Olavum Theeravum (1970)

<p>Timber traders Bapputty and Abdu are friends. Ashamed of his mother Beevathu’s immoral life after his father’s death, Abdu runs away from his native village Vazhakkadavu and is engaged in timber trading. Abdu never returns to his home after that. On the way to the trading centre after loading timber from the forest Abdu falls ill and dies on the way. Bapputty reaches Beevathu’s hut with Abdu’s dead body. Bapputty takes pity on the family and decides to support them. Here, Bapputty falls in love with Abdu’s only sister Nabeesa who also hates her mother’s way of life but is helpless. Bapputty takes a decision to make enough money, marry Nabeesa and live happily. He leaves the village to distant timber depots to realize this dream. Meanwhile, a rich trader Kunjali who was away from his native village for a long time now returns. He sees Nabeesa and makes advances. Beevathu, who only thinks of making money, encourages Nabeesa to befriend Kunjali, but she avoids going anywhere near him. She keeps waiting for Bapputty to return and take her away. One day, with Beevathu’s support Kunjali molests Nabeesa. On that fateful day Bapputty reaches the village and is heartbroken at the happenings. But the kind-hearted Bapputty who loved Nabeesa sincerely, affirms his decision to marry her. Nabeesa refuses and pleads with him to leave her. The film ends with Nabeesa’s suicide and Bapputty staring at her swollen corpse washed ashore as he leaves the village. The music was composed by with lyrics by and . In a retrospect review, B. Vijaykumar of states that, ” Madhu and Philomena excelled in their roles. In fact, Beevathu is considered as one of the best performances of Philomina, which fetched her a State award for the second best actress of the year. The songs written by P. Bhaskaran and set to tune by Baburaj were haunting. The films traditional Mappila songs were also very well done. The film will be remembered as a film that won State awards for best feature film, best cinematography (Mankada Ravi Varma), script (M.T. Vasudevan Nair) and second best actress ( ). And also for its haunting music.” The film was a commercial success. has been credited with helping to bring about a “flowering of art-house films that have today become the defining quality of Malayalam cinema”, with being Malayalam cinema’s “breakthrough into realism”, and as “a watershed in the history of Malayalam cinema”. The tragic realism in this art-house movie, which was also a commercial hit, later became a definitive formula for a whole generation of Malayalam directors, including P. A. Backer. MT’s flawless script centering on the love affair of a trader with the daughter of a sex worker was the base on which made this classic, which became a trendsetter for the realistic way of making movies in Malayalam. It is rightly regarded as one of the milestones in Malayalam cinema. The film was remade as a featurette as part of the Malayalam-language titled (2024) on , with and playing the lead roles. The episode was directed by .</p>