Inkaar

<p>is the love story of Maya Luthra and Rahul Verma set against the backdrop of . When misunderstandings are created between the two, she files a case of against him. A committee is set up by the advertising agency they work in to investigate their case and find out the truth. Rahul denies that he ever had any such intentions to sexually harass Maya, but she insists that he makes her feel insecure and unsafe in her own office. The committee is unable to reach a clear conclusion as they do not know who to believe. The climax of the film brings an unexpected twist to the story, and in a final confrontation, the two protagonists’ love emerges victorious. As is shown in most of Sudhir’s movies including ‘Chameli’ too, that only thing matters is love. Rahul and Maya reconcile and unite which is shown indirectly in the end. In February 2011, announced that he was creating a new movie based on the topic of . was cast in to play the male protagonist and , who had previously worked with Mishra in (2005) and (2011) was cast to portray the female protagonist. This film marked her third collaboration with Mishra. Mishra is known for directing . However, in an interview with , the lead actress Singh said that it was a commercial film. The film was created on a budget of (US$590,000). Filming took place between late 2011 to early 2012. The film was extensively shot in actual advertising agencies including and . The initial title of the movie was chosen to be but after the filming was complete, a title conflict rose as Mishra and the production team decided to opt a title out of six titles for the film based on its story. New five titles were , , , and . Mishra stated in an interview with Bollywood Hungama, “Our film is about gender politics and power play in a corporate house. Given this brief, we’ll decide which title suits the film the best and we’ll go by it.” After some conflict, the title was chosen to be . The release date was delayed to 25 August but was also removed as the release date came closer. After four title hunts, the original title was finalised. The release date of the movie was pushed to 18 January, thus making it one of the early films of 2013. In late 2012, news circulated that ad agencies in which was filmed refused any kind of association with the film. and agencies in which was extensively shot, warned the production team that they did not want any branding or reference to their respective agencies in the film. earned positive to mixed response from critics. Rachit Gupta of gave 4 out of 5 stars. He appreciated the performances of the lead pair and quoted “What works is the chemistry between Arjun Rampal and Chitrangda Singh. Not just their individual performances but their love-hate relationship drives the drama of . Both Arjun and Chitrangda handle their characters to great effect. But good performances can give you a watchable film, but not a believable story. And that is the big letdown in Inkaar. The film’s logic and the climax just don’t make sense. Not from characters who spent the last two hours (or seven years in case of the movie’s narrative) convincing you that they’d do anything to come out on top. A film that promises to hit you hard in the solar plexus, doesn’t even tickle you.”. wrote “The dynamics of office politics have never been more dynamic. is one helluva jolt in January.” Rummana Ahmed of wrote “What works for ‘Inkaar’ is the solid performances by the lead characters and the supporting cast. Arjun might not have been very strong in the emotional bits but he delivers one of his best performances till date. Chitrangda looks and acts sharp, it’s a pleasure to watch Vipin Sharma, Deepti Naval and Kanwaljeet on the big screen after quite a while. Shantanu Moitra music is as usual peppy and hummable. This one is definitely a must watch.” of gave 4 out of 5 stars, quoting ” is not about office politics as you might imagine, even though many moments shape an accurate portrayal. It is not about sexual harassment in the workplace as it is being marketed though that is the searing crucible in which complex, often unnatural dollops of human emotion are left to sputter and interact, never coalescing. Everything else is an elaborate backdrop. And finally when the truth unravels – when motives come to light – I had a great urge to watch the film again. And with movies, this urge supersedes all flaws.” Ananya Bhattacharya of wrote ” is another of Sudhir Mishra’s brilliances captured on celluloid. Don’t say a ‘no’ to this one.” Mayank Shekhar of wrote “In parts thoughtful, engaging and funny, this is a film then about ambition. As for sexual harassment, I would go with the women’s rights activist (Deepti Naval) judging this case: “Flirtation .” If I were you, I’d definitely go for this movie too!” wrote “INKAAR is for spectators of serious cinema. Caters to a niche audience!” Sukanya Verma of has given 2 out of 5 stars, quoting ” trivialises something serious like sexual harassment into a terrible joke.” of gave 2 out of 5 stars as he wrote “This is a half watchable film despite all that melodrama flying around. Sadly, if it had kept its head, this thriller could have gone places.” Shubhra Gupta of wrote “Inkaar could have been truly radical. But it becomes a film that prefers to cop out, rather than deliver on the promise it held out so bravely in its initial passages.” Sonia Chopra of wrote “The film has taken an important subject and turned it into slush. In the end the film is a mockery of sexual harassment, of love, of the ad fraternity and of professionalism. Too bad, really.” was released on 18 January 2013. The movie took a very dull start with 15% occupancy rate in multiplexes and major metros. It collected only (US$200,000) in the opening day. The movie did not show any significant growth in business and collected only (US$660,000) in the opening weekend. The film managed to earn (US$930,000) within the first week and collected a total of approximately (US$1.2 million) in the first week. The music was composed by and . The lyrics were penned by .</p>