Hum Aapke Dil Mein Rehte Hain

<p>Vishwanath is a multi-millionaire industrialist, living with his only son, Vijay. After Vijay completed his education in the , Vishwanath forces him to get married but Vijay refuses to, saying that he still wants to be single. Disappointed, Vishwanath (who is suffering from ) tries to convince his son with sweets; it makes Vijay immediately agrees to his demand. Megha, a hardworking girl struggling to support her family, is Vishwanath’s personal assistant in his office. Vishwanath asks Megha to quit her job and marry his son, but she refuses when she hears Vijay wants the marriage to be on a contract basis for a year and, if he does not fall in love with his wife in that duration, the marriage will be annulled and Megha will get money as a return. However, Megha’s family is in dire financial straits and, so, she has to reconsider this offer. Vijay and Megha are married. After the marriage, they become friendly with each other and Megha goes out of her way to look after Vijay after he is in a car accident. At the end of the year, however, Vijay decides to annul the marriage, as had been agreed upon, and he regards her as a friend. Megha leaves Vijay and returns home. After the separation, Vijay seems to be enjoying himself; but slowly and eventually, he starts to feel regret after he found the facts that she gets social sanctions for the contract. In order to support herself, Megha starts a job in a new company; to her surprise, when the company’s managing director arrives, he turns out to be Vijay. He later confesses to her that he is a changed person and wants her back. But, even after repeated persuasion, she disagrees because her faith in him has been shattered. Vijay continues to pursue her. Later, Megha finds out that she is pregnant with Vijay’s child. Near the completion of her pregnancy, she along with her family then hold a ceremony for the well-being of her to-be-born child. In the ceremony, which Vishwanath and Vijay attends, Megha reveals that the latter to be her husband and tells all the guests about the marriage-contract. An argument follows; Vijay and his father walk out, followed by all the guests. As a last ditch effort, Vijay’s friends make a plan to lure Megha to meet him again. His friends tell her that troublemakers Khairati Lal and Yeshwant Kumar, who had once attempted to kill Vijay in the car accident, have escaped from prison. They are out looking for Vijay, who had fired them from his father’s company for cheating and fraud. Megha gets anxious and tries to reach Vijay as soon as possible. On the way, she learns that the whole thing was a set-up, when she caught one of Vijay’s friends call him by a payphone. Enraged, Megha heads to Vijay’s house to criticize him for this shameless act. Unbeknownst to both Megha and Vijay however, the aforementioned criminals arrive in Vijay’s house to kill him. They beat up Vijay, but he soon overpowers them. Eventually though, Yeshwant stabs Vijay in the stomach with a broken wine bottle thrice, and Khairati with a large knife in his back twice. As soon as they hear Megha’s footsteps however, they flee the scene, leaving Vijay seriously injured. As soon as Megha meets Vijay, she angrily berates him for playing a prank on her and orders him to never see her again. However, as she turns to leave, Vijay staggers and takes out the broken wine bottle from his stomach, causing blood to pour from the wound. Megha upon seeing the wound, realizes Vijay really was attacked and runs toward him. However, she slips and falls down, and goes into labor. Vijay, summoning up all his strength, takes Megha to the hospital. There, he is treated for his injuries and she delivers a healthy baby boy. Megha and Vijay recover and get reconciled. The cast is listed below. , and made special appearances in the song “Kasam Se Kasam Se”. The film is a remake of ‘s 1996 -language film , and it marks the producer ‘s return to after a long hiatus; he had last produced in 1995. In an interview with , Ramanaidu said that his involvement in the project was a way to prove his mettle as a producer in the Hindi film industry: “As far as Telugu films are concerned, I have achieved whatever I wanted to. I want to hit the jackpot in Bollywood with this film.” Anil Kapoor was cast as the antagonist Vijay and Anupam Kher as his father, Vishwanath. According to Kapoor, the role had changed his screen image, and he later stated that he took the part to avoid . Meanwhile, Kajol was cast as the film’s protagonist Megha, her first such role. Interviewed by , she stated that her role “seemed like a great character on paper, but [it] didn’t translate well on screen”. Satish Kaushik was suggested by Kapoor, who has collaborated with him in several films, including (1987), (1989) and (1989), to direct this film. Kaushik compared it with his previous directorial ventures— (1993) and (1995)—and found “very different”, explaining that it “emphasised feelings and that the accent here was on treatment”; for instance, the former was dominant with costume and the latter was based on . He said, “I do not resort to any gimmicks in [ ]. I’m not playing with camera angles or juggling shots. You will not find 50 dances here… My film has been set against a contemporary backdrop.” and Bhupati Raja wrote the dialogue and story, respectively. started in and handed by Kabir Lal. and were the choreographers, while Raja was the action director. Its production design was completed by . Some songs were recorded at the Hotel de Rougemont in Switzerland. After filming finished around December 1998, it was edited by E.M. Madhava, Chaitanya Tanna and . The soundtrack for was completed by and the lyrics were written by . It contains nine songs, with vocals performed by , , , , , , Rahul Seth, , , and . The album was released on 21 December 1998 by . Produced by and distributed by Melody International, was released on 22 January 1999 and ran at theatres for 25 weeks. It faced strong competition from ‘s , ‘s and Shakeel Norani’s , all of which were released on the same day. The film opened to a wide audience, with 190 screens across India, and grossed (equivalent to 2.4 crore or US$290,000 in 2023) on its opening day. earned (equivalent to 7.9 crore or US$940,000 in 2023) on its first weekend and (US$4.3 million) after its first week. estimated the film’s total gross at (equivalent to 125 crore or US$15 million in 2023) in India and $1.8 million overseas, and concluded its final commercial performance with the verdict “super hit”. The film thus emerged as one of the highest-grossing female-led films of the year. The world television premiere of happened in October 2000 on . A version was released on 17 July 2007 in a single-disc pack. It was available for streaming on since May 2019. addressed the issue of . It received mixed-to-positive reviews, with critics praising its story, melodramatic climax and the performances, mostly that from Kajol. Sharmila Taliculam, writing for , described the film as a “usual run-of-the-mill story”, noting its “sprinkling of drama, comedy, fight [and] romance”. She opined that Kajol “manages her role well”, with “her eyes [giving] good effect in many scenes”, and thought her chemistry with Kapoor managed to “save the film from going downhill in a rush”. Taliculam argued that Kapoor’s portrayal, which she found “par excellence”, would remind the audiences of his roles in (1991), (1996) and (1997). A critic from entertainment portal said, ” is a good enough film if you go for that kind of family tear-jerker.” K. N. Vijiyan of the shared similar thoughts, saying, “[It] will be a treat for those who love Anil Kapoor and Kajol, and for those who want something different.” In a column for the same publication, he added that the story is “quite refreshing”. Mukhtar Anjoom from wrote that “Kajol excels. She combines grace and intensity with uncommon talent. Suave Anil is as sleek and convincing as ever. Anu Malik’s music is melodious. The ‘comedy’ of Satish Kaushik, Johnny Lever and Rakesh Bedi is unbearable — the clatter sounds like a herd of asses braying at a reunion party. Except for this, the film is clean and enjoyable.” Planet Bollywood’s Anjali Abrol, who gave the film 7 out of 10, called both Kajol and Kapoor’s acting “commendable”, and further wrote that “Kajol went a bit overboard with her stubbornness, and the audience went from sympathizing with her to being annoyed with her”. Abrol also noted the costume and make-up along with nuance and dialogues in the film, but criticised a comedic scene where Satish Kaushik and Johnny Lever do what the critic called as “horrifying telephone war”. Conversely, Mukhtar Anjoom of saw that the comedic scene make the film “clean and enjoyable”. thought that the film’s story was inspired by Indian mythologies and folk tales. In , said that Kaushik had proved himself as “a leading director” with the film’s success.</p>