Chakrapani

<p>The film begins with a substantial rich miser Chakrapani aiming to accumulate 1 lakh to bestow to his great-grandson. After his son’s death, he ensured his daughter-in-law Visalakshamma, grandson Jagannadham, and 3 granddaughters Santha, Malati, & Revati. Among them, Malati is the naughtiest and plays pranks on her grandfather, taking digs at his miserly ways. She instigates her brother to pick up a row with the older adult, which leads to Jagannath’s exit. To spend less expenses on his granddaughters’ weddings, Chakrapani gets a widower, Ananda Rao, for Santha and a dumb fellow for Malati. Then, grudgingly, Malati absconds while the meek Santha knits Ananda Rao. On the board, Malati is acquainted with a considerate couple, Mukunda Rao & Usha, who shelters her. Meanwhile, Venkatachalam, the younger of Usha, falls in love with her, and they espouse. Later, Mukunda Rao is transferred when Malati lets a portion to a tactical lady named Manorama. Venkatachalam joined an insurance company, which made him a frequent traveler. Anyhow, Chakrapani reaches his target when Revati notifies Malati that Santha is pregnant and has given birth to a baby girl. According to the guidance of Manorama, Malati counterfeits her grandfather’s belief that she has delivered a boy. Ergo, Chakrapani arrives when Manorama heirs a child from the neighbors. To bring authenticity, Manorama’s brother Saradhi is forged as Malati’s husband since Chalam is on tour. In the interim, Chalam returns and is introduced as the cook. From there, the story takes several comic twists. Ultimately, Chakrapani is elated that his wealth is going to the rightful heir- his great-grandson, who is the estranged Jagannatham’s son. Finally, Jagannadham declares that women have equal property rights, and he shares the amount with his sisters. Music was composed by Bhanumathi. Lyrics were written by Ravuri Satyanarayana Rao. Music released on A popular writer of the time, Ravuru had started his career with Krishnapatrika in Machilipatnam and later worked in the editorial section of Andhra Prabha. His column Ashamaashi, in which he wrote on serious subjects in a lighter vein, was very popular in those days. He came up with the story of Chakrapani, a penny-pincher, and his naughty granddaughter. This film was a satire on Tollywood veteran producer . Due to her rift with Chakrapani, Bhanumathi had left the lead role in the movie and later that role went to Savitri. By that time she was in the making of the film (1954), in which ANR and Bhanumathi are playing lead roles. She postponed the shooting of and began to work on this film and wanted to release the film before the release of . It is the debut movie of Bhanumathi as Music Director. An article published in newspaper on the movie reviewed: ” The entire narrative in the movie is full of wit, thanks to Ravuru’s humorous dialogue and the fine performance by all major actors – ANR, Bhanumathi, CSR, Kamaladevi, Amarnath, Ramana Reddy, Suryakantham and others. As usual, Bhanumathi dominated the proceedings and came up with a career-best hilarious show, sustaining with ease the tempo throughout. ANR matched her with his comic timing and expressions. Apart from performances, excellent cinematography by P. S. Selvaraj, the musical score by Bhanumathi helped the film’s box-office success. Her renditions – “Uyyala Jampalalooga Raavaya…,” “Pakkala Nilabadi…,” “Nanu Choosi Intha Jaali Yelanamma,” and A. M. Raja’s “O Priyuraala… O Jawaraala” needs mention. Addepalli Ramarao and the popular violinist of the time, Hari Achyutharama Sastry, provided the background score that enhanced the film’s quality.” When Bhanumathi reworked the story and made it as (director: P. Chandrasekhar Reddy) in 1988 as a tribute to her husband, her attempt did not meet with similar success.</p>