Isai

<p>Vetriselvan ( ) is an established and old-fashioned music director who is loved and respected for his works and is termed as the greatest musician of our times. A. K. Shiva ( ), who works as an assistant under Vetriselvan, gets an opportunity to compose music for a small-time film. When Shiva introduces new techniques and pioneers the use of , his music gets the attention of all music lovers. Due to the freshness and modernity that his music possesses, he becomes the most sought after musician and overtakes Vetriselvan. Shiva becomes the number one musician and builds his own studio. Meanwhile, he falls in love with Jeni ( ) and marries her. When it seems everything he touches turns to gold, Vetriselvan displays his true psychopathic form. Vetriselvan decides to pull down Shiva by any means. Vetriselvan wants to disturb Shiva’s peace of mind so that he could not concentrate on music. Vetriselvan enters into a deal with Shiva’s car driver, manager, cook, and studio front office staff to get their help in bringing down Shiva. One day, Shiva’s car driver parks the car amidst peak traffic and suddenly runs away, which confuses Shiva. He gets disturbed by the continuous honking sound. Shiva’s manager also confuses him by giving some fake incidents which did not happen. Jeni gets conceived but gets aborted as Shiva’s cook mixes some medicine in her food. Shiva is worried because of Jeni’s miscarriage and cries aloud. He thinks that he is mentally disordered and goes to a mental hospital. Shiva’s strange behavior gets the attention of media, and his image is tarnished amid public. Vetriselvan feels happy seeing this and in the meantime, film directors start approaching him again. Vetriselvan thinks that his lost glory is recovered now. Finally, it is revealed that Jeni is none other than Vetriselvan’s daughter who was sent by him so that he can accomplish his plan. Knowing this, Shiva gets furious and comes to kill Jeni. But she reveals that she has really fallen in love with Shiva for his kindness and she is conceived again now. Vetriselvan comes there and persuades to kill Jeni knowing that she really loves Shiva. In the meantime, Vetriselvan stabs Shiva with a knife. Suddenly, Shiva wakes up, and it is revealed that the entire story was his dream. Madhu ( ) (from is now his wife, and she says that fans are eagerly awaiting for a movie as he has not made a movie in the last 10 years. Shiva says that he got a story from his dream and needs to decide the climax. The movie ends there. After the release of (2004), announced three projects, in which he would collaborate with to compose music— and with him in the lead and with and . While the first of the three projects was released as (2005), the other two failed to progress. In early 2006, reports regarding the production of resurfaced with either ‘s Nic Arts or , producing the film but did not happen. With Suryah facing commercial failures with his acting ventures in the late-2000s, he decided to revive the production on . However, Rahman left the project due to his busy schedules and insisted him to compose for the film. Suryah, not being confident to start his career as a composer, eventually shelved the project and later worked on (2010) with Rahman joining as the composer. After a two-year sabbatical, in November 2011, Suryah announced that he would revive and would produce, direct and compose music for the film, having completed writing the new script. Describing it as a musical thriller, was supposed to be made as a bilingual in Tamil and Telugu languages but later stated that it would be made in Tamil. Describing the synopsis, Suryah stated that it is about the rivalry between two music directors—a leading veteran composer in the industry being replaced by his younger competitor, leading to the former becoming jealous; he further added “the situations in the film are what we come across in every field. We often find someone reigning supreme in one industry only to be eventually replaced by another. deals with the emotional turmoil and the jealousy one who is pushed from a position of confidence experiences.” Initially the film was produced by Victor Raj Pandian under the ASA Productions banner which was credited in the first look posters. but the company opted out due to financial problems and the project eventually took over by S. Subbiah of SS Productions. Suryah took three months for auditioning the female lead and had selected 124 newcomers all over India, before selecting -based actress in her Tamil film debut. She was credited as Savithri in the film, to familarize with the Tamil audiences. The film was launched on 25 May 2012 at with being commenced the same day. , and were cast in supporting roles, with their involvement were confirmed by the producers on the film’s launch. Suryah also planned to cast four veteran directors, with one of them being , having shot his portions but did not feature in the final edit. Later, was signed to play one of the four directors due to the film industry setting, and discussions initiated with , and for cameo appearances. However, the roles were later done by and . The first schedule was completed within three months and the second schedule began in late-August 2012 at . A huge waterfall set was erected at the venue for this schedule, to shoot romantic sequences between the lead pair. In January 2013, Prakash opted out of the project owing to scheduling conflicts. Similarly, also opted out due to a brief stall in the shoot. Later, that June, was confirmed to play the antagonist. Sharad KRG, former head of marketing in , played the role of Suryah’s business manager, and Gibran Osman plays the role of an illusionist, whose scenes were shot during early 2013. During that August, Suryah created a village set in which consisted of 30 houses and a church in Parapatti, one of the highest hills in the location. He added that, as per the script, “I go to the village which is surrounded by forests in search of material for my album, ” where the heroine lives there. The first half of the film was set in this location. Cinematographer claimed that it was difficult to access and shoot from Kodaikanal. As of December 2013, the film was nearly complete except for one song which was left to be shot. Filming by January 2014. The film’s plot is said to be inspired from certain real-life incidents that occurred in the lives of and even though it was denied by Suryah himself. He added that the situations were common in each industry, citing the examples in the , he added how slowly made his presence felt when was at his peak, and Ilaiyaraaja took over Viswanathan’s positions, followed by Rahman’s entry adding “I’m a great fan of all the four composers, and it would be wrong to say my film targets two of them”. M. Suganth of noted one similarity with the American film (1998): “Shiva doesn’t realize that everyone around his acting a specified role and starts doubting if he has genuinely gone mad”. Gauthaman Bhaskaran noted the climactic sequence in the style of ‘s (1999) which “can be viewed both as a surprise and a shock”. The music and background score of the film was composed by S. J. Suryah, making his debut as a composer through this film. The soundtrack album features eight tracks with three instrumentals; the songs were penned by . The soundtrack album was released at the office of in on 31 October 2014. However, the album was released to public on 2 November 2014. After the announcement of the film, the makers unveiled the first look poster on 25 May 2012. The theatrical trailer of the film was released on 29 August 2014, coinciding with . Initially planned for releasing on 1 May 2014, the same day -starrer (1999) was released, the film was pushed to July 2014. The makers planned to release the film on 2 October 2014 coinciding with but was postponed once again. Later the film was scheduled to release on 30 January 2015. The film released in 300 screens across and which is the highest for an S. J. Suryah-starrer. opened at second position at the Chennai box office and had an average opening due to its limited release. In its second weekend, the film dropped to fifth position with the show counts being reduced due to newer releases. The film was trimmed by seven minutes from its initial 190 minutes runtime, owing to criticism regarding the film’s duration. The film premiered through on 12 July 2015. The film received generally positive reviews from critics as well as from audiences. M. Suganth of rated three out of five, summarizing ” isn’t as taut a thriller as but despite being overlong […] it is fairly engaging. The film doesn’t truly come together as a whole but the scenes have the stamp of a director with a sure hand.” Suganth however found the climatic twist “which neither feels organic nor ingenious”, adding that “Suryah only seems to be acknowledging that he couldn’t come up with a satisfying end to the story he set originally out to film. All it does is give him a loophole to brush away the plot holes. Or, maybe, it his way of telling the whole world that SJ Suryah the director has literally woken up from his decade-long slumber.” Anupama Subramanian of gave three-and-a-half out of five and admitted that “Though most part of the screenplay is taut, at times it becomes predictable and drags. But post interval there’s never a dull moment and especially the last 30 minutes, it is director Suryah’s intelligently woven brave attempt that enthralls the audiences keeping them hooked to their seats.” of noted that the storyline “gradually becomes so preposterous that the sheer whatever-next factor pulls you through. After a point, the film lurches madly between psycho-thriller, Victorian melodrama (think Gaslight), horror-movie staples, and […] a meta musing on the director’s long absence from the screen and his return to it. Whatever else, you have to hand him points for audacity.” S. Saraswathi of rated three stars out of five summarizing “the film is more than three hours long and the script meanders. But the brilliant music, spectacular visuals, perfectly captured by cameraman Soundar Rajan, and some excellent performances by the lead actors keep you hooked.” Rakesh Reddy of was critical of the three-hour long runtime and the lack of emotional connect but noted that the climactic sequence “stands out in the film”. In a negative review, Gauthaman Bhaskaran of stated “Isai misses out on being a decent piece of work largely because Suryah could not resist the temptation to get into the frame, and was careless enough to litter it with illogicality—although the end might partly explain this. Even a captivating Sathyaraj cannot pull the picture out of the pit.” rated the film 43 out of 100.</p>