Ayaal

<p>Set in the late 1950s, the film uses the symbols of Serpentine Worship and socio-political rebellions during the period to create an ambiance for storytelling. The protagonist Dasan is a practicing Pulluvan, who has an aura of ascribed divinity around him. He has two wives, Janaki and Chakara. Janaki’s love with Dasan is platonic, but Chakara true to her name is possessive. Dasan over time becomes passionate with Devaki Antharjanam, the wife of the village landlord as well. Be it wine, women, or smoke, Dasan has no restrictions. His mastery over the profession was unparalleled. Due to the ascribed divinity around him, he is unquestioned. But not for too long. Something happens which makes his life topsy-turvy! The event also brings out the tenacity and quality of relations he had.<br /> The film depicts the various shades of love and problematizes the conventional concepts around it. It is also an attempt to transcend the definitions of love and to explore the flowering of bonds which are more deep-rooted than love. What do we call it? The music was done by , Somashekharan Unnitan, and MG Anil. The songs are sung by , , and . The film has five songs. The lyrics were by Devadas (famous for Kattukurinju poovum kondu) and MT Pradeep Kumar.</p>