Gunday

<p>The story begins with the independence of after the . Amongst those affected by the partition are two orphans: Bikram Bose and Bala Bhattacharya. They meet Lateef, who offers them food in exchange for smuggling guns. One of Lateef’s customers, an army officer, wants one of the boys as his ; if Lateef refuses, his daughter will be taken. Lateef chooses Bala at first, but Bikram insists that he will go instead. Bala refuses to leave his best friend and returns to save Bikram from the officer, whom they kill. This makes them partners in crime; when the army chases them, Lateef is killed while trying to protect the duo. Bikram and Bala flee to and work at a restaurant. After being mistreated and insulted, they learn that pilfering is a way to make easy money. As adults, Bikram and Bala loot coal trains and sell the huge quantity of coal. Their chief competitor is Dibakar. When Bikram and Bala loot one of Dibakar’s trains, his men threaten them. Undeterred, they promise to loot his next train as well. When they arrive to loot Dibakar’s train, he calls them ” ,” and a fight ensues. Before they kill Dibakar, Bikram and Bala tell him that they are Indians, not refugees. Now having control of the coal business, they expand into other businesses by laundering money with Kaali Kaka’s help. They become local heroes by building hospitals, donating to charities, and building schools. Although they provide jobs for the poor, their business dealings make them a target of the law. Satyajeet Sarkar is summoned to arrest Bikram and Bala. Sarkar, knowing that they can cover their tracks with Kaali Kaka, warns them that he will arrest them when he finds evidence against them. A businessman invites Bikram and Bala to the opening of his new club in Calcutta. He introduces them to Himanshu, his assistant. They meet Nandita, a cabaret dancer. They both fall in love with her, and decide that whoever wins her heart will marry her. Nandita invites them to a theatre to tell them whom she loves. Bala gets into a fight there with a man who makes a disrespectful comment on Nandita and Bala shoots him. Bikram tells Bala to go into hiding, promising not to see Nandita until he returns. Sarkar warns Bikram that if Bala returns to Calcutta, he will be killed. Nandita tells Bikram that she loves him, but if they do not observe together, she will never see him again. Bikram agrees to meet her. Later, Bala learns about this through Himanshu, and returns to Calcutta. Enraged when he sees Bikram and Nandita, Bala accuses Bikram of breaking his promise and shoots at him. He hits Nandita instead, who is rushed to hospital and survives. Bala learns that their businesses are in Bikram’s name, and demands his share. Bikram agrees, even sharing the which is proof of their Indian nationality. Bala suggests sharing Nandita; angering Bikram, who fights Bala. Bikram wins but spares Bala as he saved his life. However, he warns Bala that if he bothers Nandita, he will kill him. When Bikram proposes to Nandita, she says she cannot marry him unless he leaves his criminal life behind; Bikram agrees. A vengeful Bala blows up Bikram’s coal mines and kidnaps Nandita. As Bikram prepares to kill Bala, Sarkar asks Bikram to turn the state’s evidence against Bala so he and Nandita can marry. Bala tells Nandita that he will kill her unless she leaves Bikram; Nandita retorts that she still loves Bikram after explaining the differences between him and Bala. She also clarifies that Bikram was waiting for Bala even when Bikram was with her. Heartbroken, Bala apologises to Nandita and returns her to Bikram. In reality, Nandita is an undercover police officer helping Sarkar arrest Bikram and Bala. When Bikram prepares to help Sarkar implicate Bala, he encounters the man whom Bala supposedly killed and learns that he is also an undercover police officer. Nandita tries to convince Bikram that he will be treated leniently by the law. He believes the law was responsible for destroying their childhood and innocence. Nandita reveals her identity to Bikram, and he realises that she was a trap Sarkar set to separate him from Bala. When she asks him to surrender, he refuses and rejoins Bala. Himanshu brings Bala into the coal mine to meet Dutta. Himanshu tells him that he is Dibakar’s brother and saw him murdered by Bikram and Bala. He reveals Nandita’s identity and tries to kill Bala, but Bikram rescues him, and Bala kills Himanshu. While trying to escape, they are then cornered by Sarkar and Nandita, who again tells Bikram that she loves him and he should surrender; Sarkar also tries to convince Bala to surrender. Bikram and Bala see a passing train and run towards it. As Bikram and Bala are inches away from catching the train, Sarkar and Nandita shoot at them. Ambiguous over their deaths, the story ends with Bikram and Bala as they narrate how they were, was and will always be the goons. was announced in August 2012 by , with directing a film about two 1970s criminals in Calcutta (now known as ). In a interview, Zafar said that the film was conceived because of his fascination with history. His father, a 1971 war veteran, told him stories about the war, its immigration and the . His father told stories about the illegal coal trade in Calcutta, where trains carrying coal were robbed by unemployed youths. Since coal was a black-market commodity during the 1970s and 1980s, he used it as a plot device. The stories inspired him to create the film’s backdrop around which he based his characters. Zafar decided to set the film in Calcutta, since he felt the story suited the city’s political climate. Zafar said that films of that era, such as (1975) and (1979), influenced his storyline. He believed that the films’ portrayal of the conflict between right and wrong gave him an understanding of life as a child, which he used in the script. In an interview, Zafar said that the film depicted the consequences of the outlaws’ struggle against the system: “If someone is deprived of basic rights, there will certain youth who will be disillusioned and go over to the dark side. In a way, the system creates its own enemy.” was the last film narrated to . Since most 1970s and 1980s films emphasized , Zafar wanted to showcase friendship and said that he wanted to “catch that spirit” of the friendship of “Jai-Veeru” from (1975); he called the film a “definite reference point”, with (1981), for portraying bromance. Zafar made the friendship between his characters integral to the plot, where the characters would do anything for each other: “The whole idea while making was to bring the right feel of friendship. The idea about friendship which used to be in the earlier times, especially in the heartland of India was something else.” In August 2012, Ranveer Singh and Arjun Kapoor were cast as the protagonists Bikram and Bala respectively. Zafar gave a joint pitch to both the actors where Kapoor would play Bikram and Singh would play Bala. After hearing the description, both the actors felt that they could play their respective characters as they identified similarities between the characters and their own personalities. However, Zafar switched the roles as a surprise, giving the part of Bikram to Singh and Bala to Kapoor. Although they initially wanted to play their originally proposed roles, feeling that their respective characters were within their comfort zone, they later agreed to play the opposite roles. Priyanka Chopra joined the cast as the lead actress in October 2012. The following month, Irrfan Khan was cast for the role of a police officer in the film. Chopra described her character Nandita, the cabaret dancer, as a who acts as the main catalyst for driving the story further and igniting the conflict between Bikram and Bala when they both fall in love with her. She admired the qualities of her character, saying, “She’s very righteous and believes in black and white, which is very like me. She is a no-nonsense person and has this superior air about her, even though she is a very normal girl. I think women should carry themselves like her.” Khan described his character of the intelligence police officer as “larger than life”. For Khan, who had mostly performed in niche dramatic films, Zafar made his character a lot more flamboyant and mainstream. His character was highly stylised to suit the mainstream of the film. Singh described his and Kapoor’s characters as “two outlaws with a bold attitude”. They described the friendship between the inseparable characters as like “two sides of the same coin”. Kapoor further explained that Singh’s character Bikram brings equilibrium to his character Bala, saying, “He (Bikram) is more in control and aware of his surroundings. Bala, on the other hand, is temperamental and acts in the heat of the moment.” Rajat Poddar was the film’s production designer while handled the cinematography. designed the costumes while Rameshwar S Bhagat edited the film. began on 14 December 2012 in . It was shot at the Chandivali Studio, where the scenes between Singh, Kapoor and Chopra were filmed. The first schedule ended by December 2012. While filming a song sequence, Singh injured himself after falling from a height; he suffered a gash on his cheek. He was rushed to the nearest hospital and had to get a few stitches. The second schedule of the film started in January 2013 in Mumbai, where the streets of were recreated on the outskirts of the city. The filming moved to Kolkata in mid-February, where the major portion of the film was filmed on-location. One of the early filmed scenes included a dramatic Durga Puja sequence under the with a crowd of 1000 people, for which a huge was created. For building the pandal, a very old native professional was hired to give it an authentic 1980s look. The opening song “Jash-e-Ishqa” was filmed at the Howrah Bridge; several scenes were also filmed at the Jagannath Ghat and fish market. The area was recreated as the refugee camp, standing in for a refugee camp in Bangladesh. Other locations included the and Belbad Colliery, where the opening train sequences were filmed. The song “Tune Maari Entriyaan” was shot across various locations, including scenes at the streets of , and . Additionally, a small part of Calcutta was recreated at the in Mumbai, which included places with signboards in , flags, yellow taxis and the iconic . Filming in Kolkata continued till the end of March. choreographed all the songs in the film. The cabaret dance number “Aslaam-E-Ishqum” featuring Chopra was filmed in early July over six days on a set created in Mumbai. The set for the cabaret number was modelled after Kolkata’s once very popular bar “Trinka’s”, known for cabaret, where troupes from Russia and Europe used to come and perform. A huge coal mine set was erected at the , where the four principal actors filmed the action scenes in July. In early September 2013, Zafar informed the media via a that he was scouting locations for the film in , where the song “Jiya” was filmed on location as a part of the last schedule. Zafar also revealed that fifteen days worth of shooting was left for the film, which was scheduled to occur in Kolkata and . Filming resumed in late September 2013 in , where a huge climatic action sequence was filmed in the coal mine area. The filming was done over a period of 110 days and was completed on 25 September 2013. The soundtrack album was composed by , with lyrics written by , except for one (“Gunday”) which was written by Zafar. The lyrics for the Bengali version of “Tune Maari Entriyaan” were written by and Gautam Susmit. The album contains ten compositions including seven original songs, a theme and a different versions of two original songs. The vocals were performed by , , , , , , , , , Altamash Faridi, Sen, Kinga Rhymes and . The album was released on 10 January 2014 by . A Bengali version of the soundtrack, composed by Sen and with lyrics by Sanjay, was released on 20 January 2014. The album received positive reviews from music critics, and was one of the most successful Indian music albums of 2014. The first teaser poster was released in mid-December 2012, when the film began its production for a 2013 release. In April 2013, it was announced that the film was scheduled to release on , 14 February 2014. The teaser trailer of the film was released on 22 November 2013 along with , and received a positive response, with calling it “action-packed” and “promising”. In what appeared to be a promotional strategy, Priyanka Chopra’s character did not appear in the teaser, generating media buzz. She asked the audiences to wait for the release. On 12 December 2013, one day before the theatrical trailer release, the makers released the first look of Chopra, revealing that her character was a cabaret dancer, which had not been announced during production. The film’s production studio released a range of merchandise, partnering with several brands for promotional purposes. The music and trailers aided its marketing. had its premiere in on 12 February 2014 with the full cast in attendance. It was released theatrically on 14 February 2014 on 2700 screens. A -dubbed version of the film was also released in ‘s small towns, where only Bengali films are shown. The film was not released in , where it was highly awaited, after the country stopped giving ” ” to Indian films in early 2014 due to pending legislative changes. After the release of the film, protested on social media over the introductory narration in the film, which says that Bangladesh was created through the and that India’s participation brought independence to Bangladesh. People from Bangladesh demanded the production house to apologise for its inaccurate representation of its history. Contrary to the film’s depiction, the country was created after the , and India joined an already ongoing war of independence and was not the sole reason for the independence as told in the film. An article published in wrote that “to claim that India’s participation alone brought about independence, as the film does, is incorrect […] Bangladesh was born because Bangladeshi fighters had been battling the larger and better equipped Pakistani military for months. India’s participation only quickened the war’s end. It is the people of Bangladesh who liberated themselves from Pakistan.” Bangladeshis were also offended by a scene in the film where many Bangladeshis called themselves Indians and spoke Hindi. A week later, Yash Raj Films made an official apology statement. Irate Bangladeshis launched a social media campaign with the hashtag “GundayHumiliatedHistoryOfBangladesh” on Twitter, asking people to bury the film on the (IMDb). groups were formed to boycott and downvote the film. As a result, the film suffered from on IMDb, where it was the lowest rated film at the time of its release, with a 1.4/10 rating based on more than 44,000 votes, 91% of which gave it one star. As of 2 August 2017 , it holds a rating of 2.1/10. Distributed by Yash Raj Home Video, the film was released on on 30 April 2014 across all regions in a two-disc pack in , with bonus content such as a “making of the film” documentary, deleted scenes and making of the songs. The version was also released at the same time. A two-disc special edition DVD pack was also released later. The version was released on 2 May 2014. The world television premiere of the film happened on on 17 August 2014. Later, as Yash Raj Films signed a deal with , the network syndicated some films from the catalog in mid-2021, being one of them. received mixed reviews from critics. gave the film an approval rating of 60% based on 15 reviews, with an of 5.5 out of 10. of gave a rating of 4 out of 5, calling it an “entertainer” and writing that the film “has an attention-grabbing premise, well-etched-out characters, high-octane drama, is generously peppered with vibrant songs and energetic action pieces, boasts of defining performances from the principal cast.” However, he felt that it was too long. Srijana Mitra Das from gave it 3.5 out of 5, calling it an ” with a Bollywood twist”, writing that “Gunday pays loving homage to Bollywood classics , and other brothers-in-arms films while offering more.” Mohar Basu of Koimoi also gave it 3.5 out of 5, calling it a “must watch” for “the oomph and bombastic dialogues”, and praised Zafar’s direction, writing that “the execution is what makes the fast depleting story hold its ground. The trajectories he builds are shaky but his screenplay is engrossing enough to not let you slip even in the slack moments.” gave a highly positive review, calling it a “spectacular tribute to 1970s’ “, and wrote that it “moves at a satisfying clip from the beginning to the end. It’s formula food for the present day, spiced with flamboyance, a fair sense of rhythm that occasionally slackens during the 153-minute running time, and a clear understanding of the meaning of popular entertainment, Hindi movie style.” However, it added that neither Singh nor Kapoor were “particularly convincing as dangerous gangsters”. Rohit Khilnani from gave the film a rating of 3.5 out of 5, terming it an “entertaining film” and writing, “It’s old wine in a new bottle and it tastes awesome! It’s packed with action, emotions, friendship, drama and some terrific performances.” Writing for , gave it 3 out of 5, calling it “an unabashed love letter to the 1970s” and writing, “Though the story is set in the 1980s, Zafar recreates a classic ’70s vibe with punchy dialogue-baazi, scenes designed to make you applaud and a relentless background score by that underlines every beat just in case you missed a high note. Gunday is all slow-motion and swagger, with nods to , , , and sprinkles of ‘s doves and .” On the contrary to the positive reviews, gave the film a rating of 2 out of 5, terming it “derivative and tediously boring” and writing, “For a while, the film succeeds in grabbing your attention too with its striking period detail and some nicely mounted scenes. But rolling out at 2 hours and 34 minutes, it can’t help feeling like a slog.” gave it 2 out of 5, noting that every critical conflict in the story was flaky and the bromance was a letdown. Sukanya Verma of also gave it 2 out of 5, criticising the script, which she thought was full of “silly loopholes, annoying clichés and glaring superficiality”, writing that “No matter how hard Zafar tries to create an action hero […] he fails to substantiate it with charisma that goes beyond surface value.” Shubhra Gupta of gave it 1.5 out of 5, calling it a “mash-up of popular blockbusters”. Raja Sen of gave the film 1 out of 5 stars and said, “Director Ali Abbas Zafar has directed a monstrous film, one with a repellent 70s-set storyline that makes no sense whatsoever, and a cast who should all hang their heads and offer up a minute’s silence for assaulting their respective filmographies.” A commercial success, is the and the highest-grossing February Bollywood release of all time. The film had a very good opening at the box office. It also registered excellent collections at multiplexes, which is rare for an action film in India. It grossed 150 million on its opening day, breaking opening records in several regions for the year at the time of its release. The film went on to collect over 111 million on Saturday and 140 million on Sunday for an opening domestic weekend of over 402 million. The film grossed over $2 million overseas for a worldwide opening weekend of 670 million. grossed a decent 60 million, dropping sixty percent on its first Monday. The film had done good to reasonable business all over, grossing 590 million in its first week domestically. During its theatrical run, the film grossed over 980 million at the Indian box office, with an additional $3.4 million from overseas, for a worldwide total of 1.2 billion.</p>