Baahubali: The Conclusion

/5
Directed by S. S. Rajamouli • Music: M. M. Keeravani

Soundtrack

Storyline

<p>Kattappa continues Amarendra Baahubali’s tale. After his victory over the Kalakeyas, Baahubali is declared heir apparent with Bhallaladeva as his commander. Sivagami sends him on a tour of the kingdom in disguise with Kattappa, while she selects a suitable queen for him. During the journey, Baahubali witnesses Princess Devasena of Kuntala bravely repelling attackers, leading to an admiration for her. In disguise, he approaches her and is accepted into the royal palace of Kuntala as a guard. Bhallaladeva views Devasena’s portrait and Sivagami assures their marriage, sending an emissary to Kuntala. Devasena rejects the proposal, and Bijjaladeva tricks Sivagami into ordering Baahubali to capture Devasena. In Kuntala, Baahubali and Kattappa defend the palace from an attack alongside Devasena and her cousin Kumara Varma. Kattappa then reveals Baahubali as the future King of Mahishmati, and Baahubali proposes Devasena for marriage, who agrees. As the misunderstanding is brought to light, Sivagami orders Baahubali to choose between the crown and Devasena, who then chooses Devasena. As a result, Bhallaladeva is crowned King, with Baahubali as his commander, though Baahubali retains his fame with the people. When Devasena is pregnant, Bhallaladeva removes Baahubali from his position and appoints Sethupathi, a court official. Devasena disagrees publicly with the decision and asks Baahubali to ascend the throne as a gift to her. Baahubali and Devasena are later banished, when Baahubali kills Sethupathi for offending Devasena. Threatened by Baahubali’s unwavering popularity, Bhallaladeva and Bijjaladeva conspire to turn Sivagami against him. Bijjaladeva convinces Kumara Varma that Devasena and her child’s lives are in danger, who then unsuccessfully tries to assassinate Bhallaladeva. Sivagami, believing that the assassin was sent by Baahubali, secretly orders Kattappa to kill him. Kattappa lures Baahubali into a secluded place and assassinates him. Bhallaladeva exposes himself as the mastermind behind the plot, and Kattappa conveys this to Sivagami, to her regret. As Devasena arrives with her newborn son, Sivagami declares Baahubali’s son Mahendra as the new King. Bhallaladeva however turns the guards against her and she is forced to flee with Mahendra. Bhallaladeva rules for the next twenty-five years as a tyrannical King, and imprisons Devasena who secretly builds a funeral pyre for him. When Kattappa finishes the tale, Siva (Mahendra) decides to declare war on Bhallaladeva, assembling the tribals, the resistance and Mahishmati’s slave army led by Kattappa. The army lays siege to Mahishmati, while Mahendra breaches the city walls with Kattappa. He engages Bhallaladeva in a brawl as the army continues the assault, and pins him on Devasena’s funeral pyre with chains. Devasena burns Bhallaladeva alive, ending his reign. Mahendra is crowned the new King of Mahishmati with Avantika as his queen, and pledges to uphold peace and justice. In the end, a child asks his grandfather whether Mahendra Baahubali’s son will be the next king, to which he replies, “How will I know what Lord Shiva has in his mind”. The following is the credited cast: was produced in the and filmed in both Telugu and Tamil languages simultaneously. As of July 2015 , the film series was considered the in India. Although shot in Tamil, few scenes were dubbed from the Telugu version. Rajamouli’s father who wrote stories for most of his films once again gave the story for . The series was produced by . R. C. Kamalakannan was chosen as supervisor and was the editor. PM Satheesh was the sound designer and stunt sequences were coordinated by , Lee Whittaker, and Kecha Khamphakdee. The film’s costume designers are Rama Rajamouli and Prasanthi Tripuraneni. The line producer was M.M Srivalli. The film shooting started on 17 December 2015 at Ramoji Film City in Hyderabad with Prabhas and Ramya Krishna. The film featuring Telugu actors and in the lead roles became the biggest ever movie in India in terms of scale of production and making as of 2017 . The film is also known by the abbreviation . was the production designer and was the choreographer. R. C. Kamalakannan was the VFX supervisor and was assisted by Pete Draper and Adel Adili, co-founder of Makuta VFX. In order for the lip sync to not be noticeable when dubbed in various languages, the film featured less dialogues and more action scenes. Prabhas was cast as main lead of the film. was cast as the lead actress of the film as she was also a part of (2013). She coincidentally became the first heroine Rajamouli repeated in his films and thus made her schedules full for 2013 and 2014. was cast as the antagonist of the film and coincidentally he was also a part of . In April 2013, was cast for a crucial role in the film as Rajamouli was impressed by his work in (2011). Actor was selected to play a supporting role. was selected to play the brother of the film’s chief villain. On 20 December 2013 a press release stated that will be starring in the film playing the role of “Avanthika”. Meka Ramakrishna was picked for the head of the Kuntala guerillas. Rana Daggubati was said to be playing the role of Prabhas’ brother and he too underwent a lot of physical transformation satisfying the role he was assigned to play in the film. He also underwent training in Martial arts under the supervision of a Vietnamese trainer, Tuan. Sathyaraj has a look for his role in the film. In the end of October 2013, Rana appeared at a fashion show with a beefed up body which, according to him, was a part of his look in the film. In mid-May 2014, reports emerged that Anushka would play a pregnant woman for a few sequences in the second part of the film. At the same time, Prabhas posted on his Facebook page that he underwent minor shoulder surgery and would join the film’s sets in a span of a month. On 1 June 2014, Prabhas and Rana’s trainer Lakshman Reddy, said that Prabhas started his training 8 months before the commencement of shooting and after two years, both of them weighed nearly 100 kilos each. He also added that Prabhas has two attires with a heavy, bulky body for Baahubali’s role and a lean physique for the second role. For his look, Prabhas met superstars like in February 2014 and interacted with them about their daily regimen and workouts. Prabhas had equipment costing ₹1.5 crore shipped to his home, where he built a personal gym. His breakfast included 40 half-boiled egg whites blended and added with protein powder. In mid-June 2014, regarding her role in the film, Bhatia said that she would be playing the role of a warrior princess named Avanthika and her appearance in the film is completely different when compared to her past films. Before joining the film’s shoot, Bhatia did costume trials for the film which she confirmed in her micro-blogging page stating “I am very excited to get on to the set of Baahubali. I did some dress trials today and my look in this movie will be totally new. I have never been seen in such sort of a look till now. It will be a new role for me”. Rajamouli called Bhatia and her characterisation as a “value addition” to the movie. She stated that she plays Avanthika, and had a special training and diet regime. The film introduced a new language called . On 22 November 2016, a two-minute war sequence from the film was leaked and posted on Facebook and Twitter. The following day, the police arrested a video editor for stealing and uploading the scenes. The , noticing the lack of punishment, felt the leak was a publicity stunt. Following this, a nine-minute war sequence supposedly from the climax was leaked. The video lacked VFX. Director revealed that Baahubali is inspired by the epic . , the screenwriter and Rajamouli’s father who wrote stories for most of Rajamouli’s films, once again penned the story for . Vijayendra Prasad revealed that Sivagami has shades of both and while Devasena is a warrior like . He further added that he sees Baahubali as the story of Sivagami and Devasena. He was also inspired by tales of and comics. In March 2017, Rajamouli said in an interview that “Why Kattappa killed Baahubali” is the theme of the film. The tagline “The boy he raised, the man he killed” was billed in a poster featuring Kattappa. Rajamouli had stated that the Mahabharata was a source of inspiration for the film. According to , the colour palette used was based on the “mood and feel”. He contrasts different tones used within the film: warm colours for Mahishmati, cool colours for Kuntala, desaturated colours for the frame in which Baahubali is expelled. According to Chandan Gowda, a professor at the , “the social order [in the film] appears to be a varna order: Brahmins, Kshatriyas and Vaishyas are named with the Shudras staying an unnamed presence,” also noting that “Muslims are also part of the Mahishmati kingdom”. felt that the modules and imagery were borrowed from Indian epics like Mahabharata and called Prabhas’ character “a mix of the Pandavas put together,” while Gowda writes that the influence is “at best rough,” stating that the film cannot match the “moral depth or complexity” of . He further contrasts the themes of both, writing, “the heroes have failings and the villains redeeming virtues, making us morally ambivalent towards them both, Baahubali goes for black and white: its heroes are wholly good and the villains pure evil”. According to Gowda, the palace scenes resemble those in (1959) and (2004) while the fight sequences are similar to the Chinese films , (2000). Critics noticed similarities between and , an adaptation of ‘s (1599–1602). This similarity was also felt by fans, who created memes of the comparison. makes a comparison, stating that both films are a tale of two brothers, where inhabitants suffer under a cruel ruler, who is the brother of a kind ruler. The son of the kind ruler grows in remote lands, unaware of his lineage, guided to his home by his love interest. The spouse of the kind ruler is treated badly by the cruel ruler. The son also has an advisor, who helps him realize his identity. They further note that the kind ruler and his son look similar in both films. notes that both Bhallaladeva and share a scar on one eye, and both Simba and Mahendra are introduced similarly into the world. Rajamouli’s cousin composed the music and background for the film. Telugu soundtrack was released on 26 March 2017 at the pre-release event of the film at YMCA grounds. The album of the film’s Hindi version was released on 5 April 2017, while the Tamil version was released on 9 April. The Malayalam version was released on 24 April 2017. Baahubali The Beginning is first non-English film to be screened at in London, receives a standing ovation. The show, saw the score performed live while the epic action movie unfolded on the big screen, a special Q&A took place on stage. franchise director S.S Rajamouli and composer M.M. Keeravani as well as stars Prabhas, Anushka Shetty and Rana Daggubati, sat down with for a chat. Initially scheduled for release in Summer 2016, the release date of was postponed to November 2016 due to preparations for the international release of in various locations. This was further pushed to 28 April 2017. At first, the joint budget of both and was speculated to be around ₹2.5 . This was later confirmed by Rajamouli in 2015. However, the joint budget of the series was increased to ₹4.3 billion, of which ₹1.8 billion was the budget for and ₹2.5 billion for . The climax of alone cost ₹30 crore, almost double the amount of climax. An initial limited release of took place in most countries, including the , on 27 April 2017. In India, the film was released on 28 April. The film was screened at the . It was also premiered at the 39th . The film was also showcased at the 49th in the “Indian Panorama” section. According to Umair Sandhu, a member of the UAE censor board, received a standing ovation from the board during its review. On 22 April, the Telugu version of was reviewed by the and given an U/A rating with minor cuts. The gave a rating of G with no cuts. The , Pakistan, cleared the film with an “all clear” status and zero cuts. In Singapore, the film received an ‘A’ (adult) certificate, which an report attributes to the portrayal of violent scenes. was released across more than 9,000 plus screens worldwide- 6500 screens in India alone, breaking the record for the widest Indian film release. It released in conventional 2D as well as in format. This made the third Indian film to release in IMAX, following and . It was released in Telugu and Tamil along with dubbed versions in Hindi and Malayalam. In Kerala, the film was released across 395 screens. The film was released in 1,100 screens in the United States, and 150 screens in Canada. The Hindi version was released in New Zealand, Australia and Fiji Islands, while the Tamil version was released in Malaysia. In Pakistan, the Hindi version was released in over 100 screens. The first Telugu film to be released in 4K high definition format, close to 200 screens were upgraded to 4K projectors before the release date of the film. In Japan, the film was later dubbed into Japanese and was released on 29 December. Despite the various measures taken, pirated versions of were available on the Internet within hours of the film’s release. The film was dubbed in Russian and released in Russia and neighboring territories on 11 January 2018. It was censored for release in China in March 2018 and was released in Chinese on 4 May 2018. A 25-member marketing team at Arka was responsible for marketing . On 30 September 2016, the logo of Baahubali 2 was revealed along with the tagline ‘Why Kattappa Killed Baahubali’. On 22 October 2016, the first look poster of the film was released on the birthday of Prabhas. The poster, according to , features Prabhas flexing his muscles, holding a two edged sword and a chain in either of his hands, while The Hindu notices the presence of Amarendra Baahubali in the background. Rana Daggubati’s first look as Bhallaladeva was further revealed on his birthday. According to , the poster features Rana Daggubati as Bhallaladeva with “a vicious glare, salt-and-pepper hair with a , cladding a bullish armour and holding a humongous retractable mace”. A virtual reality teaser was also released. On 26 January 2017, the first look poster of Anushka Shetty as Devasena was released. The trailer of the film was released on 17 March 2017. was also promoted extensively on social media platforms including Facebook, Twitter and . Upon being asked about the film’s marketing, Yarlagadda said, “The idea was to engage with different demographics, who are interested in different things. If you are into technology, then Baahubali VR becomes a driving factor for you to watch the film; if you are into graphic novels and gaming, we had plans to address those needs too”. A graphic novel titled was released digitally on 28 February 2017. Rajamouli approached Anand Neelakantan to write a series subtitled . The first novel in the series, titled , was released on 7 March 2017. A clothing line based on the film was revealed on 7 April at a fashion show, with the cast including Rana Daggubati and Tamanaah attending it. The makers further collaborated with Moonfrog Labs to create an online multiplayer game titled , which published on 28 April 2017. In a review for the game, Srivathsan Nadadhur of writes, “while it seems a little familiar, it is good fun as long as it lasts”. The cast arrived in Dubai to inaugurate the film’s release in a promotional event on 25 April 2017. Cinestaan AA Distributors distributed the Hindi version in US, Britain, Australia and New Zealand. Srinivasan of Says S Pictures distributed the film in and in Tamil Nadu. The Hindi version was distributed in North India by Anil Thadani’s AA Films and presented by Karan Johar’s Dharma Productions. In Malaysia, the film was distributed by MSK Film Production and Antenna Entertainments. Amjad Rasheed distributed the film in Pakistan. Telugu, Tamil and Malayalam broadcasting rights were brought by Star India for ₹28 crore. Sony acquired the satellite rights for the Hindi version for ₹50 crore. set a record collection of ₹5 billion before the release of the film through satellite and theatrical rights. The Telugu version of the film was insured against financial loss by for 2 crore. brought the rights of for ₹25.5 crore. About 10 lakh tickets were sold within 24 hours of the advance booking. Tickets were sold out until 2 May. Later, tickets for the first week were sold out. The sale rate was the highest ever in India, beating the record held by Dangal. Booking sites of multiplex players crashed down due to high traffic. In UAE, the film sold more one lakh tickets before release, the highest ever for an Indian film, breaking the record held by bookings. BookMyShow and PayTM offered discounts on tickets. At the end of its theatrical run in India had sold an estimated 10 crore tickets, the highest estimated footfall for any film in India in decades; notes that the estimated footfalls of (1957), (1960) and (1975) could be more than that of . The morning shows of in several cinema theatres across Tamil Nadu were halted. Arka Media Works had to intervene to resolve the financial issues and had to bear the full cost for the smooth release of the film. Scenes from were released online 2 days before the film’s release. Activists in Karnataka threatened to stall the film’s release in their state due to a statement made by Sathyaraj concerning the Cauvery river, unless the actor apologized. Sathyaraj later apologized for hurting the sentiments of the activists. The entertainment tax to be paid on each ticket was not paid, due to the sale of unaccounted tickets. On the website , 88% of 26 critics’ reviews are positive, with an average rating of 7.6/10. Rachit Gupta from gave the film a rating of 4.5/5, stating, “SS Rajamouli’s much-awaited sequel is the kind of movie Indian cinema should make regularly. Its the kind of sweeping magnum opus that Indian mythos and culture deserve. Its the biggest film we have ever made and barring a few minor glitches in CGI, this film is possibly the greatest spectacle you’ll see on a big screen, in your life”. Sangeetha Devi Dundoo from stated, “For the most part, doesn’t let us take our eyes off the screen. Its designed to be a cinematic celebration, one that deserves to be watched on the largest screen possible”. Anupama Subramanian of the gave the film a 3.5/5, praising the acting of the stars while complaining about “the lack of a solid plot’ and called the ending “predictable”. Vishnuprasad Pillai of gave a negative review, writing that the film “offers nothing new… The writing from KV Vijayendra Prasad fails inspire or to do justice to an epic of such scale,” adding that “the dialogues at times are downright corny and plot developments cringe-worthy”. Dipanjan Sinha of gave the film a rating of 3/5 stars, praising the film’s cinematography and special effects, but found faults with some of the female characters. Sinha stated, “Devasena … starts off as an ace warrior only to be tamed into someone who has to be protected”. Shubhra Gupta of rated the film 2/5 stars, noting problems with pacing and sound, writing, “The background music is relentless, and the pitch at which the declamatory dialogues are delivered is deafening: there were times I felt like closing my ears”. Taran Adarsh of rates the film 4.5 out of 5 and praises the performance of the cast, writing, “Its a feast for moviegoers and has the trappings to make all generations its fan”. Meena Iyer from rated it 4/5, writing: “Just savor it. It is a visual extravaganza that India must feast on … Prabhas is terrific as father and son. Of course, it is CGI and VFX that grab you in your seat”. Hemanth Kumar from called it “Rajamouli’s epic drama” and rated it 4/5. Sukanya Verma from rated the film 3.5/5, writing the film, “continues its tradition of grandiloquence and magnitude… high drama, more than spectacle, is what lends its riveting tale of revenge and glory all its wallop and wizardry”. She also praised the film’s cast and director stating, “Equipped with a cast that’s not only in tune with Rajamouli’s vision but knows exactly where to hold back and when to give their all adds to Baahubali’s might”. Sudhir Suryawanshi of wrote that ” is deserving of high praise if only for the visceral experience it is. By no means though is it a perfect film. Some of the lip-syncing in the Tamil version is awful”. It was further featured in Rotten Tomatoes’ list of Best Off the Radar Films of 2017, in which Tim Ryan writes, ” plays like a shotgun wedding between and , seasoned with bits of Shakespeare, Kurosawa, and Buster Keaton,” opining, “it’s a blockbuster that’s both gigantic and lighter than air”. Mike McCahill of gave a 4/5 rating and called it “a jaw-dropping blockbuster that combines nimble action with genuine heart”. He also stated, “This production’s triumph is the room it’s granted Rajamouli to head into the fields and dream up endlessly expressive ways to frame bodies in motion. Of the many sequences here primed to cut through jadedness, perhaps the most wondrous is that which finds Baahu guiding Deva mid-battle to shoot three arrows simultaneously – a set piece that speaks both to a love of action, and love in action. The budget’s big, the muscle considerable, but they’re nothing compared with s heart”. Manjusha Radhakrishnan of rates the film 3.5 out of 5 and writes, “This is a sweeping visual spectacle filled with epic battle scenes, clashes between warring troops from Indian mythology and elephants on a rampage,” but further added, “There were times in the second half where you felt the computer-generated graphics took over the story. But all this is new and exotic for Indian cinema”. Shilpa Jamkhandikar of writes, “It may not up the ante from the last film, but it doesn’t let up on the pace either. For an Indian film, that is no mean feat”. J Hurtado of writes, “It’s a bit daunting because it does begin in media res immediately following the complex actions of the first film, but astute viewers will put together the pieces soon enough”. Simon Abrams of gave the film a 4/4 rating and writes the film “is everything I want but rarely get from superhero and big-budget fantasy movie” adding “the fight scenes… are so creative that they make even the most frequently abused creative shortcuts seem novel, everything from computer-generated imagery (CGI) to speed-ramping… You care what happens to the cast as they, aided by wires, hurl volleys of arrows at disposable minions and CGI animals”. Anita Iyer from rates the film 3.5 out of 5 and writes, “What stands out in the film is the powerful star cast. Enough has been said already about the acting prowess of Prabhas but he has an equally supportive cast to hold the film. Ramya Krishna as Sivagami, is known for her impressive acting talent and proves her mettle here. Another veteran, Sathyaraj as Katappa excels and you develop a camaraderie with him. Rana Daggubati is aptly spiteful in his portrayal of the villain… Nassar, as his father, is busy spewing venom but his role could have been meatier”. grossed ₹2.17 billion on its opening day and ₹5.10 billion in its opening weekend worldwide. It became the highest-grossing Indian film worldwide with a gross of ₹7.92 billion in six days. The film was the first Indian film to enter the , grossing over ₹10 billion in all languages in India, and it further grossed over ₹12.5 billion in all languages by the end of two weeks. The film grossed over ₹1,429.83 crore in India and over ₹380.77 crore overseas, for a total estimated worldwide gross of ₹1,810.60 during its theatrical run. grossed ₹152 crore in India on its first day of release. Within three days, the film grossed ₹382 crore, setting the record for the highest opening weekend gross in India. In five days, it became the highest-grossing film in India with a total gross of ₹558 crore. The film crossed the ₹1000 crore net mark in India across all languages within 30 days. Regionally, grossed ₹327.9 crore in Andhra Pradesh and Telangana, ₹152.6 crore in Tamil Nadu, ₹129 crore in Karnataka, and ₹75 crore in Kerala. In the rest of India, it grossed approximately ₹732 crore, bringing the film’s total gross in India to ₹1417 crore, the highest for any film in the country. grossed ₹65 crore overseas on the first day of its release, the highest opening for an Indian film, surpassing . In 3 days, the film collected ₹128 crore from the overseas market, with ₹67.05 crore coming from the US alone, setting a record for 3-day collections. The film grossed $79.35 million during the opening weekend, ranking third on the global box office list, and earned $10.43 million in the United States alone, the highest-ever opening for an Indian film in the US. On 3 May 2017, Baahubali 2 became the highest-grossing Indian film at the US box office with $12.5 million, surpassing s gross of $12.3 million. The film had grossed US$20 million in the United States. became the first Indian film to exceed $11.1 million in takings in the Middle East-GCC-Gulf region, surpassing . In China, it made a number-three debut at the box office (behind domestic and ) with an opening-day gross of $2.41 million, surpassing the lifetime gross of ($1.8 million). The film grossed $7.67 million in its opening weekend. In Japan, the film grossed $1.3 million by April 2018, ranking as the third highest-grossing Indian film in the country, behind s Tamil film (1995) and s Hindi film (2009). By May 2018, the film had earned Â¥150 million, and its total gross reached Â¥250 million by September 2018. won the Telstra People’s Choice Award at the , sharing the prize with . and K.V. Vijayendra Prasad won the Global Indian Impact Icon Award for at NRI of the Year Awards. The Awards (2017) for Outstanding Achievement in Entertainment was given to Team Baahubali. Prabhas, Shetty, Keeravani, Rajamouli were nominated for Favorite Hero Of The Year, Favorite Heroine of the Year, Favorite Music Director and Favourite Director respectively, while and the film were nominated for Favourite Song and Favourite Film at the Golden Awards. won the at the . At the , it won in three categories: Best Stunt Choreography, and . also received nominations in every category (except ) at the . It also won in all categories, except for Best Actor, Best Actress and Best Playback Singer – Female. It got two nominations at the . along with is widely regarded as one of the most influential films in . It made a lasting impact on Indian . The success of cleared the way for more grand-scale preparations and has set modern measures for narrating, visual impacts, cinematic aspiration, humongous , high-end , a massive and phenomenon in Indian movies. The film inspired directors like and for making big budget action films. The duology of started a new film movement, , that is, rather than remaking the same film in various languages, they are dubbing the same film in various languages. Srivatsan S of wrote that Telugu cinema has excelled in marketing Pan-Indian films. It primarily employed two strategies – promoting the film outside their home territory and collaborating with other regional stars for more visibility. The film received appreciation from members of the Indian film industry. praised , calling Rajamouli “god’s own child” and equating the film to “Indian cinema’s pride”. praised the film and stated that Rajamouli “deserved all accolades” for making the film. called it “a game changer” that “redefines everything you thought you knew and understood about Indian movies”. His daughter called the film a “rock buster”. stated the film “exceed expectations,” while congratulated Rajamouli. , despite not watching the film, praised it and said, “But if you want to create that big cinema and that big dream to sell to a big number of people, you have to have guts to take that storytelling on and say it in the biggest, nicest, boldest way possible. stands for that”. Prasad had confirmed that a third cinematic part will not occur in the franchise. However, Yarlagadda said, “We have an animated series that is premiering on Amazon. Then we have graphic and regular novels that will tell us the backstory of the Mahishmati kingdom. We want to make the story of Sivagami – how she became a power centre into a TV series in a grand way. There is also a virtual reality experience. We have many more plans where fans can engage in the world of “. This was also confirmed by Prabhas, who said, “We are done with the story of , there cannot be a third part. But the world and the legacy of will live on through a comic series and a TV series”. was the most talked about film in India on Twitter in 2017. On Google, the film was the most searched topic and most searched film in India for the year 2017. Worldwide, it was the 7th most searched film in 2017. The song ” ” topped the list of most searched for songs in India. Owing to the success of the film, the set of the film at the Ramoji Film City was opened for tourism. According to Firstpost, the only phenomenon comparable to the “Baahubali mania” was Rajinikanth fandom. The Wikipedia article on became the most read film article on the encyclopedia in 2017. The trailer was the second most viewed in the year of 2017 on YouTube with more than 29 million views behind the trailer.</p>

Details

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Genres: Drama
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Writer:
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Producer: Shobu Yarlagadda, Prasad Devineni
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Director: S. S. Rajamouli
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Cinematography: K. K. Senthil Kumar
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Release Date: 28-Apr-17
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Edited By: Kotagiri Venkateswara Rao
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Budget: 250 crore
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Production Company:
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OTT Platform:
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Runtime: 2h 51m
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Language: Tamil
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Box Office: 1810.60 crore
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Other Languages:
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Screenplay:
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Censorship:

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