Deewana

<p>Kajal, a beautiful young lady, falls in love with Ravi, a rich and handsome man. They happily marry with the blessings of Ravi’s mother, Lakshmi Devi. Ravi’s greedy uncle Dhirendra and cousin Narendra are disappointed to hear of this, because they are next in line to inherit the family’s vast wealth after Ravi. Dhirendra hires hoodlums to murder Ravi. The hoodlums, along with Narendra, try to murder Ravi. During the struggle, Ravi manages to kill his cousin Narendra and both of them topple over a cliff. The hoodlums flee. The news reaches Ravi’s family. Widowed and depressed, Kajal moves to another city along with Ravi’s mother Lakshmi Devi. Raja, a handsome, rich and good-hearted guy riding a motorcycle, accidentally knocks down Lakshmi Devi on the street, takes her to her home, and thus meets Kajal. He falls in love with Kajal, and tries to express it, but she cuts him short and reveals that she was already married and now a widow. Taken aback briefly, Raja returns with his suit, but Kajal continues to resist his advances. Raja’s rich father, Ramakant, dislikes the idea of his son marrying a widow and tries to get rid of Kajal. After this, Raja quarrels with his father and begs Lakshmi Devi for her permission to marry her widowed daughter-in-law. Lakshmi Devi persuades Kajal to marry Raja, saying that Kajal has a long life ahead of her, she has no child, and will be totally alone after Lakshmi Devi’s death. Kajal finally accepts at her mother-in-law’s behest. Lakshmi Devi conveys the acceptance to Raja, but she also tells him how reluctant Kajal was, and advises him that even after the wedding, he should go slow and not approach Kajal in a sexual way until she genuinely, in a heartfelt way, accepts him as her husband. News of Raja’s forthcoming engagement is the last straw for his father, who throws him out. Raja now has to look for a job. His friends open a garage with him. He meets with an accident and is hospitalised. Kajal rushes to see and realises that she is also in love with him. They admit their feelings for each other. A man is attacked by a gang of ruffians waiting to rob him, and Raja saves him. They soon become good friends. Little does Raja know that this man is none other than Kajal’s first husband and Lakshmi Devi’s much-mourned son, Ravi. When Raja introduces Ravi to Kajal, she is shocked to learn that Ravi survived Dhirendra’s attempt to murder him. However, she stays with Raja. Dhirendra learns about Ravi. He kidnaps Kajal and Raja, demanding Ravi’s property in exchange. Raja escapes and beats Dhirendra along with Ravi. They find Kajal tied up with a bomb strapped around her. Ravi manages to stop the bomb timer. Dhirendra returns to kill Raja. Enraged, Ravi pushes him and sets the bomb off, causing a large explosion that kills both. Raja and Kajal honor Ravi for his sacrifice. In the early 1990s, conceived the story of , and being pleased with it, decided to bankroll the film under his own production banner, Mayank Arts. In an interview to , , who had previously worked as an assistant director to in films such as (1987) and (1990), revealed that he was approached by Dhanoa to direct , becoming his directorial debut. Lalit Kapoor and Raju Kothari co–produced the film along with Dhanoa. was the first person to be signed, he being Kanwar’s first choice. He was given a remuneration of (US$12,000). For the female lead, had been Kanwar’s initial choice. Her unavailability and lack of dates led to the casting of , on the recommendation of ‘s friend and the former’s manager, Jatin Rajguru. Dhanoa addressed Bharti to be “time-punctual” and that once she refused to get off her car as she had come a bit late for the shoot. Kanwar had several actors in mind for the role of . Some of them included , , , and actor . Kohli had shot for it a few days, but later opted out citing a misunderstanding between him and Shabnam Kapoor (wife of Lalit Kapoor, one of the producers of the film) on the sets of (1992). , then a budding artist, was finally selected. Kanwar had liked his performance in and and thus suggested his name to the producers. He worked in the film alongside his prior commitments to (1992), his other film which was supposed to mark his debut. He expressed his enjoyment on hearing that [Rishi Kapoor] was also a part of the film. took place in and around and , being handled by Harmeet Singh. B. H. Tarun Kumar was the choreographer while Ram Shetty and Harish Shetty were the action directors. Leena Daru acted as the . Songs were shot at various locations in Ooty, such as the and . After filming ended by early 1992, it was edited by A. Muthu. The soundtrack album features 7 songs composed by , a duo. wrote the lyrics and (singing for Kapoor), , (both singing for Bharti), and (singing for Khan) performed the vocals. The album sold between 7 million and 8 million units, making it the best-selling Bollywood soundtrack album of 1992. The soundtrack was #79 on the list of “100 Greatest Bollywood Soundtracks of All Time”, as compiled by . included “Aisi Deewangi” as one of the “5 Memorable Songs of Divya Bharti” and raved about her presence in it by saying that it made “people swoon over her as well the tune. Her effortless beauty, along with her charming on-screen chemistry with Shahrukh Khan multiplied the X-Factors and made it a delightful watch.” listed it among the “10 Amazing Nadeem-Shravan songs”. The film was released on 25 June 1992. It was promoted with the . When director Raj Kanwar had gone to attend the first screening of the film, along with the distributors, he was shocked to find the theatre deserted. But later, they found it swarming with mostly college kids, ensuring that the film became a blockbuster. It ran at theatres for 50 weeks and emerged a film. According to the film-trade website it collected (US$1.7 million) worldwide and became the , surpassed only by . It was made available for streaming on since 2020. received positive reviews from critics upon release, with major praise directed towards its [cinematography], soundtrack and the cast performances, particularly that of Bharti and Khan. published a review of the film in on 28 June 1992, writing that Khan’s role is clichéd but he was able to “interpret it with a fresh zeal and wafts across like a breeze in the traditional role of a young man obsessed with love. Angry, confused, tender, mature and childishly rebellious, marks the advent of a new talent”. On 31 July, a writer in praised the film’s cinematography and songs but was critical to its story which he called “no more than a routine melodrama”. The writer added that Bharti had a “pretty … but … thin” role and “there is nothing she can do about it”. He further observed that Khan is “fairly impressive and brings some life to a conventional role”. In an interview, while reviewing the film by himself, Khan said that his performance in the film was “awful–loud, vulgar and uncontrolled” and that he “overacted terribly” in it. According to him, he hasn’t contributed anyway to the film’s success, and credited Nadeem–Shravan’s music for the same, while also praising the performances of Kapoor and Bharti. Modern film reviewers, however, appreciated . In 2007, the author described the film as a “crude and melodramatic” work, with Khan’s performance being “equally loud”. She said that the film established his position as a leading actor of Hindi cinema, despite his “over-the-top” performance. Rachit Gupta of in 2014 stated, “Divya seemed at ease sharing screen space with Rishi Kapoor. She also matched ‘s manic intensity emotion to emotion. She fit perfectly into the character of a woman dealing with the loss of her husband.” In 2018, Sampada Sharma from wrote that her performance is unforgettable, adding, “From playing a newly married girl to being the one who is at a crossroads in her life, was Divya’s film and she delivered a performance that was applause-worthy.” deals with the central theme of . [Raj Kanwar] had compared the role of [Divya Bharti] to that of female roles in his other films like (1994), (1996), (1996) and (1997) stating that they all were “strong female characters”, portraying either the plight of women or displaying the acting prowess of the respective actresses. The film also shows how individuals become “obsessed” while in love, through the character of [Khan]. He himself talked about this as a lesson he learnt from the film while at to receive an honorary degree. Several critics compared [Rishi Kapoor]’s role to that in (1989) for in both the films, he was portrayed as the sacrificing husband. In another aspect, [Deewana] emerged as the pathbreaking Bollywood with its storyline portraying the first lover to be sacrificer, a reversal to the general rule. has been regarded as one of the earliest Indian films based on the of . The film’s music, composed by the duo Nadeem-Shravan, became a multi-platinum success. Bharti’s performance fetched her critical appreciation; the film’s title became synonymous with her. The film is also notable for being the film debut of Shah Rukh Khan. Despite having limited screen presence in the second half of the film, his portrayal of an obsessive lover achieved him a major career breakthrough. The song “Koi Na Koi Chahiye” picturised on him has gradually gathered a . Ashok Raj described his role as “A small-town commoner who stalks a rich widow to gain access to a prosperous lifestyle.” remarks that Kapoor’s “filmography came to a head” with and that it remains it to be one of his most memorable works, his fashion in the film being considered a trendsetter for himself. Additionally, has been included in many listings—”500 Greatest Bollywood Movies of the 80s, 90s and 2000s”, “Top 90 Hindi Movies Of The 1990s” and “100 Greatest Bollywood Love Triangle Movies”. The was featured by among the “100 Greatest Bollywood Soundtracks” with a conclusion that ” was simply one of the best albums of the 90s”. ranked first as one of the “Top Films of Raj Kanwar”. featured it in their listing of “16 Best Shah Rukh Khan Movies”. has placed the film twice in its listing of “Top 20 soundtracks of Nadeem–Shravan” and “10 Amazing Nadeem–Shravan songs”. The scene where Khan confronts Bharti and throws red colour on her white saree to confess his love to her was included by as one of the “Top 10 Holi scenes from Bollywood”. Diptakirti Chaudhuri, a film critic, hailed to be a pathbreaking film in Bollywood, as it showed a complete contrast to the general storyline of love triangles. The film has been referenced many times in the following years. In (1993), Khan says to , “You have done a miracle ( ) , I have become a crazy fan ( ) of you.” Moreover, in the ” Special – Part 2″ of the popular , Popatlal dances along the song “Koi Na Koi Chahiye”. The film’s poster is shown in the film . A footage from is also shown in . Khan and Kapoor reunited again in and in 2007 and 2012, respectively. Although the latter appeared in special appearances. A sequel to was announced in 2013 by the producer .</p>