Iruvar

<p>In the late 1940s, Anandan, an aspiring actor, goes around studios in trying to land roles. He meets Tamizhselvan, a rationalist writer he respects, steeped in ideas. On the strength of Tamizhselvan’s flowery writing and his own impassioned delivery, he is offered the title role in a few films. Tamizhselvan introduces Anandan to Ayya Veluthambi, who leads a Dravidian political party. He grows to like the party’s ideology. Anandan marries Pushpavalli, while Tamizhselvan marries Maragatham, from their respective villages. When the two return to , Anandan’s film has been cancelled due to financial difficulties. In a few months, Tamizhselvan’s party becomes the main opposition party. Anandan is reduced to playing . He sends Pushpavalli back to their village and considers joining the army. A few days later, Pushpavalli dies from illness and Tamizhselvan consoles a despondent Anandan. Weeks later, Anandan’s fortunes return, and he is again offered the part of the protagonist. He convinces the director to hire Tamizhselvan as screenwriter. The film receives tremendous response upon release. Anandan becomes a celebrity and a major star in within a few years. During the next elections, Tamizhselvan encourages Anandan to use his popularity to help their party attract more attention. Anandan marries fellow actress Ramani who was being tortured by her own family. Five years later, Ayya Veluthambi asks Anandan to contest in the upcoming elections, though Tamizhselvan thinks there are many other devoted workers deserving candidacy. Anandan is shot in neck by a prop gun while filming a scene, but the party sweeps elections, with 152 seats out of 234. Ayya Veluthambi refuses to become chief minister. He asks Anandan and another leader, Madhivannan, to decide who should be given the post. Tamizhselvan is resentful that Veluthambi did not involve him, but is chosen to be the with Anandan’s wholehearted support. Anandan later asks to be made the health minister, but Tamizhselvan refuses, on the pretext that the executive committee forbids ministers to continue acting while in office. He offers Anandan any portfolio of his choice on the condition that he suspend his acting career. Anandan does not take it up. Senthamarai, who had admired Tamizhselvan’s daring protests, moves in with him when he writes her a poetic letter and has a daughter with him. Anandan’s co-star in his new film is Kalpana who resembles his late wife. While initially distant, Kalpana’s chattiness draws Anandan to her. But still married to Ramani, his indecision about another marriage angers Kalpana because of which she leaves him. In a memorial function on Ayya Veluthambi’s death, Anandan claims party’s corruption in governance was the cause of death of the former. Anandan’s expulsion by Tamizhselvan splits the party, with several members creating a new one under Anandan’s leadership. Anandan uses his popular films for next four years to highlight corruption in Tamizhselvan’s government and storms to power in the next election with 145/234 seats. But his governance turns out to be no different. Tamizhselvan’s eloquent diatribes against misgovernance spark protests and Anandan orders his arrest with a heavy heart. Meanwhile, Anandan sees Kalpana at a disaster relief site and asks her to be brought. The car bringing her has an accident and Kalpana dies. Anandan is distraught over Kalpana’s death. At the wedding of Ayya Veluthambi’s granddaughter, a visibly ailing Anandan meets Tamizhselvan. They share a handshake but hardly talk. The next morning, Ramani finds Anandan dead in his bed. Tamizhselvan, in an emotional monologue set in a place where the two had previously planned dominating the Tamil state, recites poetry mourning his death. In October 1995, announced that he was set to make a feature film titled featuring dialogue written by his wife and starring , , and . Initial speculation suggested that the film would visualise the duel between and his former deputy , who was executed in 1995 for an alleged plot to kill his mentor, with Aishwarya Rai reported to be playing . Mani Ratnam was quick to deny any political backdrop claiming that the film would be about the Indian movie industry; however, this proved to bluff the public as the film was to be set within a political canvas. The film was later retitled (The Duo). The idea to make a film on the lives of 1980s political icons and and their influential relationship between was sparked off by a conversation Mani Ratnam had with renowned Malayalam author, . When interviewed about the difficulties of casting, Mani Ratnam revealed he “struggled” citing that casting “is most important as far as performance is concerned” and that “fifty per cent of the job is done if you cast correctly”. Mohanlal was approached to play Anandan, a character inspired by M. G. Ramachandran and about his performance in the film, Ratnam claimed that Mohanlal had “the ability to make everything absolutely realistic with the least amount of effort”. He described that debutant Aishwarya Rai, the former , who appeared in two different characters—one inspired by actress-politician —as a “tremendous dancer” and as “having a lot of potential”. The director revealed that the only difficulty Mohanlal and Rai had was the language, with both being non-Tamil speakers, adding that the pair had to work hard over the dubbing trying to get as close to the Tamil tongue as possible. was also signed to play an important role in the film and shot for alongside her Tamil debut film, . The actor to play the role of Tamizhselvan, inspired by Karunanidhi, took substantially longer to finalise with the initial choice, Nana Patekar, withdrawing after several discussions about his remuneration. Later, was offered the role but declined, as did and . Negotiations with failed as he demanded a higher remuneration, and declined as the required looks would have affected his other film commitments. was later signed on, but soon opted out after a look test, as he could not cut his hair for the role, which would have caused continuity problems for his commitment to and (1997). Ratnam called , then a small-time model, for the screen test, but left him out of the project citing that he thought his eyes looked too young for a senior role. Subsequently, , who had played a small role in Ratnam’s (1995), was signed up. Prakash Raj initially told Ratnam that he was unprepared to essay such a delicate role on such short notice, with Prakash Raj later revealing that Ratnam nurtured the character and brought self-confidence into the actor. The film was shot in 1996 and schedules were canned all across India from to with Mohanlal stating that it was the longest duration he had shot for a film. To ensure perfection, Ratnam made Prakash Raj take 25 takes for his first shot, lasting over six hours. After the shooting for was completed, Mani Ratnam asked Prakash Raj to dub in Tamil himself for the first time, with his work taking four days to complete. The soundtrack was composed by with lyrics by . It has songs ranging from pure to Tamil folk and . Rahman blended two — and —in “Narumugaye”. “Vennila Vennila” and “Hello Mister Edhirkatchi” are based on jazz music. Rahman sampled ‘s “Memphis Stomp” for the intro of “Hello Mister Edhirkatchi”. “Udal Mannukku” and “Unnodu Naan Irundha” were recitals by Arvind Swamy. also worked on the album, playing the upon Rahman’s invitation. All lyrics are written by . All lyrics are written by . The panel saw the film on 31 December 1996 and opined that various characters in the film reflected the personal lives of some politicians and accordingly a certificate was denied. Following the producer’s protest, it was seen by an eight-member revising committee on 2 January 1997 which suggested deletion of some objectionable portions and cleared the film for . Four dialogues from the film were subsequently cut. However the objected scenes were muted with a background playing rather than a complete muting of the scenes. Two days before the release of the film, president threatened to mobilise public against its screening in theatres, because he felt that it contained “objectionable” footage denigrating the founded by . The politician threatened legal action if the film was screened in theatres without removing what he perceived as the “offending” portion, but Mani Ratnam dismissed that Veeramani was making rushed conclusions without having seen the film. The film’s box office performance was also hampered by the fallout from the . A month after the film’s release in February 1997, the regional chief of the censor board brought up the issue again and referred the film to the Indian Home Office for “advice”, threatening that if more scenes were not deleted, it might ultimately lead to a law and order problem. The film was dubbed in under the title and in under the same name. The film received positive reviews from critics including by reviewers in , , and the . Both M. Karunanidhi and J. Jayalalithaa denied the relevance of the film to their lives and never admitted to the film being a biopic. Mani Ratnam named as his best film in an interview with critic . Rangan also named the film the best work of Mani Ratnam, in his list “All Mani Ratnam Movies Ranked”. The film was also noted for its vignette style of making, with many single-shot scenes, where a fluid camera setup captures the entire action.</p>