Gaja Gamini

<p>The central figure of the film is represented by a mysterious figure called “Gaja Gamini”, who inspires, arouses, and confuses the common man. “Gaja Gamini” is the inspiration behind Leonardo da Vinci’s ‘Mona Lisa’, Kalidas’ poem “Shakuntala”, and a photojournalist named Shahrukh’s photographs. The mysterious “Gaja Gamini” appears as four characters, one of them being Sangeeta, a blind girl from Banaras at the beginning of time, who inspires village women to revolt against a male-dominated system and carve a niche for women forever. Another character is Shakuntala, who is the subject of Kalidas’ poem of the same name. Shakuntala incites jealousy in the women and love in the men around her, charming humans and animals alike in the forests of Kerala. “Gaja Gamini” is also Mona Lisa during the Renaissance, the object of painter Leonardo da Vinci’s obsession. Finally, Monika, the most confusing sector of the film, is supposed to represent the woman of the New Millennium. Kamdev, the God of Love, walks the earth throughout history, attempting to win the love of “Gaja Gamini”. Thrown into this mix is a large black wall, separating two different periods, and confrontations between science and art at different points in history, showing that the world itself can change, but its original ideas will always be the same. For example, a play by Shakespeare written and performed by actors in the 15th century will still be performed in the 21st century, but with different actors. The confrontations between art and science also bring about the idea that while science is firmly set on believing that which can only be proved, the basis for art is that which can be proved and an intuitive sense that can be felt. Science uses the brain, while art uses the brain and the heart. Another facet of the film is a “gathri,” a small bundle which a woman carries upon her head, like a burden, with which she must walk forever. Sumnan Tarafdar of gave a positive review of the film, calling it “not something that comes along every day”. said “The film has a very colourful look, with the visuals being eye-catching. But as a director, Hussain fails to convey his thoughts on celluloid. On the whole, is an artistic film which will not be understood by any strata of an audience – classes or masses. Business-wise, the film is sure to spell disaster. A waste of precious celluloid.” Hussain approached to compose the music for the film, but due to time constraints, he had to turn down the offer. The music was composed by and background score, composed by , was uniquely the first-ever to be created entirely on the and and Voice.</p>