiaglitz gave the film a rating of 3 and wrote, “in one of the most captivating screenplays of recent times, with hardly any concrete story to stick to and an unbelievable climax, Parthiepan has ensured that is one of a kind of an entertainer that glues you to the seat all the two and half hours, without any worry of the clock ticking”. Behindwoods gave 2.75 stars out of 5 and wrote: “Sharp dialogues, wit, Thambi Ramiah and screenplay experimentation make a good ride”.</p>