Ayalaan

<p>Tamizh, a happy-go-lucky man from , is very concerned about taking care of nature. His mother sends him to to get another job. There, he befriends Sugirtharaja who is the head of a surprise party agency and joins the agency. He soon falls in love Tara, a young woman after getting the wrong information from Sugirtharaja. At a function, Tamizh meets Tattoo, an alien sent to Earth by his leaders to retrieve Sparc, a mysterious element, before humans misuse it. Although initially scared, they form a bond and he introduces Tattoo to his friends. Meanwhile, a ruthless scientist named Aryan is shown to be hunting for Sparc after losing possession of it. Tamizh and Tattoo retrieve Sparc from a girl who found it. Aryan tracks them down but to no avail. However, Aryan has Tattoo’s spaceship after finding it in the beginning of the film after an encounter with Tattoo. Tattoo decides to return to his planet. Tamizh decides to help him get his spaceship. However, as Tattoo leaves, Tamizh is stabbed by Eliza, Aryan’s assistant. Tattoo sees this and comes back to save Tamizh with his powers, causing Tamizh to have the same powers. Eliza knocks Tattoo out and kidnaps him and gets Sparc. Tamizh and his friends don’t know about this as Tamizh thought Tattoo had left. What happens next forms the crux of the story. : and , uncredited, appear in the song “Ayalaa Ayalaa” as train passengers. 24AM Studios, the production company founded by , former manager of had produced three films starring the latter— (2016), (2017) and (2018). On 16 October 2016, the company announced their fourth project with Sivakarthikeyan, that would be directed by , in his second directorial after (2015). Describing it as an ambitious project, Sivakarthikeyan said that the film would be made on a bigger scale, which allows more time for pre-production works before the film goes on floors. Ravikumar then fine-tuned the script, while Sivakarthikeyan went on star in and . In December 2017, prior to the release of , Sivakarthikeyan reiterated on Ravikumar’s project with the script being drafted and also clarified that the production team planning to collaborate with top technicians for the project, which would begin after his commitments on . On 15 January 2018, the film was officially announced by 24AM Studios under the tentative title, (referring to the actor’s 14th film) and was brought on board to compose music for the film. The following month, joined the film as the cinematographer; further technicians were announced with editor , art director , stunt choreographer duo , costume designer Pallavi Singh being brought on board. John Paul was later replaced by . In mid-July 2019, Raja and 24AM Studios decided to back out producing the film due to financial constraints and Sivakarthikeyan himself decided to produce it under his own banner Sivakarthikeyan Productions. However, when the project was revived in November, KJR Studios had decided to cash in the shares of Raja’s productions including this project. The makers announced the film’s title as on 3 February 2020. was cast as the female lead in February 2018. That April, and were reported to be a part of the cast. On 27 June 2018, coinciding with the film’s launch, , Kothandam and were present at the ceremony, actively confirming their inclusions in the film. In July 2018, actress was cast, marking her return to Tamil cinema after (2001). She described her character Eliza as a and assassin, inspired by the character . In August 2018, actor was cast as the main antagonist, making his Tamil debut. He described his character as someone who is “hungry for power and new technology”. Though Kelkar did not know Tamil, he would fluently communicate with Ravikumar during production as he felt that “cinema doesn’t have any language”. Welsh actor David Broughton-Davies portrays Dexter Williams, an American . He spoke his dialogues in English and they were dubbed in Tamil. Venkatesh Senguttuvan was cast as the stand-in for the alien, performed through motion capture. He signed the project first even before he went on to debut in (2023), released during the film’s delay. Speaking to , he said he used to wear a blue-coloured suit embedded with multiple sensors to capture his movements, while the facial expressions being captured by another person. It took the film team five takes to shoot each movement with and without him. In November 2023, was considered to voice the alien before was finalised by the producers in December 2023. Siddharth charged no fee for his work. Sivakarthikeyan had previously dubbed for Siddharth in , the Tamil dubbed version of (2011). began on 27 June 2018, preceded by a launch event in Chennai. Thereafter, the film’s team headed to Gokulam Studios for a brief schedule. Nirav Shah used the camera, making the first Indian film to be shot using this camera. Major portions of the film were shot in Chennai and has been shot at regular intervals, which delayed due to Sivakarthikeyan’s commitments in other projects. On 18 February 2019, Sivakarthikeyan confirmed that filming had been resumed in Chennai. However, his involvement in the production of , and delayed the project further. Adding to these were the financial issues surrounding Raja’s production house, 24AM Studios, which led him backing out of the project, and Sivakarthikeyan himself offered to lend financial support for the film before KJR Studios took over. The project was later revamped on 20 September 2019, after Sivakarthikeyan sorted out the financial issues surrounding between the producers and the financiers. He further decided to forgo his remuneration to complete the film’s shoot. Ravikumar too opted against accepting remuneration due to the film’s financial troubles. By November, 75% of the shooting had been completed and the remaining portions would be shot within 25–30 days. The shooting resumed on 29 January 2020. On 9 February 2020, a report claimed that the film’s team worked for 15 hours to shoot the climax sequence. Filming was further affected due to the . In July 2020, the makers reported that Sivakarthikeyan will join the shooting after wrapping his commitments with (2021). Later, the final schedule was commenced on 26 November 2020, with minimal crew, adhering to the guidelines imposed by the government. A special team was designated, to observe the crew, including the director and the actor abiding to COVID-19 protocols. Koppikar and Kelkar arrived in Chennai, to join the film’s shoot, which went on for two months. A song sequence was shot within 10 days in Chennai during January 2021, that featured 600 dancers in background. On 24 January 2021, the makers announced that principal photography has . The team then returned for which took place in November 2022. Bejoy Arputharaj, the CEO of Phantom FX which handled the film’s visual effects and whom served as the worked with Ravikumar on conceptualising the design for the alien character. Ravikumar sketched the initial design of the alien for the past seven years, and wanted it to be a prominent figure appearing throughout the film, as well as portray various emotions and reactions. Ravikumar and Bejoy also ensured that the alien should be liked by children as well. Hence, they showcased the initial designs of the alien character to children for look tests and they finalised the design after their approval. A puppet resembling the alien was procured from the United States to ensure precision in lighting and details by cinematographer Nirav Shah’s team, that costed around crores. However, due to the delay in obtaining the model from there, they decided to develop an indigenous puppet resembling the alien by art director Muthuraj, during production. The team then captured the movements of the alien through performance with Venkatesh as the stand-in, and then combine it using visual effects. During pre-production in 2017, the motion capture technology costed around lakhs, they went ahead with a motion capture suit of lakhs due to budget constraints. But during the period of delay, they bought an advanced motion capture suit at a low price, while also performing facial capture for the alien which helped them provide a better quality. The film’s post-production involved extended visual effects. In January 2021, it was reported that the makers need more than 10 months to complete the visual effects, which cost over crore. The team further brought in several technicians from Hollywood for the computer graphics and works. The dubbing for the film began in February 2021. Besides providing visual effects, Phantom FX also co-produced the film through Phantom FX Studios, which would mark their first production. The film has over 4500 visual effects shots, the most for an Indian film. In an interview with Galatta Plus, Sivakarthikeyan attributed the film’s delay due to the incomplete post-production works during the pandemic as visual effects could not be done with multiple restrictions. However, the delay helped Ravikumar to use new technologies for the film. The film’s and background score are composed by A. R. Rahman, which marks his first collaboration with Sivakarthikeyan and Ravikumar. Sivakarthikeyan described it as a “dream come true” moment, on associating with Rahman for the first time. Rahman agreed to do the picture in late-2017 and eventually began the music sittings and composition in March 2018. Despite the delay in the film’s shoot, Rahman had completed composing three songs for the film, apart from singing the intro song, after Sivakarthikeyan’s request. On the occasion of Sivakarthikeyan’s birthday 17 February 2021, the film’s first single “Vera Level Sago” was released online and in the official channel of , which acquired the film’s audio rights. The second single “Ayalaa Ayalaa” was released on 20 December 2023. The audio launch was held on 26 December 2023. The third single “Suro Suro” was released on 7 January 2024. The remaining songs, with the film’s album were released to music streaming platforms on 11 January 2024, a day before the film’s release. was released theatrically on 12 January 2024, during the week of and clashing with . As of December 2021, the film was facing uncertainty over its release due to 24AM Studios borrowing (equivalent to 5.6 crore or US$660,000 in 2023) from Tag Entertainment, and the granted a stay over its release till 3 January 2022 unless the sum was repaid. On 24 April 2023, it was announced that the film would be released during in November 2023. Later the film was delayed indefinitely to allow time for the visual effects and CGI work to be completed, before being scheduled for January 2024. The film’s Telugu dubbed version was released on 26 January, but was removed from theatres a few days later due to “unsettled deals” with the digital intermediate partner. The film’s broadcast rights were sold to and the streaming rights to . It began streaming on Sun NXT from 9 February 2024. On the website , 33% of 6 critics’ reviews are positive, with an average rating of 7/10. received positive reviews from critics. M. Suganth of rated 3.5/5 stars and wrote, “It is the twists that Ravikumar gives to concepts that we have seen in several Hollywood films – superpowers, UFOs, extra-terrestrials, powerful robots, femme fatales, large-scale destruction – that makes Ayalaan an entertainer for all ages.” Sanjith Sidhardhan of rated 3.5/5 and told, “While Ayalaan has a somewhat predictable storyline, the VFX of the film and its fun storytelling aided by appealing characters make this a great festive watch for the families, especially with the children.” Janani K of gave 2.5/5 stars and wrote “‘Ayalaan’ is a fun film for kids and could appeal to them more because of its simplistic approach.” Priyanka Sundar of Firstpost rated the film 1.5 stars out of 5. Kirubhakar Purushothaman of gave 2/5 stars and wrote, “The laughs in this sci-fi comedy are sparse and few, much like the good ideas.” Latha Srinivasan of wrote, “Ayalaan may have been delayed a few years but it will still appeal to adults – and kids – looking for a place to while away some good time.” Krishna Selvaseelan of awarded the film 2 out of 5 stars, stating, “Targeting a film at children does not excuse the filmmaker from creating a good film – it has been done numerous times before.” Vivek M. V. of wrote that the film is “light-hearted and has an expressive alien to entertain, but it doesn’t push the boundaries enough to offer a gripping sci-fi experience”. At the 2024 VAM Awards, won in the following categories: Best Motion Capture, Best Compositing, Best VFX Feature (Domestic), Best Innovative Use of Software in VFX and Best VFX Supervisor (Bejoy Arputharaj). During an interview in December 2023, Sivakarthikeyan hinted that a sequel for the film would begin production soon. On 23 January 2024, the sequel was confirmed by KJR Studios and Phantom FX, with Ravikumar and Sivakarthikeyan returning in their positions.</p>