Badrinath Ki Dulhania

<p>Badrinath “Badri” Bansal is the youngest son in a wealthy family from Jhansi, where his father, Ambar, exerts strict control over the lives of his children. Badri’s elder brother, Alok, once in love with another woman, was forced to abandon his dreams and enter into an arranged marriage with Urmila after their father’s heart attack. This marriage has left Alok deeply unhappy, as Urmila, despite being intelligent and well-qualified, is not allowed to work, and Alok spends much of his time drinking to cope with his dissatisfaction. Badri, observing his brother’s plight, fears the same fate for himself and becomes desperate to avoid it. At a wedding, Badri meets Vaidehi Trivedi, a beautiful and well-educated woman who has her own career aspirations. Despite his limited education, Badri becomes infatuated with Vaidehi and decides that he must marry her, seeking his father’s approval for the union. However, Vaidehi is uninterested in marriage, especially after a previous relationship ended in betrayal, where her ex-boyfriend Sagar tricked her family and ran off with their money. Although Badri helps Vaidehi’s sister with her marriage, winning some favor with Vaidehi, she ultimately runs away on their wedding day, choosing to pursue her dream of becoming a flight attendant in Singapore instead. Heartbroken and under pressure from his father, Badri follows Vaidehi to Singapore, where he confronts her in an intense and emotional encounter. Though initially furious, Badri gradually begins to understand and respect Vaidehi’s independence and ambitions. As they spend more time together, Badri realizes that if they are to be together, he must support her career and convince his father to accept their relationship on more equal terms. Vaidehi agrees to consider marriage only if Badri can secure her right to work and live freely, a significant challenge given his father’s traditional views. Returning to Jhansi, Badri finally stands up to his father, Ambar, defending Vaidehi’s right to work and asserting their decision to marry on their own terms. Vaidehi arrives in Jhansi, and together they confront Ambar, insisting that their marriage will proceed regardless of his approval. The story concludes with Vaidehi finishing her training and returning to India, where she and Badri maintain a long-distance relationship before reuniting. They vow to raise their future children in a more progressive environment, rejecting traditional practices like dowry and ensuring that gender equality is upheld within their family. Their journey marks a significant shift in the family’s dynamics, challenging and changing the deeply entrenched patriarchal values. marks the second installment of a franchise that began with the romantic comedy (2014), which was also directed by , produced by for and starred and . The film was first announced on 3 May 2016 with the release of an online motion poster featuring Dhawan and Bhatt at a local village fair. Principal photography also began on the same day. Some of the scenes were also shot at the Ghatotkach Circle, Kishore Sagar Lake and Seven Wonders Park in . There is a third installment of the Dulhania franchise called releasing on September 12, 2025, which is currently in production which will once again star Dhawan, but Bhatt will be replaced by . The music for the film has been composed by , and Akhil Sachdeva while the lyrics have been written by , , Akhil Sachdeva, and . The soundtrack was released on 21 February 2017 by . The song “Humsafar” was originally composed by . “Tamma Tamma Again” is a recreation of the song “Tamma Tamma” produced by for the 1990 film . In turn, “Tamma Tamma” itself was based on two songs from ‘s 1987 album : “Tama” and ” “. The title track “Badri Ki Dulhania” appears to be inspired by the song “Chalat Musafir” from the film (1966), which in turn was inspired by a . won the Best Playback Singer (Male) in the Filmfare Awards 2018 for his rendition of the song “Roke Na Ruke Naina”. The film received generally positive reviews, with the website giving a rating of 80%, based on ten reviews. Nihit Bhave from rated the film 3.5/5 and stated “Badrinath Ki Dulhania is a rucksack full of radioactive social issues handled cautiously”. He also praised Varun Dhawan and Alia Bhat’s chemistry saying, “Together, Varun Dhawan and Alia Bhatt are the best thing that could have happened to our screens”. Rohit Vats from gave film 2.5/5 and noted that Varun Dhawan by portraying a Jhansi boy, reminds of . Shubhra Gupta from gave film 3/5 saying, “Alia Bhatt is pitch-perfect as dulhania with a mind of her own. Varun Dhawan impresses as a boy-struggling-to-be-a-man. Together, they offer us a flavourful romance which takes down patriarchy.” Tushar Joshi from described the film as light, entertaining and likeable. He writes, “Varun Dhawan and Alia Bhatt prove that on screen chemistry can be enough sometimes to keep you engaged in an average plot with a predictable narrative”. of Film Companion gave the film 3 out of 5 stars and said, “Think of Badrinath ki Dulhania as a dose of feminism-lite. I was smiling through the film.<br /> …Varun excels as Badri. He has an earnestness that connects instantly. He captures each nuance of Badri – his longing for Vaidehi, his confusion and hurt and the eventual transformation of his rage into understanding and respect.” Raja Sen of gave the film 3 out of 5 stars and said, “What makes Badrinath Ki Dulhania work, really, is the intent and the two principal actors.” of gave 2.5 stars out of 5, commenting “Writer-director Shashank Khaitan evidently bites off more than he can chew. Badrinath Ki Dulhania isn’t merely interested in being a breezy rom-com. Admirably, it’s also a critique on the dowry system, and makes a strong case for a woman’s right to choose career over marriage. Unfortunately some of this is communicated in a tone that’s too heavy-handed, and as a result you’re easily bored.” netted 12.25 crore in India on its opening day. On the second and third day, it earned 14.75 crore and 16.05 crore nett, taking total opening weekend domestic nett collection to 43.05 crore. The film grossed 73.66 crore nett domestically in its opening week. It netted 27.08 crore in its second week, in which it had entered the , taking two weeks total nett collection at 100.74 crore. The film’s lifetime gross collection domestically was 162 crore (including a nett total of 117.83 crore) and lifetime gross collection in overseas markets was , thus making a worldwide total collection of 206 crore.</p>