Gunjan Saxena: The Kargil Girl

<p>Beginning in Lucknow, 1984, the story begins with young Gunjan Saxena in a flight along with her older brother, Anshuman. Gunjan wants to look out of the airplane window, but Anshuman doesn’t let her. A kind air hostess tends to the problem and takes Gunjan to the cockpit. Looking at the cockpit immediately sparks a desire in her mind to become a pilot as she feels enthusiastic about the plane’s features. A few years later, Gunjan is congratulated for her academic excellence with her proud parents, Anup and Kirti, were planning to send her to high school. Gunjan, however wants to drop out of high school to become a pilot. Anshuman, her brother feels that women should not be in the cockpit, but in kitchen making food for the family, but her father strongly disagrees. A firm believer of gender equality, he allows Gunjan to experiment with her desire to become a pilot. Gunjan makes multiple attempts, but these are thwarted by concerns regarding her educational qualifications and high costs, causing her to return home dejected<br /> each time. While her parents differ in their outlook towards her dream, with her mother hoping her daughter would soon be wary and Anup insistent on allowing his daughter to pursue her dreams relentlessly, an advertisement in a newspaper for acceptance into the Indian Air Force provides Gunjan just the right opportunity for making an effort to enter the air force. Anshuman, who is himself serving in the army, completely disapproves and tells Gunjan that the Air Force isn’t a place for women. She, however, ignores him, and goes ahead with the formalities, later finding out on the day of the results that she is the only female who got accepted. During her medical tests, Gunjan learns that she is one centimeter too short and seven kilograms too much for the Air Force requirements. She is devastated by this, but learns that she can take a retest in two weeks, and discusses it with Anup, who asks her not to give up, and together they come up with a workout regime to lose weight. Across the retest, she still falls short on the height criterion, but the officers conclude that the length of her hands and legs would compensate for it, and accept her into the force. However, while Anup and Kirti are unable to contain their pride, Anshuman still remains in denial of his sister’s dedication, but Gunjan decides to ignore his reservations and commences training. During her training, she finds herself subjected to several harsh realities and inconveniences due to the male-dominated order of the air force, and contemplates leaving the camp, when a crisis situation causes her to reconsider when, in 1999, the begins, and all Air Force pilots are needed. Gunjan is determined to take part in the war, and despite Anshuman meeting her and dissuading her from participation, disregards his reservations yet again. She finds herself badly needed in a mission and proceeds with it, but is then ordered to abort because the mission is too difficult for her. She reluctantly resigns to the camp. Suddenly, news of army soldiers being heavily wounded in the battle arrives, and it is up to her to save them. Gunjan and another pilot take separate helicopters and go over to aid the injured soldiers. Back at the camp, army soldiers ask her to abort the mission but regardless of their opinion, she proceeds. Suddenly, as the other helicopter gets shot down from an RPG attack, Gunjan rescues the other pilot and the wounded soldiers and successfully completes a risky maneuver, despite being exposed to bullets herself. After the mission and the war, she earns the respect by her fellow male soldiers and is rewarded with bravery and makes Anshuman and Anup proud. Principal photography for the film was commenced in February 2019, with the film being extensively shot at . The film’s shooting, despite being continued for three months, came to halt in May 2019, citing the bad weather, but later resumed the same month. The first schedule of the film was completed on 24 May 2019. While the team planned to shoot few scenes at on July, the team planned to change the location to . The team planned to shoot some sequences high altitude regions of Georgia in the north eastern part of the country in a town called . The town is a mountainous area set over 5700 feet above sea level. Both Janhvi Kapoor and Angad Bedi have shot the sequences for maintaining fitness for their roles, being accompanied by coach Brinston Miranda. Shooting of the film was wrapped up on 29 December 2019. The film’s music was composed by while lyrics were written by . Gunjan Saxena’s coursemate Sreevidya Rajan posted on facebook claiming she was the first woman pilot to fly in Kargil, even before Gunjan came to Srinagar. She said they were both posted at Udhampur, however Rajan was sent to the deployment at Srinagar when the conflict started, and flew missions in the conflict area. Saxena came to Srinagar with the next crew few days later, and they participated in the operations together. Retired Wing Commander Namrita Chandi also said that it was not Gunjan, but Sreevidya Rajan who was the first lady pilot who flew to Kargil, and said that credit was being taken away.<br /> Rajan said she had never claimed credit because of her strong belief in gender equality. She also stated that heroic acts may have been shown as part of cinematic licence. Replying to the claims, Saxena said that she and Rajan were not stationed together at Srinagar during the Kargil operations, nor did they fly together. During a media interaction arranged by the IAF towards the end of the Kargil conflict, Saxena’s name was projected as the first woman to fly for the IAF in a combat zone. She was credited with the same in headlines, articles and the . Authorities in the (IAF) wrote a letter to the over the alleged “undue negative portrayal” of the IAF personnel. Pointing out that IAF was the first branch of to recruit female officers in the force, the IAF said that they have a gender-neutral workforce and do not propagate gender biases in their service. IAF claimed that Johar had agreed to represent it with authenticity and “make all efforts to ensure that the film helps inspire the next generation of IAF Officers.” Certain scenes and dialogues in the film and its trailer were shown to have projected the IAF in bad light. Many ex-army officers expressed similar concerns. A lady officer and helicopter pilot of the same batch, Wing Commander Namrita Chandi also remarked that the makers had exaggerated the gender conflict. Wing Commander Deepa Nailwal also stated the same. Later, the also raised concerns over the gender disparity shown in the film. Defending the portrayal of gender bias in the film, Saxena clarified that the “bias is not at an organizational level”, and added that “Since the bias is not at an organizational level, the experiences of different woman officers would be different. To deny it completely speaks of a feudal mindset and undermines the grit of women officers”. Following the , was subject to a campaign targeted against the film and its producer for supporting by casting , daughter of actress and producer , in the film. In a teaser poster announcing the film’s release date on Netflix, Johar and were not mentioned. Commentators believed this was due to the nepotism allegations. The film was scheduled to release theatrically on 13 March 2020, and was later postponed to 24 April 2020. Due to the , the film’s theatrical release was put on hold. The film’s digital streaming rights were acquired by . On 9 June 2020, Netflix released a introducing Gunjan Saxena and also announcing the film’s release date. The film was premiered on the streaming platform on 12 August 2020. On the website , of 17 critics’ reviews are positive, with an average rating of 6.7/10. The film was received well in review from critics. Renuka Vyavahare of gave the film 4/5 and wrote “Gunjan Saxena: The Kargil Girl is a deeply moving tale of a feminist father and his feisty daughter. It wages war against patriarchal mind-set and discrimination, and identifies it as a bigger threat to progress than the one we perhaps tackled in 1999”. Geetika Mantri of gave the film a rating of 4/5 and wrote “The film makes you uncomfortable and emotional without obnoxious jingoism that’s common in army films”. of gave the film 4 stars out of 5, and found the film to be a “deeply moving account of a remarkable woman’s heartbreaks and soaring triumph”. Stutee Ghosh of gave the film a rating of 4/5 and wrote “The real, steady moments where the film shines are in the emotional scenes, stripped of melodrama. An intensely emotional tale told with restraint, Gunjan Saxena seals a place in our hearts”. Pooja Prabbhan of gave the film a rating of 4/5 and wrote “Gunjan Saxena makes for an impressive watch with a storyline which highlights misogyny that triggers feelings of angst”. Divyanshi Sharma of gave the film a rating of 3.5/5 and wrote “The Kargil Girl is named as cleverly as it is written. The film is first about Gunjan Saxena’s journey, and then about her contribution to the Kargil War”. Vaibhavi V Risbood of gave the film a rating of 3.5/5 and wrote “Gunjan Saxena is a film that must be appreciated and acknowledged for telling a story that will inspire us in many ways – to dream a dream, fight for it, and fight against all the odds”. of rated it 3.5 out of 5 lauded Tripathi’s performance and praised the film for sparing audience a “spectacle of ungainly chest-thumping” and for presenting “good old touching tale of a girl who dared to break free from her cage and fly away – a heroine we can cheer without resorting to a blood-curdling war cry”. Mayank Shekhar of the gave the film a rating of 3.5/5. Aishwarya Vasudevan of gave the film a rating of 3/5 and wrote “Pankaj Tripathi is the show stealer as a feminist father in Gunjan Saxena: The Kargil Girl”. gave the film a rating of 3/5 and wrote “Gunjan Saxena is a well narrated tale of female war hero of India.Despite some minuses, the flick would touch a chord especially with family audience”. of gave the film a rating of 2.5/5 and wrote “Janhvi Kapoor does get better as she goes along, but performance-wise, she is still clearly a work-in-progress. She was excellent in her small part in Ghost Stories, and going by that, I was expecting more”. Rohan Naahar of stated “Janhvi Kapoor and Pankaj Tripathi’s film is a refreshing change of pace for war films in India, which have forever been defined by whatever JP Dutta does”. Kennith Rosario of stated “Narrated in a tried-and-tested three-act structure, ‘Gunjan Saxena: The Kargil Girl’ makes ordinariness and familiar storytelling its strengths”. Mike McCahill of praised Kapoor’s portrayal of Saxena.</p>