Kaash

Ritesh, a popular film star and his wife Pooja live a wealthy lifestyle with their seven-year-old child Romi. However, after a series of unexpected box office failures and huge losses, he is hounded by creditors and consequently, the couple sell all their personal property and belongings. Frustrated and embittered by his career dive, Ritesh becomes an . Pooja, who takes it upon herself to look after the family, works several jobs. This leads to continuous differences between the two, and Romi, their child, becomes a silent spectator to their constant fights and disputes at home. One day, in a hotel where Pooja works as a chambermaid, she is molested by a hoodlum. A stranger called Alok saves Pooja from him and offers her a job in his firm, much to the annoyance of Ritesh, who would prefer that she stay at home. Ritesh feels it is the last straw for him. He asks Pooja to choose between her job and her family and house. She leaves. Ritesh wins Romi’s custody, but soon discovers that Romi is going to die from . To sustain their child’s happiness and to take care of him, Ritesh and Pooja agree to reunite and spend time together, fulfilling all his wishes before he passes away. Thrown together under the shadow of their child’s upcoming death, Ritesh and Pooja, in experiencing the traumatic ordeal, rediscover themselves and each other. The soundtrack of the film contains 5 songs. The music is composed by , with lyrics authored by Faruq Qaiser. The film was one of last appearances by before his death. of wrote, “Kaash In a 2000 article reviewing the last two decades in Hindi cinema, of wrote, ” … consolidates Mahesh Bhatt’s position in the industry as a director to reckon with… The film recognises Dimple Kapadia and Jackie Shroff as performing artistes.” M.L. Dhawan from , while documenting the famous Hindi films of 1987, described the film as “a sensitive and sentimental melodrama”, further noting that “Jackie and Dimple gave intense performances that were straight from the heart.” , editor of , was critical of the film, calling it Bhatt’s “lousiest film”, but he praised the performances, noting Shroff for his “powerful performance” and writing of Kapadia, “Dimple achieves the impossible. Bereft of her glitzy make-up, glamour and filmi mannerisms, she comes alive as never before: beautiful, sensitive, intense. You almost feel you’ve discovered a new actress on the screen.”