Baaram

<p>Karuppasamy, a widowed night watchman, lives with his sister, Menmozhi, and three nephews – Veera, Mani and Murugan – in a small town in Tamil Nadu.<br /> One morning, while returning from his shift, he gets an accident and breaks his hip. His panicked nephews want him to be operated on in town, but his somewhat more distant son, Senthil, takes him to his ancestral village to be treated by a traditional healer. Eight days later, Karuppasamy dies. At his funeral, an old woman claims that Karuppasamy was murdered. Who killed Karuppasamy? After making her debut feature film, , Priya Krishnaswamy chanced upon news items regarding the practice of in online news portals. Upon further research, she realised that Thalaikoothal, a phenomenon she had never heard of before, was, in fact, an ongoing cultural practice which enjoyed social sanction in wide swathes of rural Tamil Nadu. Concerned with the burgeoning problem of an ageing population in India, and a complete lack of social and medical infrastructure to cater to the elderly, she wrote the script of in two weeks in mid-2016, and decided to produce the film herself, under her banner, Reckless Roses, in collaboration with Ardra Swaroop. Accordingly, they approached the Department of Performing Arts, Pondicherry University, where Priya conducted acting workshops, and succeeded in sourcing the main cast. Additional roles, numbering more than 80, were played by local non-actors. The film was shot in a realistic style akin to the Dogme school of cinema, with long takes, handheld shots and sync sound. No dialogue dubbing was done. It was shot in Pondicherry and Tirunelveli in 18 days in January 2017. premiered in November 2018 in the Indian Panorama section of the (IFFI), Goa. It was also one of two Indian films nominated for the ICFT UNESCO Gandhi Medal at the IFFI, Goa, 2018. The ICFT UNESCO Gandhi Medal is an international competition section of IFFI that is evaluated by a jury in Paris. later won the at the . It was released in Indian theatres on 21 February 2020. gave the film 4 out of 5 stars at the 49th IFFI, saying, ” is a beautifully crafted social film which will make you question your own actions and rethink your stand on the grave subject of mercy killing.” Haricharan Pudipeddi wrote in the Hindustan Times, ‘In spite of making one quiver in their seat with its gut wrenching story which is inspired from a real incident, Baaram is a beautiful and relevant social film.’ M. Suganth of rated it 3 out 5. ‘Behindwoods’ rated it 3 out of 5 stars stating “Baaram is a hard-hitting film on a social issue that is rarely spoken about. Try not to miss”. rated it 3 out of 5 stars. rated it 3.5 out of 5 stars stating “Baaram is a necessary film that underlines the age-old heinous tradition, Thalaikoothal”. stated “The director keeps her distance. Like a diligent reporter, she is interested in (1) how thalaikoothal is organised, and (2) what you’d do if you knew someone was killed in this manner”.</p>