House Full

<p>Ayya is a respected man who runs a cinema theatre. The story begins when bombs are placed inside the theatre during a movie. The police commissioner and DGP want to defuse the bombs without letting the audience know. Hameed is one of the people in the theatre, and Indhu is the woman outside who loves him. Ayya’s ex-wife does not help when she makes a tear-filled request to him to evacuate the theatre, against the police’s advice. By the time Ayya makes a decision, however, Indhu has already snuck in and warned Hameed. Others, hearing her words, begin to run out of the theatre. Panic ensues as everyone makes a mad dash for the door. Ayya helps the audience exit the theatre without caring for his own life. Finally when everyone is evacuated, Ayya also comes out of the theatre. Suddenly, the sound of a baby crying is heard inside the theatre. Ayya rushes into the theatre with the hope of saving the baby, but the sound is just a scene in the movie that was actually getting played. Unfortunately, the bomb explodes and Ayya dies. revealed in a 2019 interview with that he made this film without a written script. Everything from dialogues, shots, etc., was done on the day of the shooting at shooting site. The film was predominantly shot at Sridevi theatre at Madurai. Parthiban planned to shoot there only for two weeks; however he bought the theatre for lease and completed filming within seven weeks. The film’s ending was shot on a theatre set at Prasad Studios where a miniature was also created. K. N. Vijiyan of opined that “Catch this film if you are looking for a story with a difference”. A critic from wrote ” is awfully silly, and seems to serve no other purpose than to show Parthiban, as being capable of political authority”. praised Parthiban for attempting a kind of thriller in Tamil. D. S. Ramanujam of appreciated the film’s theme and Parthiban’s getup for seeming “new” to Tamil cinema, “But the amount of tension such a yarn is supposed to generate is sadly missing in his screenplay and narration based on his story, making it a damp squib”. Nonetheless, he appreciated Panneerselvam’s cinematography, M. N. Raja’s editing and R. K. Nagu’s art direction. won the at the . It also won two : (Parthiban) and (M. N. Raja).</p>