Bawre Nain

<p>Chand lives in a small rural town in India. He is unable to pay the rent, and his landlord evicts him. He re-locates to another town and meets with a young woman named Tara. Both are attracted to each other. Chand is unable to secure employment in this town, and moves elsewhere. Tara waits for several months, but does not hear anything from him. So she decides to go and look for him, hoping to re-kindle her love. She is shocked and surprised to find him with an attractive woman named Rajni, who claims that Chand is her betrothed and both are to get married soon. Meghnad Desai, in his book “Pakeezah” described it as “a very thin story is used to drape stunning melodies” composed by music director Roshan. According to Ausaja, Geeta Bali “received rave review for her performance as a village belle”, and “the music of this film made it a classic”, with the song “Khayalon Mein Kisi Ke” becoming “a hit of millions”. The reviewer in the Motion Picture Magazine (November 1950) published in India, lamented the endless use by film-makers of the “boy-meets-girl, boy-loses-girl, boy-gets/loses-girl formula”. He termed it “a vicious little circle” with no “avenue of escape from it”. The “hackneyed theme”, with “stark raving melodrama” and too many coincidences, was described as a disappointment from someone of Kidar Sharma’s stature, who had earlier made the praise-worthy (1950). Geeta Bali’s performance was written as her best so far, with Raj Kapoor being just satisfactory. The music director Roshan came in for special mention for composing “lilting” songs. Ashish Rajadhyaksha and Paul Willemen, authors of the book , called the film an “extraordinary melodrama distinguished by Geeta Bali’s innovative acting.” was given a break by Kidar Sharma when he hired him as an assistant director. Sharma then went on to create “highly stylized romantic characters” for him. Kapoor’s first was his debut role in (1947), opposite . The second was . was a discovery of Sharma’s, who describes meeting her and her family in lowly circumstances while a young teenager in his book The One And Lonely Kidar Sharma. He cast Bali in her debut film and repeated her as the girl searching for her beloved in Bawre Nain. Vijayalaxmi played the role of Rajni, a “modern” educated girl; the sort of character utilised to showcase the “vamp” in Hindi films of that time. ‘s entry as a music director was with Sharma’s 1949 film (1949). However, despite the “nightmarish debut as a composer”, Sharma retained him to compose the music for . This, according to Vittal and Bhattacharjee was done against the wishes of the film distributors who had offered to increase their price to Rs. 25,000 per territory if Sharma dropped Roshan and took anyone else as the composer. Sharma refused to accept the offer and continued with Roshan. ‘s varying tonal effects and soothing quality was put to good use in the song “Teri Duniya Mein Dil Lagta Nahin”, which was composed in Raag Darbari Kaanada. It effectively captured the “mood of the song”. This song is cited to have helped Mukesh “grow” as a singer, while becoming popular as a playback singer for Raj Kapoor in his films such as (1951) and (1955). ‘s versatility as a singer, according to Ranade, was matched only by in later days. In the song “Ichak Bichak Bhurr” Shamshad brought out a high-pitched trill on the word “bhurr”, while in another part she had “two consecutive trills, one octave apart” in quick succession. ‘s rendition of “Sun Bairi Balam Sach Bol Re” was another popular number from the film, matching Geeta Bali’s “on-screen zest”. and had a duet with the song “Mohabbat Ke Maaron Ka Haal”. The lyricist was Kidar Sharma himself, with Anantharaman citing two duets which were exemplary. The first was “Khayalon Mein Kisi Ke”, sung by Mukesh and Geeta Dutt. The other was “Sun Bairi Balam Sach Bol Re”, by Raj Kumari and Mukesh, which was also Raj Kumari’s “biggest hit” in this film. The songs were composed by and penned by .<br /> Song list:</p>