Barroz - Guardian of Treasures

<p>Barroz is the story of a loyal servant turned ghost (Mohanlal) who has been guarding the treasure of Cristavao Da Gama since last four centuries not letting anyone get near it Isa (Maya Rao West) the 13th generation descendant of Da Gama arrives with her father who wants to tear down the palace and build a large casino There are some evil forces in play as well behind the treasure and the story goes on to explain how Barroz wins the trust of Isa and also fights against the evil people behind the treasure of Da Gama On 21 April 2019, announced his directorial debut—a adaptation of ‘s novel . Originally, Mohanlal and had planned a 3D stage play, seeking guidance from Punnoose, the director of India’s first 3D film, (1984). However, due to high production cost, the project was put on hold. During their discussion, Mohanlal proposed the idea of adapting Punnoose’s novel into a film, with himself as the director. Punnoose agreed. Mohanlal planned to shoot the film in with foreign actors. Described as a “fantasy film for children”, the story is rooted in a 17th-century Portuguese-Afro-Indian myth from the , centering on a hidden treasure belonging to the D’Gama family. The story explores the maritime history of , , , and India. The myth is locally known as . Mohanlal mentioned that it took a year and a half to finalize the screenplay. Though he initially encouraged Punnoose to direct the film, Punnoose declined, leading Mohanlal to consider other directors before deciding to take on the role himself. According to Mohanlal, Punnoose granted him freedom to make changes to the story, as the original premise had a more serious tone, which underwent revisions. Punnoose discovered the Portuguese-Afro-Indian myth in 1980 while exploring various indigenous fables for India’s first 3D film. Eventually, he opted to adapt the myth instead. In 2003, he revisited the subject and crafted a story that he shared with friends. Years later, responding to his colleagues’ insistence, Punnoose decided to turn the story into a film in English and languages, taking on the role of director. He revised the 2003 story and penned it as a novel in 2017 to claim copyright. It features two primary characters—Barroz, an elderly ghost, and Isabella, a teenage girl of – descent. While Punnoose’s screenplay deviated from the novel in terms of and . Foreign actors were considered for various roles, including that of Barroz. However, the project underwent significant changes in the course of events. In a 2022 blog, Punnoose provided a detailed explanation of the film’s development and its departure from his original work. In mid-2018, Mohanlal and Kumar sought Punnoose’s consultation for a 3D stage show. Kumar proposed making the film in language, with Mohanlal portraying Barroz. In February 2019, Punnoose changed the character to a to accommodate Mohanlal, but opted out of directing. Mohanlal then took on the role of director, while joined as the producer. Punnoose revised the screenplay 22 times to his satisfaction and to the liking of Mohanlal and Antony, while keeping Isabella as the central character. Mohanlal contributed several story elements, which were incorporated into the film. Preparations for the film were finalized by early January 2020 and filming was set to begin in June. However, their plans were delayed due to the , which affected the set work scheduled for February. The work resumed by the end of 2020. A team of approximately 160 personnel worked at at various departments. The extended time allowed for improvements in , animation, , and action sequences. Pre-production was completed in March 2021. Production was officially announced on 24 March 2021, with a ceremony held at Navodaya Studio. Filming began in the same month but was interrupted after one week due to the . By the time the restrictions began to ease, had shifted their focus to producing films for direct . As a result, there were discussions about due to its perceived non-viability. However, in November 2021, Mohanlal took the initiative to revive the project, capitalizing on his four-month gap before starting other films. Considering the challenges posed by the pandemic, including the difficulty of bringing back foreign actors and shooting in distant locations, extensive discussions led to a decision to change the story, screenplay, and performers. In December 2021, Mohanlal and Kumar collaborated to rewrite the scenes, locations, and characters to ensure the film’s feasible completion. Mohanlal reimagined his character in line with his successful commercial films to cater to his fans. In May 2022, Jijo expressed his determination to pursue his original plan of directing a film in English and Hispanic languages through his blog, as his original screenplay and had not been utilized. This decision ultimately led to Jijo leaving . He also requested to have his name removed from the screenplay credits. Before Mohanlal took on the roles of actor and director, Punnoose had planned to direct the film as an international project in English and various Hispanic languages. During this phase, he sent the novel to actors like , , , , and , considering them for the lead role of the Afrikaner ghost. In July 2019, Mohanlal announced the casting of Spanish actors , Rafael Amargo, and Cesar Lorente Raton in the film through social media. Amargo was cast as , while Vega was chosen to portray his wife. Raton, who initially worked in the casting department, was invited to audition for a part and landed in . Later in September, Mohanlal revealed that American child actress Shayla McCaffrey would play the lead role. In March 2020, confirmed his signing for the role of the . Speculations about ‘s casting arose when he was spotted with the crew during the film’s pre-production discussions in March. His presence in the cast was confirmed during that same month. Sara Vega, the sister of Paz Vega, replaced her in the role of Teresa da Gama. Due to the , the film faced delays, leading to the replacement of some major cast members when production resumed in December 2021. Prithviraj opted out of the film due to scheduling conflicts with and . Tuhin Menon was brought in as his replacement. McCaffrey was replaced by Indo-British actress Maya Rao West due to conflicts with her academic studies and noticeable physical changes. In December 2021, confirmed his casting in the film, who was called by Mohanlal after the release of his film (2021). He plays a cop and was scheduled to join in February 2022. was cast in an undisclosed role. Sharma shared her experience of working on the film, highlighting Mohanlal’s equal treatment of all cast members regardless of their status as leading stars, newcomers, or children. began on 31 March 2021 at sets constructed in . Before filming began, , who was initially appointed as the cinematographer, was replaced by . Sivan described as “a visual film that doesn’t have a conventional story. It’s got , 3D and is heavy”. Santhosh Raman oversaw the production design. Filming took place at sets in in April. The film prominently features , and the shooting schedule there was planned to start in early August. Filming, which initially involved 85 crew members, proceeded for a week in before being halted due to the second . In May, efforts were focused on caring for the 24 infected cast and crew members and arranging the return of foreign actors to their home countries, as . With Aashirvad Cinemas changing their plans, came close to cancellation, leading to the dismantling of the treasure cellar set at Navodaya Studio on Antony’s instruction. However, in November 2021, Mohanlal revived the film. Due to logistical challenges like bringing back foreign actors and shooting , even in nearby places like Goa, the decision was made in December 2021 to change the story, screenplay, and cast. The revised plan involved shooting in and around Kochi, primarily using indoor sets at Navodaya Studio for major filming. Filming resumed on 26 December 2021, with recasting and reshoots taking place. Portions featuring Prithviraj, shot in April 2021, were scrapped by Mohanlal. From February to April 2022, filming occurred in Kochi. In April, Punnoose assisted in executing a rotating-set mechanism for a scene involving Barroz walking on the walls of the treasure cellar, which was his only involvement after he left the film. A sequence was filmed with gravity illusion technique, which Punnoose implemented it in It was followed by a schedule in Goa, which was completed in May. With this, majority of the film’s production had been completed, with only two songs remaining. In early July, a song featuring an sequence was filmed in . The title song was filmed in by the end of that month which was initially planned to be shot in Portugal. Filming up on 29 July 2022. Kumar served as an associate director, and Mohanlal’s daughter Vismaya Mohanlal worked as an . In November 2024, speaking about Mohanlal’s approach to directing, Sivan said that, unlike other filmmakers, Mohanlal did not give any references to shots from other films, stating, “he is a spontaneous director, and his process is very organic”. The post-production work of the film commenced in 2022 shortly after the conclusion of filming. It took place at and India, with done in . In September 2022, Mohanlal revealed plans to complete post-production and submit the film for certification by the within the same year. He worked towards completing the film in time for a projected theatrical release within March 2023. Brynley Cadman was the and Jonathan Miller was the sound designer. In August 2023, Mohanlal revealed that most of the was completed in Los Angeles, with the remaining work continuing in , Hungary. In February 2024, he shared an image from in Hollywood, showing Kilian and Miller fine-tuning the music and sound. The final phase of post-production began in Mumbai in August 2024. The crew was in the process of finishing the VFX work and preparing the film for its release. As a result of the lengthy post-production phase, the film was postponed multiple times from its initial release plan. A private screening for the finished film was held in Mumbai in October 2024. The film’s was composed by South African composer Mark Kilian. Three songs were composed by , marking his feature film debut. In addition to that, two songs were composed and co-written by Fernando Guerreiro and Miguel Guerreiro. The lyrics were provided by , Lakshmi Sreekumar, and Krishnadas Panki. The soundtrack album was released under the label on 20 December 2024. On 26 December 2021, Mohanlal released a promo teaser of the film indicating his roles both as an actor and director. The promo also featured Mohanlal paying tribute to the directors he worked with, besides unveiling his character as the titular role in the film. Coinciding with (31 December), the makers released the first look poster featuring Mohanlal in a tonsured bald look for the titular character. In a radio interview in in November 2022, Mohanlal stated that the film’s trailer would be released in theatres along with on 16 December 2022. However, the trailer was not released on that date. On 24 April 2024, Mohanlal released the video of the film, which also revealed the other cast members playing significant roles. In July 2024, a two-part animated series titled as released as a prelude to the film. The series was conceptualized by Kumar and directed by Sunil Nambu, with musical score composed by . The film’s trailer was privately screened for the crew at cinema theatre in in early August, and was scheduled to be released on 6 September 2024 at the of award ceremony held at , . However, the film’s postponement and with the event being delayed to three weeks later, also deterred the plans for the launch. The film’s 3D was premiered during the theatrical screenings of ‘s and received praise from fans for the visuals and technical excellence. The trailer was then released online on 19 November in format, launched by actor on his X (formerly ) handle. In the weeks leading up to the film’s release since November 2024, Mohanlal released posters that revealed the principal cast on his social media accounts. A was later released on 9 December. The trailer for the film’s Hindi-dubbed version was launched on 11 December, at the Oberoi Mall in , with Akshay Kumar being present for the event. It was shared online by Bachchan and . The trailer for the Tamil-dubbed version was launched by actors and , and the Kannada and Telugu-dubbed versions by and respectively, on 15 and 16 December. In early December, Mohanlal announced the for fans to design posters and artworks based on the central character, in which winners would get a cash prize ranging from ₹25,000 to ₹1,00,000; the second prize winners would receive an exclusive autograph from Mohanlal, while grand prize winners would meet the actor and present the artwork. The same month, the Jain International School of Creative Arts and had announced an art competition for schoolchildren based on . Limited for around thousand participants, they would have to draw their own interpretation of the film posters and trailer in this competition. It will be held at the Jain University in , where Mohanlal would be felicitated as the chief guest, and winners would get a cash reward in first three prizes worth ₹3,00,000, presented by the actor on stage. Jain International School and Manorama Online, further announced a competition across Kerala, limited for 25 participants with no age restrictions and they would receive as incentives, while winners and participants would receive prizes worth ₹5,00,000, including cash prizes ranging from ₹4,000 to ₹10,000. was theatrically released on the occasion of (25 December 2024), in 3D format. Apart from its original Malayalam version, the film would be dubbed and released in Tamil, Telugu, Kannada, Hindi and English languages. Initially, in September 2022, Mohanlal stated that the film is planned for a theatrical release within March 2023. But during the same period as the tentative release month, production designer Santhosh Raman told a media outlet that the makers are eyeing for an release, but no official announcement followed. In August 2023, it was reported that the film would be released on 21 December 2023, coinciding with the Christmas weekend. Those plans were forfeited and Mohanlal’s other film released on that date. In November 2023, it was officially announced that the film would be theatrically released on 28 March 2024. However, due to the delay in the film’s post-production, it was postponed further. During the first quarter of 2024, it was then reported that the film would be released on May 2024 in order to avoid clashing with other Malayalam films releasing in the summer period (April–June), but that did not happen. Later on that May, Mohanlal officially announced that the film would be released on 12 September 2024, coinciding with the eve of Onam festival. But, a month before its scheduled release, it was postponed to 3 October, coinciding with , before being delayed further citing incomplete post-production works. Its current release date was announced on 15 November, by director Fazil, who added that the release also coincided the same date as Mohanlal’s debut film (1980) and (1994) release. The film’s Hindi-dubbed version will be released two days after the original version, on 27 December, as the initial release clashed with . The film would be distributed across India by Aashirvad Release, whereas overseas distribution will be handled by Phars Film and Aashirvad Cinemas Co. LLP. The film’s Hindi-dubbed version would be distributed by and Pen Marudhar Entertainment. The Tamil-dubbed version will be distributed by MSM Movie Traders, while handled the acquisition for the distribution rights in and , and would distribute the film across Karnataka. The film’s digital distribution rights are acquired by and started streaming from 22 January 2025. The film grossed 5.55 crore in the opening day worldwide with ₹3.50 crore from Kerala. The film had a gross of ₹9.3 crore in 6 days from Kerala. It concluded its run with worldwide gross estimated to be less than ₹25 crore emerging as a . Princy Alexander of praised the performances of the lead actors, the computer graphics and cinematography, but felt the music was underutilized, and wrote that “Despite some of the flaws, is a welcome change at the theatres, which is currently ruled by action and violence-heavy movies.” Sia Viju of wrote, “Mohanlal’s bold foray into 3D filmmaking is a welcome departure from the traditional Malayalam cinema. By incorporating cutting-edge technology, he has managed to create a cinematic experience that rivals international productions in terms of scale and ambition.” Rohit Panikker of rated the film three out of five stars and wrote, “Temper your expectations and viewing the film as what it is intended to be – a light-hearted children’s film that seeks to entertain family audiences at a time when blood, gore, and gunfights are ruling the screen – makes this a completely enjoyable watch sans its weary runtime and flat, predictable storyline.” Arjun Ramachandran of gave it three out of five stars and noted that “The first half of has a slow pace, but the second half picks up momentum with action sequences and other elements.” Ganesh Aaglave of gave it two-and-a-half out of five stars and wrote, “The 3D effects look awesome. However, this visual brilliance motion is marred by the snail-paced screenplay and lacklustre story, which turn out to be the biggest drawbacks of .” Vivek Santhosh of gave it two out of five stars and wrote, “Fantasy films for children are a rarity in Malayalam cinema, and Mohanlal deserves credit for attempting to fill this gap. Yet, is a reminder that ambition alone cannot make up for weak execution. The film dreams of being a priceless treasure, but in the end, it’s little more than a shiny trinket, polished just enough to catch the light but not enough to hold our attention.” Janani K. of gave it two out of five stars and wrote, “While the film is strong on the technical front, the story isn’t captivating enough. The story is slow-paced and there’s hardly anything happening to be stretched over two and a half hours.” Ajay U. K. of noted that “The ambition of Mohanlal’s Barroz is appreciable, but it felt too forced in a film that came with high expectations.” A critic from wrote, “Visually impressive but narratively weak, Barroz 3D is a mixed bag. Those who enjoy grand visuals and Mohanlal’s performances may appreciate the effort, but a stronger script would have elevated the film to greater heights. Proceed with tempered expectations.” Vishal Menon of criticized the film for its failure to invest in emotional arcs, convoluted plot, and over-reliance on exposition, with the reviewer also criticizing the performances of the foreign actors, and noting that the film’s prioritization of technology over storytelling makes it a disappointing experience that echoes (2014) rather than the classic . Kirubhakar Purushothaman of wrote, “Director Mohanlal seems to be the problem with Barroz, which could have been the entertaining feel-good fantasy film it strives to be. He fails to execute this promising idea and has come up with a film where scenes are disjoint and lifeless.” S. R. Praveen of wrote, “Billed as a children’s film, severely lacks in the storytelling department, which is too sluggish to engage any child. What might interest them are some of the decently pulled-off 3D sequences and visual effects which serve as little patches on an otherwise broken piece.” Anandu Suresh of gave it one out of five stars and wrote, “While the Mohanlal directorial might captivate infants who are just beginning to distinguish shapes and objects, expecting older children to be similarly enthralled by what has offered is unrealistic.” Sajin Shrijith of gave it one out of five stars and wrote, ” has actors from India and abroad, everyone doing their best to irritate us with their jarringly terrible performances and dubbing, especially lead actor Maya Rao West.”</p>